F. Scott Fitzgerald: Complete Works. F. Scott Fitzgerald
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“Walters!” he said suddenly, in a clear, cultured voice.
One of the white-clad sailors stepped forward and saluted.
“You can take the boats back to the yacht. You ought to be able to find it all right by the foghorn.”
“Yes, sir.”
“When the fog lifts you’d better stand out to sea. Meanwhile, wireless New York to send down my car. It’s to call for me at the Marsden house on Montauk Point.”
As the sailor turned away, his torch flashed upward accidentally wavering upon the four amazed faces which were peering down at the curious scene.
“Look there, sir!” he exclaimed.
The four torches picked out the eavesdropping party at the top of the hill.
“Hands up, there!” cried Percy, pointing his rifle down into the glare of light.
“Miss Marsden!” called the young man eagerly. “I was just coming to call.”
“Don’t move!” shouted Percy. And then to the doctor, “Had I better fire?”
“Certainly not!” cried Doctor Gallup. “Young man, does your name happen to be what I think it is?”
The young man bowed politely.
“My name is George Van Tyne.”
A few minutes later the immaculate young man and two completely bewildered ladies were shaking hands. “I owe you more apologies than I can ever make,” he confessed, “for having sacrificed you to the strange whim of a young girl.”
“What whim?” demanded Aunt Cal.
“Why”—he hesitated—“you see, all my life I have devoted much attention to the so-called niceties of conduct; niceties of dress, of manners, of behavior——”
He broke off apologetically.
“Go on,” commanded Aunt Cal.
“And your niece has too. She always considered herself rather a model of—of civilized behavior”—he flushed—“until she met me.”
“I see,” Doctor Gallup nodded. “She couldn’t bear to marry anyone who was more of a—shall we say, a dandy?—than herself.”
“Exactly,” said George Van Tyne, with a perfect eighteenth-century bow. “It was necessary to show her what a—what an——”
“——unspeakable egg,” supplied Aunt Josephine.
“——what an unspeakable egg I could be. It was difficult, but not impossible. If you know what’s correct, you must necessarily know what’s incorrect; and my aim was to be as ferociously incorrect as possible. My one hope is that someday you’ll be able to forgive me for throwing the sand—I’m afraid that my impersonation ran away with me.”
A moment later they were all walking toward the house.
“But I still can’t believe that a gentleman could be so—so unspeakable,” gasped Aunt Jo. “And what will Fifi say?”
“Nothing,” answered Van Tyne cheerfully. “You see, Fifi knew about it all along. She even recognized me in the tree that first day. She begged me to—to desist until this afternoon; but I refused until she had kissed me tenderly, beard and all.”
Aunt Cal stopped suddenly.
“This is all very well, young man,” she said sternly; “but since you have so many sides to you, how do we know that in one of your off moments you aren’t the murderer who’s hiding on the Point?”
“The murderer?” asked Van Tyne blankly. “What murderer?”
“Ah, I can explain that, Miss Marsden.” Doctor Gallup smiled apologetically. “As a matter of fact, there wasn’t any murderer.”
“No murderer?” Aunt Cal looked at him sharply.
“No, I invented the bank robbery and the escaped murderer and all. I was merely applying a form of strong medicine to your niece.”
Aunt Cal looked at him scornfully and turned to her sister. “All your modern ideas are not so successful as mah-jongg,” she remarked significantly.
The fog had blown back to sea, and as they came in sight of the house the lamps were glowing out into the darkness. On the porch waited an immaculate girl in a gleaming white dress, strung with beads which glistened in the new moonlight.
“The perfect man,” murmured Aunt Jo, flushing, “is, of course, he who will make any sacrifice.”
Van Tyne did not answer; he was engaged in removing some imperceptible flaw, less visible than a hair, from his elbow, and when he had finished he smiled. There was now not the faintest imperfection anywhere about him, except where the strong beating of his heart disturbed faintly the satin facing of his coat.
John Jackson’s Arcady.
(The Saturday Evening Post, 26 July 1924)
The first letter, crumpled into an emotional ball, lay at his elbow, and it did not matter faintly now what this second letter contained. For a long time after he had stripped off the envelope, he still gazed up at the oil painting of slain grouse over the sideboard, just as though he had not faced it every morning at breakfast for the past twelve years. Finally he lowered his eyes and began to read:
“Dear Mr. Jackson : This is just a reminder that you have consented to speak at our annual meeting Thursday. We don’t want to dictate your choice of a topic, but it has occurred to me that it would be interesting to hear from you on What Have I Got Out of Life. Coming from you this should be an inspiration to everyone.
“We are delighted to have you anyhow, and we appreciate the honor that you confer on us by coming at all.
“Most cordially yours,
“Anthony Roreback,
“Sec. Civic Welfare League.”
“What have I got out of life?” repeated John Jackson aloud, raising up his head.
He wanted no more breakfast, so he picked up both letters and went out on his wide front porch to smoke a cigar and lie about for a lazy half-hour before he went downtown. He had done this each morning for ten years—ever since his wife ran off one windy night and gave him back the custody of his leisure hours. He loved to rest on this porch in the fresh warm mornings and through a porthole in the green vines watch the automobiles pass along the street, the widest, shadiest, pleasantest street in town.
“What have I got out of life?”