F. Scott Fitzgerald: Complete Works. F. Scott Fitzgerald

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F. Scott Fitzgerald: Complete Works - F. Scott Fitzgerald

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as St. Voltaire’s. It was the rule at St. Voltaire’s that no monk could descend to the ground story of the monastery so long as he lived, but should exist engaged in prayer and contemplation in one of the four towers, which were called after the four commandments of the monastery rule: Poverty, Chastity, Obedience, and Silence.

      “When the day came that was to witness the Chevalier’s farewell to the world he was utterly happy. He gave all his Greek books to his landlady, and his sword he sent in a golden sheath to the King of France, and all his mementos of Ireland he gave to the young Huguenot who sold fish in the street where he lived.

      “Then he rode out to St. Voltaire’s, slew his horse at the door, and presented the carcass to the monastery cook.

      “At five o’clock that night he felt, for the first time, free—forever free from sex. No woman could enter the monastery; no monk could descend below the second story. So as he climbed the winding stair that led to his cell at the very top of the Tower of Chastity he paused for a moment by an open window which looked down fifty feet on to a road below. It was all so beautiful, he thought, this world that he was leaving, the golden shower of sun beating down upon the long fields, the spray of trees in the distance, the vineyards, quiet and green, freshening wide miles before him. He leaned his elbows on the window casement and gazed at the winding road.

      “Now, as it happened, Thérèse, a peasant girl of sixteen from a neighboring village, was at that moment passing along this same road that ran in front of the monastery. Five minutes before, the little piece of ribbon which held up the stocking on her pretty left leg had worn through and broken. Being a girl of rare modesty she had thought to wait until she arrived home before repairing it, but it had bothered her to such an extent that she felt she could endure it no longer. So, as she passed the Tower of Chastity, she stopped and with a pretty gesture lifted her skirt—as little as possible, be it said to her credit—to adjust her garter.

      “Up in the tower the newest arrival in the ancient monastery of St. Voltaire, as though pulled forward by a gigantic and irresistible hand, leaned from the window. Further he leaned and further until suddenly one of the stones loosened under his weight, broke from its cement with a soft powdery sound—and, first headlong, then head over heels, finally in a vast and impressive revolution tumbled the Chevalier O’Keefe, bound for the hard earth and eternal damnation.

      “Thérèse was so much upset by the occurrence that she ran all the way home and for ten years spent an hour a day in secret prayer for the soul of the monk whose neck and vows were simultaneously broken on that unfortunate Sunday afternoon.

      “And the Chevalier O’Keefe, being suspected of suicide, was not buried in consecrated ground, but tumbled into a field near by, where he doubtless improved the quality of the soil for many years afterward. Such was the untimely end of a very brave and gallant gentleman. What do you think, Geraldine?”

      But Geraldine, lost long before, could only smile roguishly, wave her first finger at him, and repeat her bridge-all, her explain-all:

      “Crazy!” she said, “you cra-a-azy!”

      His thin face was kindly, she thought, and his eyes quite gentle. She liked him because he was arrogant without being conceited, and because, unlike the men she met about the theatre, he had a horror of being conspicuous. What an odd, pointless story! But she had enjoyed the part about the stocking!

      After the fifth cocktail he kissed her, and between laughter and bantering caresses and a half-stifled flare of passion they passed an hour. At four-thirty she claimed an engagement, and going into the bathroom she rearranged her hair. Refusing to let him order her a taxi she stood for a moment in the doorway.

      “You will get married,” she was insisting, “you wait and see.”

      Anthony was playing with an ancient tennis ball, and he bounced it carefully on the floor several times before he answered with a soupçon of acidity:

      “You’re a little idiot, Geraldine.”

      She smiled provokingly.

      “Oh, I am, am I? Want to bet?”

      “That’d be silly too.”

      “Oh, it would, would it? Well, I’ll just bet you’ll marry somebody inside of a year.”

      Anthony bounced the tennis ball very hard. This was one of his handsome days, she thought; a sort of intensity had displaced the melancholy in his dark eyes.

      “Geraldine,” he said, at length, “in the first place I have no one I want to marry; in the second place I haven’t enough money to support two people; in the third place I am entirely opposed to marriage for people of my type; in the fourth place I have a strong distaste for even the abstract consideration of it.”

      But Geraldine only narrowed her eyes knowingly, made her clicking sound, and said she must be going. It was late.

      “Call me up soon,” she reminded him as he kissed her goodbye, “you haven’t for three weeks, you know.”

      “I will,” he promised fervently.

      He shut the door and coming back into the room stood for a moment lost in thought with the tennis ball still clasped in his hand. There was one of his lonelinesses coming, one of those times when he walked the streets or sat, aimless and depressed, biting a pencil at his desk. It was a self-absorption with no comfort, a demand for expression with no outlet, a sense of time rushing by, ceaselessly and wastefully—assuaged only by that conviction that there was nothing to waste, because all efforts and attainments were equally valueless.

      He thought with emotion—aloud, ejaculative, for he was hurt and confused.

      “No idea of getting married, by God !”

      Of a sudden he hurled the tennis ball violently across the room, where it barely missed the lamp, and, rebounding here and there for a moment, lay still upon the floor.

      Signlight and Moonlight.

      For her dinner Gloria had taken a table in the Cascades at the Biltmore, and when the men met in the hall outside a little after eight, “that person Bloeckman” was the target of six masculine eyes. He was a stoutening, ruddy Jew of about thirty-five, with an expressive face under smooth sandy hair—and, no doubt, in most business gatherings his personality would have been considered ingratiating. He sauntered up to the three younger men, who stood in a group smoking as they waited for their hostess, and introduced himself with a little too evident assurance—nevertheless it is to be doubted whether he received the intended impression of faint and ironic chill: there was no hint of understanding in his manner.

      “You related to Adam J. Patch?” he inquired of Anthony, emitting two slender strings of smoke from nostrils overwide.

      Anthony admitted it with the ghost of a smile.

      “He’s a fine man,” pronounced Bloeckman profoundly. “He’s a fine example of an American.”

      “Yes,” agreed Anthony, “he certainly is.”

      —I detest these underdone men, he thought coldly. Boiled looking! Ought to be shoved back in the oven; just one more minute would do it.

      Bloeckman squinted at his watch.

      “Time these girls were showing up …”

      —Anthony

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