Maurice Guest. Henry Handel Richardson

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said to him, the previous evening. They rose before him in their full significance, and he leisurely chewed the honeyed cud of praise. "I will undertake to make something of you, undertake to make something of you"—his brain tore the phrase to tatters. "Something" was properly vague, as praise should be, and allowed the imagination free scope. Under the stimulus, everything came easy; he mastered a passage of bound sixths that had baffled him for days. And in this elated frame of mind, there was something almost pleasurable in the pang with which he would become conscious of a shadow in the background, a spot on his sun to make him unhappy.

      Unhappy?—no: it gave a zest to his goings—out and comings-in. Through long hours of work he was borne up by an ardent hope: afterwards, he might see her. It made the streets exciting places of possible surprises. Might she not, at any moment, turn the corner and be before him? Might she not, this very instant, be going in the same direction as he, in the next street? But a very little of this pleasant dallying with chance was enough. One morning, when the houses opposite were ablaze with sunshine, and he had settled down to practice with a keen relish for the obstacles to be overcome; on this morning, within half an hour, his mood swung round to the other extreme, and, from now on, his desire to see her again was a burning unrest, which roused him from sleep, and drove him out, at odd hours, no matter what he was doing. Moodily he scoured the streets round the Conservatorium, disconcerted by his own folly, and pricked incessantly by the consciousness of time wasted. A companion at his side might have dispelled the cobwebs; but Dove, his only friend, he avoided, for the reason that Dove's unfailing good spirits needed to be met with a similar mood. And as for speaking of the matter, the mere thought of the detailed explanation that would now be necessary, did he open his lips, filled him with dismay. When four or five days had gone by in this manner, without result, he took to hanging about, with other idlers, on the steps of the Conservatorium, always hoping that she would suddenly emerge from the doors behind him, or come towards him, a roll of music in her hand.

      But she never came.

      One afternoon, however, as he loitered there, he encountered his acquaintance of the very first day. He recognised her while she was still some distance off, by her peculiar springy gait; at each step, she rose slightly on the front part of her foot, as if her heels were on springs. As before, she was indifferently dressed; a small, close hat came down over her face and hid her forehead; her skirt seemed shrunken, and hung limp about her ankles, accentuating the straightness of her figure. But below the brim of the hat her eyes were as bright as ever, and took note of all that happened. On seeing Maurice, she professed to remember him "perfectly," beginning to speak before she had quite come up to him.

      The following day they met once more at the same place. This time, she raised her eyebrows.

      "You here again?" she said.

      She disappeared inside the building; but a few minutes later returned, and said she was going for a walk: would he come, too?

      He assented, with grateful surprise, and they set off together in the direction of the woods, as briskly as though they were on an errand. But when they had crossed the suspension-bridge and reached the quieter paths that ran through the NONNE, they simultaneously slackened their pace. The luxuriant undergrowth of shrub, which filled in, like lacework, the spaces between the tree-trunks, was sprinkled with its first dots and pricks of green, and the afternoon was pleasant for walking—sunless and still, and just a little fragrantly damp from all the rife budding and sprouting. It was a day to further a friendship more effectually than half a dozen brighter ones; a day on which to speak out thoughts which a June sky, the indiscreet playing of full sunlight, even the rustling of the breeze in the leaves might scare, like fish, from the surface.

      When they had laughingly introduced themselves to each other Maurice Guest's companion talked about herself, with a frankness that left nothing to be desired, and impressed the young man at her side very agreeably. Before they had gone far, he knew all about her. Her name was Madeleine Wade; she came from a small town in Leicestershire, and, except for a step-brother, stood alone in the world. For several years, she had been a teacher in a large school near London, and the position was open for her to return to, when she had completed this, the final year of her course. Then, however, she would devote herself exclusively to the teaching of music, and, with this in view, she had here taken up as many branches of study as she had time for. Besides piano, which was her chief subject, she learned singing, organ, counterpoint, and the elements of the violin.

      "So much is demanded nowadays," she said in her dear soprano. "And if you want to get on, it doesn't do to be behindhand. Of course, it means hard work, but that is nothing to me—I am used to work and love it. Since I was seventeen—I am twenty-six now—I can fairly say I have never got up in the morning, without having my whole day mapped and planned before me.—So you see idlers can have no place on my list of saints."

      She spoke lightly, yet with a certain under-meaning. As, however, Maurice Guest, on whom her words made a sympathetic impression, as of something strong and self-reliant—as he did not respond to it, she fell back on directness, and asked him what he had been doing when she met him, both on this day and the one before.

      "I tell you candidly, I was astonished to find you there again," she said. "As a rule, new-comers are desperately earnest brooms."

      His laugh was a trifle uneasy; and he answered evasively, not meaning to say much. But he had reckoned without the week of silence that lay behind him; it had been more of a strain than he knew, and his pent-up speech once set agoing could not be brought to a stop. An almost physical need of communication made itself felt in him; he spoke with a volubility that was foreign to him, began his sentences with a confidential "You see," and said things at which he himself was amazed. He related impressions, not facts, and impressions which, until now, he had not been conscious of receiving; he told unguardedly of his plans and ambitions, and even went back and touched on his home-life, dwelling with considerable bitterness on the scant sympathy he had received.

      His companion looked at him curiously. She had expected a casual answer to her casual words, a surface frankness, such as she herself had shown, and, at first, she felt sceptical towards this unbidden confidence: she did not care for people who gave themselves away at a word; either they were naive to foolishness or inordinately vain. But having listened for some time to his outpourings, she began to feel reassured; and soon she understood that he was talking thus at random, merely because he was lonely and bottled-up. Before he had finished, she was even a little gratified by his openness, and on his confiding to her what Schwarz had said to him, she smiled indulgently.

      "Perhaps I took it to mean more than it actually did," said Maurice apologetically. "But anyhow it was cheering to hear it. You see, I must prove to the people at home that I was right and they were wrong. Failure was preached at me on every side. I was the only soul to believe in myself."

      "And you really disliked teaching so?"

      "Hated it with all my heart."

      She frankly examined him. He had a pale, longish face, with thin lips, which might indicate either narrow prejudice or a fanatic tenacity. When he grew animated, he had a habit of opening his eyes very wide, and of staring straight before him. At such moments, too, he tossed back his head, with the impatient movements of a young horse. His hands and feet were good, his clothes of a provincial cut. Her fingers itched to retie the bow of his cravat for him, to pull him here and there into shape. Altogether, he made the impression upon her of being a very young man: when he coloured, or otherwise grew embarrassed, under her steady gaze, she mentally put him down for less than twenty. But he had good manners; he allowed her to pass before him, where the way grew narrow; walked on the outside of the path; made haste to draw back an obstreperous branch; and not one of these trifling conventionalities was lost on Madeleine Wade.

      They had turned their steps homewards, and were drawing near the edge of the wood, when, through

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