Annie Kilburn. William Dean Howells

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Annie Kilburn - William Dean Howells

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heard some of them talk about it. We're thinking, some of the young people here, about getting up some outdoor theatricals, like Lady Archibald Campbell's, don't you know. You know about them?” he added, at the blankness in her face.

      “I read accounts of them in the English papers. They must have been very—original. But do you think that in a community like Hatboro'—Are there enough who could—enter into the spirit?”

      “Oh yes, indeed!” cried Mr. Brandreth ardently. “You've no idea what a place Hatboro' has got to be. You've not been about much yet, Miss Kilburn?”

      “No,” said Annie; “I haven't really been off our own place since I came. I've seen nobody but two or three old friends, and we naturally talked more about old times than anything else. But I hear that there are great changes.”

      “Yes,” said Mr. Brandreth. “The social growth has been even greater than the business growth. You've no idea! People have come in for the winter as well as the summer. South Hatboro', where we live—you must see South Hatboro', Miss Kilburn!—is quite a famous health resort. A great many Boston doctors send their patients to us now, instead of Colorado or the Adirondacks. In fact, that's what brought us to Hatboro'. My mother couldn't have lived, if she had tried to stay in Melrose. One lung all gone, and the other seriously affected. And people have found out what a charming place it is for the summer. It's cool; and it's so near, you know; the gentlemen can run out every night—only an hour and a quarter from town, and expresses both ways. All very agreeable people, too; and cultivated. Mr. Fellows, the painter, makes a long summer; he bought an old farm-house, and built a studio; Miss Jennings, the flower-painter, has a little box there, too; Mr. Chapley, the publisher, of New York, has built; the Misses Clevinger, and Mrs. Valence, are all near us. There's one family from Chicago—quite nice—New England by birth, you know; and Mrs. Munger, of course; so that there's a very pleasant variety.”

      “I certainly had no idea of it,” said Annie.

      “I knew you couldn't have,” said Mr. Brandreth, “or you wouldn't have felt any doubt about our having the material for the theatricals. You see, I want to interest all the nice people in it, and make it a whole-town affair. I think it's a great pity for some of the old village families and the summer folks, as they call us, not to mingle more than they do, and Mrs. Munger thinks so too; and we've been talking you over, Miss Kilburn, and we've decided that you could do more than anybody else to help on a scheme that's meant to bring them together.”

      “Because I'm neither summer folks nor old village families?” asked Annie.

      “Because you're both,” retorted Mr. Brandreth.

      “I don't see that,” said Annie; “but we'll suppose the case, for the sake of argument. What do you expect me to do in theatricals, in-doors or out? I never took part in anything of the kind; I can't see an inch beyond the end of my nose without glasses; I never could learn the simplest thing by heart; I'm clumsy and awkward; I get confused.”

      “Oh, my dear Miss Kilburn, spare yourself! We don't expect you to take part in the play. I don't admit that you're what you say at all; but we only want you to lend us your countenance.”

      “Oh, is that all? And what do you expect to do with my countenance?” Annie said, with a laugh of misgiving.

      “Everything. We know how much influence your name has—one of the old Hatboro' names—in the community, and all that; and we do want to interest the whole community in our scheme. We want to establish a Social Union for the work-people, don't you know, and we think it would be much nicer if it seemed to originate with the old village people.”

      Annie could not resist an impression in favour of the scheme. It gave definition to the vague intentions with which she had returned to Hatboro'; it might afford her a chance to make reparation for the figure on the soldiers' monument.

      “I'm not sure,” she began. “If I knew just what a Social Union is—”

      “Well, at first,” Mr. Brandreth interposed, “it will only be a reading-room, supplied with the magazines and papers, and well lighted and heated, where the work-people—those who have no families especially—could spend their evenings. Afterward we should hope to have a kitchen, and supply tea and coffee—and oysters, perhaps—at a nominal cost; and ice-cream in the summer.”

      “But what have your outdoor theatricals to do—But of course. You intend to give the proceeds—”

      “Exactly. And we want the proceeds to be as large as possible. We propose to give our time and money to getting the thing up in the best shape, and then we want all the villagers to give their half-dollars and make it a success every way.”

      “I see,” said Annie.

      “We want it to be successful, and we want it to be distinguished; we want to make it unique. Mrs. Munger is going to give her grounds and the decorations, and there will be a supper afterward, and a little dance.”

      “Such things are a great deal of trouble,” said Annie, with a smile, from the vantage-ground of her larger experience. “What do you propose to do—what play?”

      “Well, we've about decided upon some scenes from Romeo and Juliet. They would be very easy to set, outdoors, don't you know, and everybody knows them, and they wouldn't be hard to do. The ballroom in the house of the Capulets could be made to open on a kind of garden terrace—Mrs. Munger has a lovely terrace in her grounds for lawn-tennis—and then we could have a minuet on the grass. You know Miss Mather introduces a minuet in that scene, and makes a great deal of it. Or, I forgot. She's come up since you went away.”

      “Yes; I hadn't heard of her. Isn't a minuet at Verona in the time of the Scaligeri rather—”

      “Well, yes, it is, rather. But you've no idea how pretty it is. And then, you know, we could have the whole of the balcony scene, and other bits that we choose to work in—perhaps parts of other acts that would suit the scene.”

      “Yes, it would be charming; I can see how very charming it could be made.”

      “Then we may count upon you?” he asked.

      “Yes, yes,” she said; “but I don't really know what I'm to do.”

      Mr. Brandreth had risen; but he sat down again, as if glad to afford her any light he could throw upon the subject.

      “How am I to 'influence people,' as you say?” she continued. “I'm quite a stranger in Hatboro'; I hardly know anybody.”

      “But a great many people know you, Miss Kilburn. Your name is associated with the history of the place, and you could do everything for us. You won't refuse!” cried Mr. Brandreth winningly. “For instance, you know Mrs. Wilmington.”

      “Oh yes; she's an old girl-friend of mine.”

      “Then you know how enormously clever she is. She can do anything. We want her to take an active part—the part of the Nurse. She's delightfully funny. But you know her peculiar temperament—how she hates initiative of all kinds; and we want somebody to bring Mr. Wilmington round. If we could get them committed to the scheme, and a man like Mr. Putney—he'd make a capital Mercutio—it would go like wildfire. We want to interest the churches, too. The object is so worthy, and the theatricals will be so entirely unobjectionable in every respect. We have the Unitarians and Universalists, of course. The Baptists and Methodists will be hard

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