congregants, extinguishing their torches, cried, "Amen." And in a spiritual darkness as black, Manasseh tottered home to sit with his wife on the floor and bewail the death of their Joseph, while a death-light glimmering faintly swam on a bowl of oil, and the prayers for the repose of the soul of the deceased rose passionately on the tainted Ghetto air. And Miriam, her Madonna-like face wet with hot tears, burnt the praying-shawl she was weaving in secret love for the man who might one day have loved her, and went to condole with the mourners, holding Rachel's rugged hand in those soft, sweet fingers that no lover would ever clasp.
But Rachel wept for her child, and would not be comforted.
IV
Helena de' Franchi gave the news of the ban to Giuseppe de' Franchi. She had learned it from one of her damsels, who had had it from Shloumi the Droll, a graceless, humorous rogue, steering betwixt Jews and Christians his shifty way to profit.
Giuseppe smiled a sweet smile that hovered on the brink of tears. "They know not what they do," he said.
"Thy parents mourn thee as dead."
"They mourn the dead Jew; the living Christian's love shall comfort them."
"But thou mayst not approach them, nor they thee."
"By faith are mountains moved; my spirit embraces theirs. We shall yet rejoice together in the light of the Saviour, for weeping may endure for a night, but joy cometh in the morning." His pale face gleamed with celestial radiance.
Helena surveyed him in wondering compassion. "Thou art strangely possessed, Ser Giuseppe," she said.
"It is not strange, Signora, it is all simple—like a child's thought," he said, meeting her limpid eyes with his profound mystic gaze.
She was tall and fair, more like those Greek statues which the sculptors of her day imitated than like a Roman maiden. A simple dress of white silk revealed the beautiful curves of her figure. Through the great oriel window near which they stood the cold sunshine touched her hair and made spots of glory on the striped beast-skins that covered the floor, and on the hanging tapestries. The pictures and ivories, the manuscripts and the busts all contributed to make the apartment a harmonious setting for her noble figure. As he looked at her he trembled.
"And what is thy life to be henceforward?" she asked.
"Surrender, sacrifice," he said half in a whisper. "My parents are right. Joseph is dead. His will is God's, his heart is Christ's. There is no life for me but service."
"And whom wilt thou serve?"
"My brethren, Signora."
"They reject thee."
"I do not reject them."
She was silent for a moment. Then more passionately she cried: "But, Ser Giuseppe, thou wilt achieve nothing. A hundred generations have failed to move them. The Bulls of all the Popes have left them stubborn."
"No one has tried Love, Signora."
"Thou wilt throw away thy life."
He smiled wistfully. "Thou forgettest I am dead."
"Thou art not dead—the sap is in thy veins. The spring-time of the year comes. See how the sun shines already in the blue sky. Thou shalt not die—it is thine to be glad in the sun and in the fairness of things."
"The sunshine is but a symbol of the Divine Love, the pushing buds but prefigure the Resurrection and the Life."
"Thou dreamest, Giuseppe mio. Thou dreamest with those wonderful eyes of thine open. I do not understand this Love of thine that turns from things earthly, that rends thy father's and mother's heart in twain."
His eyes filled with tears. "Pazienza! earthly things are but as shadows that pass. It is thou that dreamest, Signora. Dost thou not feel the transitoriness of it all—yea, even of this solid-seeming terrestrial plain and yon overhanging roof and the beautiful lights set therein for our passing pleasure! This sun which swims daily through the firmament is but a painted phantasm compared with the eternal rock of Christ's Love."
"Thy words are tinkling cymbals to me, Ser Giuseppe."
"They are those of thy faith, Signora."
"Nay, not of my faith," she cried vehemently. "Thou knowest I am no Christian at heart. Nay, nor are any of our house, though they perceive it not. My father fasts at Lent, but it is the Pagan Aristotle that nourishes his thought. Rome counts her beads and mumbles her paternosters, but she has outgrown the primitive faith in Renunciation. Our pageants and processions, our splendid feasts, our gorgeous costumes, what have these to do with the pale Christ, whom thou wouldst foolishly emulate?"
"Then there is work for me to do, even among the Christians," he said mildly.
"Nay, it is but mischief thou wouldst do, with thy passionless ghost of a creed. It is the artists who have brought back joy to the world, who have perceived the soul of beauty in all things. And though they have feigned to paint the Holy Family and the Crucifixion and the Dead Christ and the Last Supper, it is the loveliness of life that has inspired their art. Yea, even from the prayerful Giotto downwards, it is the pride of life, it is the glory of the human form, it is the joy of color, it is the dignity of man, it is the adoration of the Muses. Ay, and have not our nobles had themselves painted as Apostles, have they not intruded their faces into sacred scenes, have they not understood for what this religious art was a pretext? Is not Rome full of Pagan art? Were not the Laocoon and the Cleopatra and the Venus placed in the very orange garden of the Vatican?"
"Natheless it is the Madonna and the Child that your painters have loved best to paint."
"'Tis but Venus and Cupid over again."
"Nay, these sneers belie the noble Signora de' Franchi. Thou canst not be blind to the divine aspiration that lay behind a Madonna of Sandro Botticelli."
"Thou hast not seen his frescoes in the Villa Lemmi, outside Firenze, the dainty grace of his forms, the charming color, else thou wouldst understand that it was not spiritual beauty alone that his soul coveted."
"But Raffaello da Urbino, but Leonardo—"
"Leonardo," she repeated. "Hast thou seen his Bacchus, or his battle-fresco? Knowest thou the later work of Raffaello? And what sayest thou to our Fra Lippo Lippi? A Christian monk he, forsooth! What sayest thou to Giorgione of Venice and his pupils, to this efflorescence of loveliness, to our statuaries and our builders, to our goldsmiths and musicians? Ah, we have rediscovered the secret of Greece. It is Homer that we love, it is Plato, it is the noble simplicity of Sophocles; our Dante lied when he said it was Virgil who was his guide. The poet of Mantua never led mortal to those dolorous regions. He sings of flocks and bees, of birds and running brooks, and the simple loves of shepherds; and we listen to him again and breathe the sweet country air, the sweeter for the memory of those hell-fumes which have poisoned life for centuries. Apollo is Lord, not Christ."
"It is Apollyon who tempts Rome thus with the world and the flesh."
"Thou hast dethroned thy reason, Messer Giuseppe. Thou knowest these things dignify, not degrade our souls. Hast thou not thrilled with me at the fairness of a pictured face, at the glow of luminous color, at the white radiance of a statue?"
"I
