to him are poems in Tuscan and Provençal, a didactic poem in Latin named Thesaurus Thesaurorum (now in the Ambrosiana in Milan), an essay in Provençal on "The Progress and Power of the Kings of Aragon in the Comté of Provence," a treatise on "The Defence of Walled Towns," and some historial translations from Latin into the vulgar tongue. Of all these works only the Thesaurus and some thirty-four poems in Provençal, sirventes and tensens, survive: some of the finest of them are satires.[15]
The statement that Sordello was specially famed for his philosophical verses, though not confirmed by what remains of his poetry, is interesting and significant in connection with Browning's conception of his character. There is little however in the scanty tales we have of the historic Sordello to suggest the "feverish poet" of the poem. The fugitive personality of the half mythical fighting poet eludes the grasp, and Browning has rather given the name of Sordello to an imagined type of the poetic character than constructed a type of character to fit the name. Still less are the dubious attributes with which the bare facts of history or legend invest Cunizza (whom, none the less, Dante spoke with in heaven) recognisable in the exquisite and all-golden loveliness of Palma.
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