speak to Gloria about it. Personally I’d like to, but of course it’s up to the Gilberts, you see.”
His grandfather drew a long sigh, half closed his eyes, and sank back in his chair.
“In a hurry?” he asked in a different tone.
“Not especially.”
“I wonder,” began Adam Patch, looking out with a mild, kindly glance at the lilac bushes that rustled against the windows, “I wonder if you ever think about the after-life.”
“Why—sometimes.”
“I think a great deal about the after-life.” His eyes were dim but his voice was confident and clear. “I was sitting here to-day thinking about what’s lying in wait for us, and somehow I began to remember an afternoon nearly sixty-five years ago, when I was playing with my little sister Annie, down where that summer-house is now.” He pointed out into the long flower-garden, his eyes trembling of tears, his voice shaking.
“I began thinking—and it seemed to me that you ought to think a little more about the after-life. You ought to be—steadier”—he paused and seemed to grope about for the right word—“more industrious—why—”
Then his expression altered, his entire personality seemed to snap together like a trap, and when he continued the softness had gone from his voice.
“—Why, when I was just two years older than you,” he rasped with a cunning chuckle, “I sent three members of the firm of Wrenn and Hunt to the poorhouse.”
Anthony started with embarrassment.
“Well, good-by,” added his grandfather suddenly, “you’ll miss your train.”
Anthony left the house unusually elated, and strangely sorry for the old man; not because his wealth could buy him “neither youth nor digestion” but because he had asked Anthony to be married there, and because he had forgotten something about his son’s wedding that he should have remembered.
Richard Caramel, who was one of the ushers, caused Anthony and Gloria much distress in the last few weeks by continually stealing the rays of their spot-light. “The Demon Lover” had been published in April, and it interrupted the love affair as it may be said to have interrupted everything its author came in contact with. It was a highly original, rather overwritten piece of sustained description concerned with a Don Juan of the New York slums. As Maury and Anthony had said before, as the more hospitable critics were saying then, there was no writer in America with such power to describe the atavistic and unsubtle reactions of that section of society.
The book hesitated and then suddenly “went.” Editions, small at first, then larger, crowded each other week by week. A spokesman of the Salvation Army denounced it as a cynical misrepresentation of all the uplift taking place in the underworld. Clever press-agenting spread the unfounded rumor that “Gypsy” Smith was beginning a libel suit because one of the principal characters was a burlesque of himself. It was barred from the public library of Burlington, Iowa, and a Mid-Western columnist announced by innuendo that Richard Caramel was in a sanitarium with delirium tremens.
The author, indeed, spent his days in a state of pleasant madness. The book was in his conversation three-fourths of the time—he wanted to know if one had heard “the latest”; he would go into a store and in a loud voice order books to be charged to him, in order to catch a chance morsel of recognition from clerk or customer. He knew to a town in what sections of the country it was selling best; he knew exactly what he cleared on each edition, and when he met any one who had not read it, or, as it happened only too often, had not heard of it, he succumbed to moody depression.
So it was natural for Anthony and Gloria to decide, in their jealousy, that he was so swollen with conceit as to be a bore. To Dick’s great annoyance Gloria publicly boasted that she had never read “The Demon Lover,” and didn’t intend to until every one stopped talking about it. As a matter of fact, she had no time to read now, for the presents were pouring in—first a scattering, then an avalanche, varying from the bric-à-brac of forgotten family friends to the photographs of forgotten poor relations.
Maury gave them an elaborate “drinking set,” which included silver goblets, cocktail shaker, and bottle-openers. The extortion from Dick was more conventional—a tea set from Tiffany’s. From Joseph Bloeckman came a simple and exquisite travelling clock, with his card. There was even a cigarette-holder from Bounds; this touched Anthony and made him want to weep—indeed, any emotion short of hysteria seemed natural in the half-dozen people who were swept up by this tremendous sacrifice to convention. The room set aside in the Plaza bulged with offerings sent by Harvard friends and by associates of his grandfather, with remembrances of Gloria’s Farmover days, and with rather pathetic trophies from her former beaux, which last arrived with esoteric, melancholy messages, written on cards tucked carefully inside, beginning “I little thought when—” or “I’m sure I wish you all the happiness—” or even “When you get this I shall be on my way to—”
The most munificent gift was simultaneously the most disappointing. It was a concession of Adam Patch’s—a check for five thousand dollars.
To most of the presents Anthony was cold. It seemed to him that they would necessitate keeping a chart of the marital status of all their acquaintances during the next half-century. But Gloria exulted in each one, tearing at the tissue-paper and excelsior with the rapaciousness of a dog digging for a bone, breathlessly seizing a ribbon or an edge of metal and finally bringing to light the whole article and holding it up critically, no emotion except rapt interest in her unsmiling face.
“Look, Anthony!”
“Darn nice, isn’t it!”
No answer until an hour later when she would give him a careful account of her precise reaction to the gift, whether it would have been improved by being smaller or larger, whether she was surprised at getting it, and, if so, just how much surprised.
Mrs. Gilbert arranged and rearranged a hypothetical house, distributing the gifts among the different rooms, tabulating articles as “second-best clock” or “silver to use every day,” and embarrassing Anthony and Gloria by semi-facetious references to a room she called the nursery. She was pleased by old Adam’s gift and thereafter had it that he was a very ancient soul, “as much as anything else.” As Adam Patch never quite decided whether she referred to the advancing senility of his mind or to some private and psychic schema of her own, it cannot be said to have pleased him. Indeed he always spoke of her to Anthony as “that old woman, the mother,” as though she were a character in a comedy he had seen staged many times before. Concerning Gloria he was unable to make up his mind. She attracted him but, as she herself told Anthony, he had decided that she was frivolous and was afraid to approve of her.
Five days!—A dancing platform was being erected on the lawn at Tarrytown. Four days!—A special train was chartered to convey the guests to and from New York. Three days!—
The Diary.
She was dressed in blue silk pajamas and standing by her bed with her hand on the light to put the room in darkness, when she changed her mind and opening a table drawer brought out a little black book—a “Line-a-day” diary. This she had kept for seven years. Many of the pencil entries were almost illegible and there were notes and references to nights and afternoons long since forgotten, for it was not an intimate diary, even though it began with the immemorial “I am going to keep a diary for my children.” Yet as she thumbed over the pages the eyes of many men seemed to look out at her from their half-obliterated names. With one she had gone to New Haven for the first time—in 1908,
