30 Mystery & Investigation masterpieces. Эдгар Аллан По

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30 Mystery & Investigation masterpieces - Эдгар Аллан По

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manhood and liberty … not the democratic ideal … "

      He sprang up in excitement, and at the same moment a growl of thunder came through the grating beyond. The storm had broken, and with it a new light broke on his mind. There was something else that might happen in a moment.

      "Do you know what that means?" he cried. "It means that God himself may hold a candle to show me your infernal face."

      Then next moment came a crash of thunder; but before the thunder a white light had filled the whole room for a single split second.

      Fisher had seen two things in front of him. One was the black-and-white pattern of the iron grating against the sky; the other was the face in the corner. It was the face of his brother.

      Nothing came from Horne Fisher's lips except a Christian name, which was followed by a silence more dreadful than the dark. At last the other figure stirred and sprang up, and the voice of Harry Fisher was heard for the first time in that horrible room.

      "You've seen me, I suppose," he said, "and we may as well have a light now. You could have turned it on at any time, if you'd found the switch."

      He pressed a button in the wall and all the details of that room sprang into something stronger than daylight. Indeed, the details were so unexpected that for a moment they turned the captive's rocking mind from the last personal revelation. The room, so far from being a dungeon cell, was more like a drawing-room, even a lady's drawing-room, except for some boxes of cigars and bottles of wine that were stacked with books and magazines on a side table. A second glance showed him that the more masculine fittings were quite recent, and that the more feminine background was quite old. His eye caught a strip of faded tapestry, which startled him into speech, to the momentary oblivion of bigger matters.

      "This place was furnished from the great house," he said.

      "Yes," replied the other, "and I think you know why."

      "I think I do," said Horne Fisher, "and before I go on to more extraordinary things I will, say what I think. Squire Hawker played both the bigamist and the bandit. His first wife was not dead when he married the Jewess; she was imprisoned on this island. She bore him a child here, who now haunts his birthplace under the name of Long Adam. A bankruptcy company promoter named Werner discovered the secret and blackmailed the squire into surrendering the estate. That's all quite clear and very easy. And now let me go on to something more difficult. And that is for you to explain what the devil you are doing kidnaping your born brother."

      After a pause Henry Fisher answered:

      "I suppose you didn't expect to see me," he said. "But, after all, what could you expect?"'

      "I'm afraid I don't follow," said Horne Fisher.

      "I mean what else could you expect, after making such a muck of it?" said his brother, sulkily. "We all thought you were so clever. How could we know you were going to be—well, really, such a rotten failure?"

      "This is rather curious," said the candidate, frowning. "Without vanity, I was not under the impression that my candidature was a failure. All the big meetings were successful and crowds of people have promised me votes."

      "I should jolly well think they had," said Henry, grimly. "You've made a landslide with your confounded acres and a cow, and Verner can hardly get a vote anywhere. Oh, it's too rotten for anything!"

      "What on earth do you mean?"

      "Why, you lunatic," cried Henry, in tones of ringing sincerity, "you don't suppose you were meant to win the seat, did you? Oh, it's too childish! I tell you Verner's got to get in. Of course he's got to get in. He's to have the Exchequer next session, and there's the Egyptian loan and Lord knows what else. We only wanted you to split the Reform vote because accidents might happen after Hughes had made a score at Barkington."

      "I see," said Fisher, "and you, I think, are a pillar and ornament of the Reform party. As you say, I am not clever."

      The appeal to party loyalty fell on deaf ears; for the pillar of Reform was brooding on other things. At last he said, in a more troubled voice:

      "I didn't want you to catch me; I knew it would be a shock. But I tell you what, you never would have caught me if I hadn't come here myself, to see they didn't ill treat you and to make sure everything was as comfortable as it could be." There was even a sort of break in his voice as he added, "I got those cigars because I knew you liked them."

      Emotions are queer things, and the idiocy of this concession suddenly softened Horne Fisher like an unfathomable pathos.

      "Never mind, old chap," he said; "we'll say no more about it. I'll admit that you're really as kind-hearted and affectionate a scoundrel and hypocrite as ever sold himself to ruin his country. There, I can't say handsomer than that. Thank you for the cigars, old man. I'll have one if you don't mind."

      By the time that Horne Fisher had ended his telling of this story to Harold March they had come out into one of the public parks and taken a seat on a rise of ground overlooking wide green spaces under a blue and empty sky; and there was something incongruous in the words with which the narration ended.

      "I have been in that room ever since," said Horne Fisher. "I am in it now. I won the election, but I never went to the House. My life has been a life in that little room on that lonely island. Plenty of books and cigars and luxuries, plenty of knowledge and interest and information, but never a voice out of that tomb to reach the world outside. I shall probably die there." And he smiled as he looked across the vast green park to the gray horizon.

      Chapter 8 THE VENGEANCE OF THE STATUE

      IT was on the sunny veranda of a seaside hotel, overlooking a pattern of flower beds and a strip of blue sea, that Horne Fisher and Harold March had their final explanation, which might be called an explosion.

      Harold March had come to the little table and sat down at it with a subdued excitement smoldering in his somewhat cloudy and dreamy blue eyes. In the newspapers which he tossed from him on to the table there was enough to explain some if not all of his emotion. Public affairs in every department had reached a crisis. The government which had stood so long that men were used to it, as they are used to a hereditary despotism, had begun to be accused of blunders and even of financial abuses. Some said that the experiment of attempting to establish a peasantry in the west of England, on the lines of an early fancy of Horne Fisher's, had resulted in nothing but dangerous quarrels with more industrial neighbors. There had been particular complaints of the ill treatment of harmless foreigners, chiefly Asiatics, who happened to be employed in the new scientific works constructed on the coast. Indeed, the new Power which had arisen in Siberia, backed by Japan and other powerful allies, was inclined to take the matter up in the interests of its exiled subjects; and there had been wild talk about ambassadors and ultimatums. But something much more serious, in its personal interest for March himself, seemed to fill his meeting with his friend with a mixture of embarrassment and indignation.

      Perhaps it increased his annoyance that there was a certain unusual liveliness about the usually languid figure of Fisher. The ordinary image of him in March's mind was that of a pallid and bald-browed gentleman, who seemed to be prematurely old as well as prematurely bald. He was remembered as a man who expressed the opinions of a pessimist in the language of a lounger. Even now March could not be certain whether the change was merely a sort of masquerade of sunshine, or that effect of clear colors and clean-cut outlines that is always visible on the parade of a marine resort, relieved against the blue dado of the sea. But Fisher had a flower in

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