Clayhanger. Arnold Bennett

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Clayhanger - Arnold Bennett

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wonders’ in filling the place of the mother who had died when Clara was four and Edwin six, and she herself only ten. Responsibility, apprehension, and strained effort had printed their marks on her features. But the majority of acquaintances were more impressed by her good intention than by her capacity; they would call her ‘a nice thing.’ The discerning minority, while saying with admiring conviction that she was ‘a very fine girl,’ would regret that somehow she had not the faculty of ‘making the best of herself,’ of ‘putting her best foot foremost.’ And would they not heartily stand up for her with the superficial majority!

      A thin, grey-haired, dreamy-eyed woman hurried into the room, bearing a noisy tray and followed by Clara with a white cloth. This was Mrs. Nixon, the domestic staff of the Clayhanger household for years. Clara and Mrs. Nixon swept Maggie’s sewing materials from the corner of the table on to a chair, put Maggie’s flower-glasses on to the ledge of the bookcase, folded up the green cloth, and began rapidly to lay the tea. Simultaneously Maggie, glancing at the clock, closed up her sewing-machine, and deposited her work in a basket. Clara, leaving the table, stooped to pick up the bits of cotton and white stuff that littered the carpet. The clock struck six.

      “Now, sharpy!” she exclaimed curtly to Edwin, who stood hesitatingly with his hands in his pockets. “Can’t you help Maggie to push that sewing-machine into the corner?”

      “What on earth’s up?” he inquired vaguely, but starting forward to help Maggie.

      “She’ll be here in a minute,” said Maggie, almost under her breath, as she fitted on the cover of the sewing-machine.

      “Who?” asked Edwin. “Oh! Auntie! I’d forgotten it was her night.”

      “As if anyone could forget!” murmured Clara, with sarcastic unbelief.

      By this time the table was completely set.

      Six.

      Edwin wondered mildly, as he often wondered, at the extremely bitter tone in which Clara always referred to their Aunt Clara Hamps—when Mrs. Hamps was not there. Even Maggie’s private attitude to Auntie Clara was scarcely more Christian. Mrs. Hamps was the widowed younger sister of their mother, and she had taken a certain share in the supervision of Darius Clayhanger’s domestic affairs after the death of Mrs. Clayhanger. This latter fact might account, partially but not wholly, for the intense and steady dislike in which she was held by Maggie, Clara, and Mrs. Nixon. Clara hated her own name because she had been ‘called after’ her auntie. Mr. Clayhanger ‘got on’ excellently with his sister-in-law. He ‘thought highly’ of her, and was indeed proud to have her for a relative. In their father’s presence the girls never showed their dislike of Mrs. Hamps; it was a secret pleasure shared between them and Mrs. Nixon, and only disclosed to Edwin because the girls were indifferent to what Edwin might think. They casually despised him for somehow liking his auntie, for not seeing through her wiles; but they could count on his loyalty to themselves.

      “Are you ready for tea, or aren’t you?” Clara asked him. She frequently spoke to him as if she was the elder instead of the younger.

      “Yes,” he said. “But I must find father.”

      He went off, but he did not find his father in the shop, and after a few futile minutes he returned upstairs. Mrs. Nixon preceded him, carrying the tea-urn, and she told him that his father had sent word into the kitchen that they were not to ‘wait tea’ for him.

       Table of Contents

      Auntie Hamps.

      Mrs. Hamps had splendidly arrived. The atmosphere of the sitting-room was changed. Maggie, smiling, wore her second-best black silk apron. Clara, smiling and laughing, wore a clean long white pinafore. Mrs. Nixon, with her dreamy eyes less vacant than usual, greeted Mrs. Hamps effusively, and effusively gave humble thanks for kind inquiries after her health. A stranger might have thought that these women were strongly attached to one another by ties of affection and respect. Edwin never understood how his sisters, especially Maggie, could practise such vast and eternal hypocrisy with his aunt. As for him, his aunt acted on him now, as generally, like a tonic. Some effluence from her quickened him. He put away the worry in connection with his father, and gave himself up to the physical pleasures of tea.

      Aunt Clara was a handsome woman. She had been called—but not by men whose manners and code she would have approved—‘a damned fine woman.’ Her age was about forty, which at that period, in a woman’s habit of mind, was the equivalent of about fifty to-day. Her latest photograph was considered to be very successful. It showed her standing behind a velvet chair and leaning her large but still shapely bust slightly over the chair. Her forearms, ruffled and braceleted, lay along the fringed back of the chair, and from one negligent hand depended a rose. A heavy curtain came downwards out of nothing into the picture, and the end of it lay coiled and draped on the seat of the chair. The great dress was of slate-coloured silk, with sleeves tight to the elbow, and thence, from a ribbon-bow, broadening to a wide, triangular climax that revealed quantities of lace at the wrists. The pointed ends of the sleeves were picked out with squares of velvet. A short and highly ornamental fringed and looped flounce waved grandly out behind from the waist to the level of the knees; and the stomacher recalled the ornamentation of the flounce; and both the stomacher and flounce gave contrasting value to the severe plainness of the skirt, designed to emphasise the quality of the silk. Round the neck was a lace collarette to match the furniture of the wrists, and the broad ends of the collarette were crossed on the bosom and held by a large jet brooch. Above that you saw a fine regular face, with a firm hard mouth and a very straight nose and dark eyebrows; small ears weighted with heavy jet ear-rings.

      The photograph could not render the clear perfection of Aunt Clara’s rosy skin; she had the colour and the flashing eye of a girl. But it did justice to her really magnificent black hair. This hair was all her own, and the coiffure seemed as ample as a judge’s wig. From the low forehead the hair was parted exactly in the middle for about two inches; then plaited bands crossed and recrossed the scalp in profusion, forming behind a pattern exceedingly complicated, and down either side of the head, now behind the ear, now hiding it, now resting on the shoulders, now hanging clear of them, fell long multitudinous glossy curls. These curls—one of them in the photograph reached as far as the stomacher—could not have been surpassed in Bursley.

      She was a woman of terrific vitality. Her dead sister had been nothing in comparison with her. She had a glorious digestion, and was the envy of her brother-in-law—who suffered much from biliousness—because she could eat with perfect impunity hot buttered toast and raw celery in large quantities. Further, she had independent means, and no children to cause anxieties. Yet she was always, as the phrase went, ‘bearing up,’ or, as another phrase went, ‘leaning hard.’ Frances Ridley Havergal was her favourite author, and Frances Ridley Havergal’s little book Lean Hard, was kept on her dressing-table. (The girls, however, averred that she never opened it.) Aunt Clara’s spiritual life must be imagined as a continual, almost physical leaning on Christ. Nevertheless she never complained, and she was seldom depressed. Her desire, and her achievement, was to be bright, to take everything cheerfully, to look obstinately on the best side of things, and to instil this religion into others.

      Two.

      Thus, when it was announced that father had been called out unexpectedly, leaving an order that they were not to wait for him, she said gaily that they had better be obedient and begin, though it would have been more

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