Shuggie Bain. Douglas Stuart

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and touching even when they’re at their worst. He’s also just a beautiful writer; I kept being reminded of Joyce’s Dubliners. I loved this book.”

      —Sandra Newman, author of The Heavens

      “A dark shining work. Raw, formidable, bursting with tenderness and frailty. The effect is remarkable, it will make you cry.”

      —Karl Geary, author of Montpelier Parade

      Grove Press

      New York

      Copyright © 2020 by Douglas Stuart

      All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or [email protected].

      Published simultaneously in Canada

      Printed in the United States of America

      First Grove Atlantic hardcover edition: February 2020

      First Grove Atlantic paperback edition: October 2020

      This book was set in 11-pt Janson Text by Alpha Design & Composition of Pittsfield, NH.

      Library of Congress Cataloging-in-Publication data is available for this title.

      ISBN 978-0-8021-5860-4

      eISBN 978-0-8021-4805-6

      Grove Press

      an imprint of Grove Atlantic

      154 West 14th Street

      New York, NY 10011

      Distributed by Publishers Group West

       groveatlantic.com

      For My Mother, A.E.D.

       1992

      THE SOUTH SIDE

       1981

      SIGHTHILL

       1982

      PITHEAD

       1989

      THE EAST END

       1992

      THE SOUTH SIDE

       1992

      THE SOUTH SIDE

      One

      The day was flat. That morning his mind had abandoned him and left his body wandering down below. The empty body went listlessly through its routine, pale and vacant-eyed under the fluorescent strip lights, as his soul floated above the aisles and thought only of tomorrow. Tomorrow was something to look forward to.

      Shuggie was methodical in setting up for his shift. All the pots of oily dips and spreads were decanted into clean trays. The edges were wiped free of any splashes that would go brown quickly and ruin the illusion of freshness. The sliced hams were artfully arranged with fake parsley sprigs, and the olives were turned so that the viscous juice slid like mucus over their green skins.

      Ann McGee had the brass neck to call in sick again that morning, leaving him with the thankless task of running his deli counter and her rotisserie stand all alone. No day ever started well with six dozen raw chickens, and today of all days, it was stealing the sweetness out of his daydreams.

      He pushed industrial skewers through each cold, dead bird and lined them up neatly in a row. They sat there, with their stubby wings crossed over their fat little chests like so many headless babies. There was a time he would have taken pride in this orderliness. In reality, pushing the metal through the bumpy pink flesh was the easy part; the difficult part was resisting the urge to do the same to the customers. They would pore over the hot glass and study each of the carcasses in detail. They would choose only the best bird, ignorant to the fact that battery farming meant they were all identical. Shuggie would stand there, his back teeth pinching the inside of his cheek, and indulge their indecisiveness with a forced smile. Then the pantomime would really begin. “Gies three breasts, five thighs, and just wan wing the day, son.”

      He prayed for strength. Why did no one want a whole chicken any more? He would lift the carcass using long prongs, careful not to touch the birds with his gloved hands, and then he would dissect the parts neatly (skin intact) using catering scissors. He felt like a fool standing there against the broiler lights. His scalp was sweating under the hairnet and his hands were not quite strong enough to artfully snap the back of the chicken with the dull blades. He hunched slightly, the better to throw his back muscles behind the pressure in his wrists, and all the time he kept smiling.

      If he was very unlucky, the tongs would slip and the chicken would thud and slide its way across the gritty floor. He’d have to make an apologetic pretence of starting again, but he never wasted that dirty bird. When the women turned away he would put it back with its sisters under the hot yellow lights. He believed in hygiene well enough, but these little private victories stopped him from starting a riot. Most of the judgy, man-faced housewives who shopped here deserved it. The way they looked down on him flushed the back of his neck scarlet. On particularly low days he folded all types of his bodily discharge into the taramasalata. He sold an uncanny amount of that bourgeois shite.

      He had worked for Kilfeathers for over a year. It was never meant to be that long. It was just that he had to feed himself and pay his own dig money each week, and the supermarket was the only business that would take him. Mr Kilfeather was a parsimonious bastard; he liked to staff the shop with anyone he didn’t have to pay a full adult wage, and Shuggie found himself able to take short shifts that fit around his patchy schooling. In his dreams he always intended to move on. He had always loved to brush and play with hair; it was the only thing that made time truly fly. When he had turned sixteen he had promised himself

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