up the long avenue of black pine-woods that pointed in abrupt perspective towards the inner gardens of Pendragon Park. The trees were as black and orderly as plumes upon a hearse; there were still a few stars. He was a man with more literary than direct natural associations; the word "Ravenswood" came into his head repeatedly. It was partly the raven colour of the pine-woods; but partly also an indescribable atmosphere almost described in Scott's great tragedy; the smell of something that died in the eighteenth century; the smell of dank gardens and broken urns, of wrongs that will never now be righted; of something that is none the less incurably sad because it is strangely unreal.
More than once, as he went up that strange, black road of tragic artifice, he stopped, startled, thinking he heard steps in front of him. He could see nothing in front but the twin sombre walls of pine and the wedge of starlit sky above them. At first he thought he must have fancied it or been mocked by a mere echo of his own tramp. But as he went on he was more and more inclined to conclude, with the remains of his reason, that there really were other feet upon the road. He thought hazily of ghosts; and was surprised how swiftly he could see the image of an appropriate and local ghost, one with a face as white as Pierrot's, but patched with black. The apex of the triangle of dark-blue sky was growing brighter and bluer, but he did not realize as yet that this was because he was coming nearer to the lights of the great house and garden. He only felt that the atmosphere was growing more intense, there was in the sadness more violence and secrecy—more—he hesitated for the word, and then said it with a jerk of laughter—Catastrophism.
More pines, more pathway slid past him, and then he stood rooted as by a blast of magic. It is vain to say that he felt as if he had got into a dream; but this time he felt quite certain that he had got into a book. For we human beings are used to inappropriate things; we are accustomed to the clatter of the incongruous; it is a tune to which we can go to sleep. If one appropriate thing happens, it wakes us up like the pang of a perfect chord. Something happened such as would have happened in such a place in a forgotten tale.
Over the black pine-wood came flying and flashing in the moon a naked sword—such a slender and sparkling rapier as may have fought many an unjust duel in that ancient park. It fell on the pathway far in front of him and lay there glistening like a large needle. He ran like a hare and bent to look at it. Seen at close quarters it had rather a showy look: the big red jewels in the hilt and guard were a little dubious. But there were other red drops upon the blade which were not dubious.
He looked round wildly in the direction from which the dazzling missile had come, and saw that at this point the sable facade of fir and pine was interrupted by a smaller road at right angles; which, when he turned it, brought him in full view of the long, lighted house, with a lake and fountains in front of it. Nevertheless, he did not look at this, having something more interesting to look at.
Above him, at the angle of the steep green bank of the terraced garden, was one of those small picturesque surprises common in the old landscape gardening; a kind of small round hill or dome of grass, like a giant mole-hill, ringed and crowned with three concentric fences of roses, and having a sundial in the highest point in the centre. Kidd could see the finger of the dial stand up dark against the sky like the dorsal fin of a shark and the vain moonlight clinging to that idle clock. But he saw something else clinging to it also, for one wild moment—the figure of a man.
Though he saw it there only for a moment, though it was outlandish and incredible in costume, being clad from neck to heel in tight crimson, with glints of gold, yet he knew in one flash of moonlight who it was. That white face flung up to heaven, clean-shaven and so unnaturally young, like Byron with a Roman nose, those black curls already grizzled—he had seen the thousand public portraits of Sir Claude Champion. The wild red figure reeled an instant against the sundial; the next it had rolled down the steep bank and lay at the American's feet, faintly moving one arm. A gaudy, unnatural gold ornament on the arm suddenly reminded Kidd of Romeo and Juliet; of course the tight crimson suit was part of the play. But there was a long red stain down the bank from which the man had rolled—that was no part of the play. He had been run through the body.
Mr Calhoun Kidd shouted and shouted again. Once more he seemed to hear phantasmal footsteps, and started to find another figure already near him. He knew the figure, and yet it terrified him. The dissipated youth who had called himself Dalroy had a horribly quiet way with him; if Boulnois failed to keep appointments that had been made, Dalroy had a sinister air of keeping appointments that hadn't. The moonlight discoloured everything, against Dalroy's red hair his wan face looked not so much white as pale green.
All this morbid impressionism must be Kidd's excuse for having cried out, brutally and beyond all reason: "Did you do this, you devil?"
James Dalroy smiled his unpleasing smile; but before he could speak, the fallen figure made another movement of the arm, waving vaguely towards the place where the sword fell; then came a moan, and then it managed to speak.
"Boulnois… . Boulnois, I say… . Boulnois did it… jealous of me… he was jealous, he was, he was… "
Kidd bent his head down to hear more, and just managed to catch the words:
"Boulnois… with my own sword… he threw it… "
Again the failing hand waved towards the sword, and then fell rigid with a thud. In Kidd rose from its depth all that acrid humour that is the strange salt of the seriousness of his race.
"See here," he said sharply and with command, "you must fetch a doctor. This man's dead."
"And a priest, too, I suppose," said Dalroy in an undecipherable manner. "All these Champions are papists."
The American knelt down by the body, felt the heart, propped up the head and used some last efforts at restoration; but before the other journalist reappeared, followed by a doctor and a priest, he was already prepared to assert they were too late.
"Were you too late also?" asked the doctor, a solid prosperous-looking man, with conventional moustache and whiskers, but a lively eye, which darted over Kidd dubiously.
"In one sense," drawled the representative of the Sun. "I was too late to save the man, but I guess I was in time to hear something of importance. I heard the dead man denounce his assassin."
"And who was the assassin?" asked the doctor, drawing his eyebrows together.
"Boulnois," said Calhoun Kidd, and whistled softly.
The doctor stared at him gloomily with a reddening brow—, but he did not contradict. Then the priest, a shorter figure in the background, said mildly: "I understood that Mr Boulnois was not coming to Pendragon Park this evening."
"There again," said the Yankee grimly, "I may be in a position to give the old country a fact or two. Yes, sir, John Boulnois was going to stay in all this evening; he fixed up a real good appointment there with me. But John Boulnois changed his mind; John Boulnois left his home abruptly and all alone, and came over to this darned Park an hour or so ago. His butler told me so. I think we hold what the all-wise police call a clue—have you sent for them?"
"Yes," said the doctor, "but we haven't alarmed anyone else yet."
"Does Mrs Boulnois know?" asked James Dalroy, and again Kidd was conscious of an irrational desire to hit him on his curling mouth.
"I have not told her," said the doctor gruffly—, "but here come the police."
The little priest had stepped out into the main avenue, and now returned with the fallen sword, which looked ludicrously large and theatrical when attached to his dumpy figure, at once clerical and commonplace. "Just before the police come," he said apologetically, "has anyone got a light?"
