fell backward fainting. In an instant they were ringed in by a startled, eager crowd; but the Duke, lifting the slight, unconscious form in his arms, refused peremptorily all offers for assistance, & despatching a messenger for Lord Breton, himself carried Georgie into a dressing-room, out of reach of the bustle & curiosity of his officious guests.
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XII.
Poor Teresina.
“When pain & anguish wring the brow, a ministering Angel thou!”
Scott: “Marmion.”
The returning Winter found Guy Hastings again at Rome, in the old studio which he & Egerton had shared the year before; but Jack was still in England, though he wrote in the expectancy of joining his Telemachus in the early Spring. Meanwhile Guy, on settling down in his Winter quarters, began to apply himself with real assiduity to his art. He painted a successful picture which was bought by an Italian connoisseur; & inspirited by this piece of good fortune, grew more & more attached to the great work he had heretofore treated as play. He had lost his utter recklessness in this deepening interest, & a new & softening influence seemed to have entered into his imbittered life since the happy weeks at Interlaken. This influence was not the less tender or pleasant that it was somehow connected with a pair [of] sweet, childlike blue eyes & a low voice full of shy music. Little did Madeline, cherishing the secret of her first love in silence, guess the innocent change she had worked in her hero; & perhaps Guy himself scarcely realized her quiet power. When the Grahams came back to Rome however, the intercourse which had charmed the Interlaken days, was renewed; Guy was always welcomed in their apartment, & many a little breakfast or supper was given in their honour in his sunny studio. Mr. Graham, too, discovered that Madeline’s portrait must be painted; & twice a week she & her mother would knock at Guy’s door, until, when the last coat of varnish was dry & the picture sent home, he grew to miss the timid rap & the pleasant hour that ensued & to discover that it had been, unconsciously, the brightest part of his day. Madeline’s frail health grew stronger, & her shy laugh gayer; & though one parent was far from satisfied with the cause, both could not but rejoice over the effect of this change. Altogether, the Winter was a happy, if a quiet one to the few with whom our story is most concerned; & as the days slipped by, they forged the imperceptible links of interest & sympathy which were drawing Guy nearer to Madeline. One of these links was brought about by a little personage who by this time had nearly dropped out of Guy’s remembrance, although her face was reflected on more than one canvas hung upon his studio wall. He was hurrying homeward near dusk on a soft day toward the end of January, & taking a short cut to the Piazza ___, struck a little, out of the way street, apparently quite deserted in the waning light. The houses were old & ruinous, & if Guy had found time to pause, their tumbling picturesqueness would have delighted his artist-eye; but as it was, he was in too great haste to notice anything, until at a turn in the street he nearly stumbled across a little drooping figure huddled against a broken flight of steps. Bending down in astonishment, he asked in Italian what was the matter. There was no answer, or movement, & he repeated his question more anxiously. Just then a coarse-faced woman came swinging down the street bare-headed, & paused in astonishment to see the handsome Signore Inglese bending over a little, cowering contadina with her face hidden. “Eh, she won’t move, Signore,” said the woman, grinning. “She’s been there these three hours.” “Is she dead?” asked Guy, pityingly. “Dead? Santa Maria! No, not she. Maybe she is crazy.” “You cannot leave her here,” said Guy; “if she is alive she should be taken in somewhere.” The woman shrugged her shoulders. “I tell you, she won’t move. I don’t know who she is.” “Poverina!” said Guy, very low; but he had scarcely spoken when a tremor shot through the crouching form at his feet, & a faint little cry reached him. “Signore—it is Teresina!” “Teresina,” repeated Guy in amazement. “Are you ill? What is the matter?” “Eh,” said the woman, staring, “The Signore knows her, then?” “What has happened?” Guy continued, as a burst of sobs answered his questions. “Will you get up, Teresina, & let me carry you into some house?” But she did not lift her hidden face, nor move from her cowering attitude. Guy was in sore perplexity. He could not leave her, not knowing whether she was ill or frightened in some way; & the woman who had been watching him with an expression of sleepy surprise on her heavy face ran off here in pursuit of a brown-legged little boy who was scampering toward the Piazza. Just then, as Guy was gazing doubtfully down the crooked street, two people appeared moving quickly against the dark sunset glow; one a short, plain-faced little woman, with the indefinable air of an English servant—the other tall, & blonde, with soft blue eyes & her hands full of flowers. “Miss Graham!” exclaimed Guy, as she recognized him with a start & a deepening blush. “What is the matter?” said Madeline, glancing with surprise towards Teresina while Priggett, the maid, hung back with a disapproving stare. “Who is that poor creature, Mr. Hastings? Why,” she continued suddenly, “it must be your little peasant—Teresina!” “So it is,” said Guy, “& I cannot find whether she is ill or only unhappy. She will not move, & I cannot get her to answer my questions.” “Poor thing!” and Madeline, regardless of the dirty cobble-stones & her own soft, pretty dress, knelt down beside Teresina; & began to speak in her sweet, shy Italian. “Will you not tell us if you are suffering?” she said; “we are so sorry for you & we cannot leave you here.” “Miss—” said Priggett in an agony, “Miss, it’s growing very dark.” “Never mind, Priggett. Mr. Hastings, will you hold these flowers, please?” & putting her roses into his hand, she quietly slipped her arm about Teresina & raised the poor little drooping head tenderly. “I do not think she is in pain—speak to her, Mr. Hastings.” Guy bent over her & said a few soothing words; & Madeline, still kneeling by her side, asked again very gently: “What is it, Teresina?” “Tell the Signora,” urged Guy. “She is very kind & wants to help you.” Teresina was still sobbing, but less violently & now she made no attempt to hide her face; & in a few moments they caught a little, trembling answer. “I am hungry.” “Poor thing—poor thing—” said Madeline, through her tears. “Have you no home?” She gave a little shriek & tried to hide her face, repeating passionately “No, no, no!” “She is not fit to answer any questions,” said Madeline. “Mr. Hastings, she must be carried into some house at once & taken care of.” The woman who had stared at Guy came back just then from her chase to the piazza; & calling her, they persuaded her to let Teresina be taken into her house close by. Guy lifted the poor, fainting creature in his arms & Madeline followed, for once regardless of Priggett’s indignant glances, while the woman led the way up some tumbling steps into a wretched little room. The night had fallen when, having left some money & sundry directions, they turned once more into the lonely street, Madeline shyly accepting Guy’s escort home. “I will go & see the poor thing tomorrow,” she said, her sweet voice full of pity. “I think she has had a great blow. She does not seem really ill—only exhausted.” “She could not be under kinder care—poor child!” said Guy, thoughtfully. “I cannot understand what has happened. She was happily married to her lover last year—as you know.” “He may have died. How lonely she seemed! O poor, poor thing—it makes me feel almost guilty to think how loved & happy I am while others …” Madeline brushed away her tears hastily, & for a few moments neither spoke. The next morning found Priggett & her young mistress hurrying down the same obscure street, laden with baskets & shawls, towards the house into which Teresina had been carried. She was still lying on the low bed where they had left her the night before, her great eyes wide with grief, her childish face haggard with lines of suffering. “She won’t eat much, Signora,” said Giovita, the woman of the house, as Madeline bent anxiously over the bed, “but I think she’ll be better soon, poor fanciulla!” Teresina turned her eyes to the fair, pitying face that stooped above her. “You are the beautiful Signora,” she whispered, “that came to me last night. The Signore Inglese said you would be kind.” Madeline’s colour brightened softly; he called her kind! “I want to be your friend, Teresina,” she answered; “for he has told me a great deal about you, & we are both so sorry
