Such is youth in the Five Towns, if not elsewhere.
Volume One--Chapter Three.
Entry into the World.
Edwin came steeply out of the cinder-strewn back streets by Woodisun Bank (hill) into Duck Square, nearly at the junction of Trafalgar Road and Wedgwood Street. A few yards down Woodisun Bank, cocks and hens were scurrying, with necks horizontal, from all quarters, and were even flying, to the call of a little old woman who threw grain from the top step of her porch. On the level of the narrow pavement stood an immense constable, clad in white trousers, with a gun under his arm for the killing of mad dogs; he was talking to the woman, and their two heads were exactly at the same height. On a pair of small double gates near the old woman’s cottage were painted the words, “Steam Printing Works. No admittance except on business.” And from as far as Duck Square could be heard the puff-puff which proved the use of steam in this works to which idlers and mere pleasure-seekers were forbidden access.
Duck Square was one of the oldest, if the least imposing, of all the public places in Bursley. It had no traffic across it, being only a sloping rectangle, like a vacant lot, with Trafalgar Road and Wedgwood Street for its exterior sides, and no outlet on its inner sides. The buildings on those inner sides were low and humble and, as it were, withdrawn from the world, the chief of them being the ancient Duck Inn, where the hand-bell ringers used to meet. But Duck Square looked out upon the very birth of Trafalgar Road, that wide, straight thoroughfare, whose name dates it, which had been invented, in the lifetime of a few then living, to unite Bursley with Hanbridge. It also looked out upon the birth of several old pack-horse roads which Trafalgar Road had supplanted. One of these was Woodisun Bank, that wound slowly up hill and down dale, apparently always choosing the longest and hardest route, to Hanbridge; and another was Aboukir Street, formerly known as Warm Lane, that reached Hanbridge in a manner equally difficult and unhurried. At the junction of Trafalgar Road and Aboukir Street stood the Dragon Hotel, once the great posting-house of the town, from which all roads started. Duck Square had watched coaches and waggons stop at and start from the Dragon Hotel for hundreds of years. It had seen the Dragon rebuilt in brick and stone, with fine bay windows on each storey, in early Georgian times, and it had seen even the new structure become old and assume the dignity of age. Duck Square could remember strings of pack-mules driven by women, ‘trapesing’ in zigzags down Woodisun Bank and Warm Lane, and occasionally falling, with awful smashes of the crockery they carried, in the deep, slippery, scarce passable mire of the first slants into the valley. Duck Square had witnessed the slow declension of these roads into mere streets, and slum streets at that, and the death of all mules, and the disappearance of all coaches and all neighing and prancing and whipcracking romance; while Trafalgar Road, simply because it was straight and broad and easily graded, flourished with toll-bars and a couple of pair-horsed trams that ran on lines. And many people were proud of those cushioned trams; but perhaps they had never known that coach-drivers used to tell each other about the state of the turn at the bottom of Warm Lane (since absurdly renamed in honour of an Egyptian battle), and that Woodisun Bank (now unnoticed save by doubtful characters, policemen, and schoolboys) was once regularly ‘taken’ by four horses at a canter. The history of human manners is crunched and embedded in the very macadam of that part of the borough, and the burgesses unheedingly tread it down every day and talk gloomily about the ugly smoky prose of industrial manufacture. And yet the Dragon Hotel, safely surviving all revolutions by the mighty virtue and attraction of ale, stands before them to remind them of the interestingness of existence.
Two.
At the southern corner of Trafalgar Road and Wedgwood Street, with Duck Square facing it, the Dragon Hotel and Warm Lane to its right, and Woodisun Bank creeping inconspicuously down to its left, stood a three-storey building consisting of house and shop, the frontage being in Wedgwood Street. Over the double-windowed shop was a discreet signboard in gilt letters, “D. Clayhanger, Printer and Stationer,” but above the first floor was a later and much larger sign, with the single word, “Steam-printing.” All the brickwork of the façade was painted yellow, and had obviously been painted yellow many times; the woodwork of the plate-glass windows was a very dark green approaching black. The upper windows were stumpy, almost square, some dirty and some clean and curtained, with prominent sills and architraves. The line of the projecting spouting at the base of the roof was slightly curved through subsidence; at either end of the roof-ridge rose twin chimneys each with three salmon-coloured chimney-pots. The gigantic word ‘Steam-printing’ could be seen from the windows of the Dragon, from the porch of the big Wesleyan chapel higher up the slope, from the Conservative Club and the playground at the top of the slope; and as for Duck Square itself, it could see little else. The left-hand shop window was alluringly set out with the lighter apparatus of writing and reading, and showed incidentally several rosy pictures of ideal English maidens; that to the right was grim and heavy with ledgers, inks, and variegated specimens of steam-printing.
Three.
In the wedge-shaped doorway between the windows stood two men, one middle-aged and one old, one bareheaded and the other with a beaver hat, engaged in conversation. They were talking easily, pleasantly, with free gestures, the younger looking down in deferential smiles at the elder, and the elder looking up benignantly at the younger. You could see that, having begun with a business matter, they had quitted it for a topic of the hour. But business none the less went forward, the shop functioned, the presses behind the shop were being driven by steam as advertised; a customer emerged, and was curtly nodded at by the proprietor as he squeezed past; a girl with a small flannel apron over a large cotton apron went timidly into the shop. The trickling, calm commerce of a provincial town was proceeding, bit being added to bit and item to item, until at the week’s end a series of apparent nothings had swollen into the livelihood of near half a score of people. And nobody perceived how interesting it was, this interchange of activities, this ebb and flow of money, this sluggish rise and fall of reputations and fortunes, stretching out of one century into another and towards a third! Printing had been done at that corner, though not by steam, since the time of the French Revolution. Bibles and illustrated herbals had been laboriously produced by hand at that corner, and hawked on the backs of asses all over the county; and nobody heard romance in the puffing of the hidden steam-engine multiplying catalogues and billheads on the self-same spot at the rate of hundreds an hour.
The younger and bigger of the two men chatting in the doorway was Darius Clayhanger, Edwin’s father, and the first printer to introduce steam into Bursley. His age was then under forty-five, but he looked more. He was dressed in black, with an ample shirt-front and a narrow black cravat tied in an angular bow; the wristbands were almost tight on the wrists, and, owing to the shortness of the alpaca coat-sleeves, they were very visible even as Darius Clayhanger stood, with his two hands deep in the horizontal pockets of his ‘full-fall’ trousers. They were not precisely dirty, these wristbands, nor was the shirt-front, nor the turned-down pointed collar, but all the linen looked as though it would scarcely be wearable the next day. Clayhanger’s linen invariably looked like that, not dirty and not clean; and further, he appeared to wear eternally the same suit, ever on the point of being done for and never being done for. The trousers always had marked transverse creases; the waistcoat always showed shiningly the outline of every article in the pockets thereof, and it always had a few stains down the front (and never more than a few), and the lowest button insecure. The coat, faintly discoloured round the collar and fretted at the cuffs, fitted him easily and loosely like the character of an old crony; it was as if it had grown up with him, and had expanded with his girth. His head was a little bald on the top, but there was still a great deal of mixed brown and greyish hair at the back and the sides, and the moustache, hanging straight down with an effect recalling the mouth of a seal, was plenteous and defiant—a moustache of character, contradicting the full placidity of the badly shaved chin. Darius Clayhanger
