Masters of Prose - Virginia Woolf. Virginia Woolf
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For about the third time Orlando went there a certain incident occurred. She was still under the illusion that she was listening to the most brilliant epigrams in the world, though, as a matter of fact, old General C. was only saying, at some length, how the gout had left his left leg and gone to his right, while Mr L. interrupted when any proper name was mentioned, 'R.? Oh! I know Billy R. as well as I know myself. S.? My dearest friend. T.? Stayed with him a fortnight in Yorkshire'—which, such is the force of illusion, sounded like the wittiest repartee, the most searching comment upon human life, and kept the company in a roar; when the door opened and a little gentleman entered whose name Orlando did not catch. Soon a curiously disagreeable sensation came over her. To judge from their faces, the rest began to feel it as well. One gentleman said there was a draught. The Marchioness of C. feared a cat must be under the sofa. It was as if their eyes were being slowly opened after a pleasant dream and nothing met them but a cheap wash-stand and a dirty counterpane. It was as if the fumes of some delicious wine were slowly leaving them. Still the General talked and still Mr L. remembered. But it became more and more apparent how red the General's neck was, how bald Mr L.'s head was. As for what they said—nothing more tedious and trivial could be imagined. Everybody fidgeted and those who had fans yawned behind them. At last Lady R. rapped with hers upon the arm of her great chair. Both gentlemen stopped talking.
Then the little gentleman said,
He said next,
He said finally (These sayings are too well known to require repetition,
and besides, they are all to be found in his published works.),
Here, it cannot be denied, was true wit, true wisdom, true profundity. The company was thrown into complete dismay. One such saying was bad enough; but three, one after another, on the same evening! No society could survive it.
'Mr Pope,' said old Lady R. in a voice trembling with sarcastic fury, 'you are pleased to be witty.' Mr Pope flushed red. Nobody spoke a word. They sat in dead silence some twenty minutes. Then, one by one, they rose and slunk from the room. That they would ever come back after such an experience was doubtful. Link-boys could be heard calling their coaches all down South Audley Street. Doors were slammed and carriages drove off. Orlando found herself near Mr Pope on the staircase. His lean and misshapen frame was shaken by a variety of emotions. Darts of malice, rage, triumph, wit, and terror (he was shaking like a leaf) shot from his eyes. He looked like some squat reptile set with a burning topaz in its forehead. At the same time, the strangest tempest of emotion seized now upon the luckless Orlando. A disillusionment so complete as that inflicted not an hour ago leaves the mind rocking from side to side. Everything appears ten times more bare and stark than before. It is a moment fraught with the highest danger for the human spirit. Women turn nuns and men priests in such moments. In such moments, rich men sign away their wealth; and happy men cut their throats with carving knives. Orlando would have done all willingly, but there was a rasher thing still for her to do, and this she did. She invited Mr Pope to come home with her.
For if it is rash to walk into a lion's den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on the top of St Paul's, it is still more rash to go home alone with a poet. A poet is Atlantic and lion in one. While one drowns us the other gnaws us. If we survive the teeth, we succumb to the waves. A man who can destroy illusions is both beast and flood. Illusions are to the soul what atmosphere is to the earth. Roll up that tender air and the plant dies, the colour fades. The earth we walk on is a parched cinder. It is marl we tread and fiery cobbles scorch our feet. By the truth we are undone. Life is a dream. 'Tis waking that kills us. He who robs us of our dreams robs us of our life—(and so on for six pages if you will, but the style is tedious and may well be dropped).
On this showing, however, Orlando should have been a heap of cinders by the time the chariot drew up at her house in Blackfriars. That she was still flesh and blood, though certainly exhausted, is entirely due to a fact to which we drew attention earlier in the narrative. The less we see the more we believe. Now the streets that lie between Mayfair and Blackfriars were at that time very imperfectly lit. True, the lighting was a great improvement upon that of the Elizabethan age. Then the benighted traveller had to trust to the stars or the red flame of some night watchman to save him from the gravel pits at Park Lane or the oak woods where swine rooted in the Tottenham Court Road. But even so it wanted much of our modern efficiency. Lamp-posts lit with oil-lamps occurred every two hundred yards or so, but between lay a considerable stretch of pitch darkness. Thus for ten minutes Orlando and Mr Pope would be in blackness; and then for about half a minute again in the light. A very strange state of mind was thus bred in Orlando. As the light faded, she began to feel steal over her the most delicious balm. 'This is indeed a very great honour for a young woman to be driving with Mr Pope,' she began to think, looking at the outline of his nose. 'I am the most blessed of my sex. Half an inch from me—indeed, I feel the knot of his knee ribbons pressing against my thigh—is the greatest wit in Her Majesty's dominions. Future ages will think of us with curiosity and envy me with fury.' Here came the lamp-post again. 'What a foolish wretch I am!' she thought. 'There is no such thing as fame and glory. Ages to come will never cast a thought on me or on Mr Pope either. What's an "age", indeed? What are "we"?' and their progress through Berkeley Square seemed the groping of two blind ants, momentarily thrown together without interest or concern in common, across a blackened desert. She shivered. But here again was darkness. Her illusion revived. 'How noble his brow is,' she thought (mistaking a hump on a cushion for Mr Pope's forehead in the darkness). 'What a weight of genius lives in it! What wit, wisdom, and truth—what a wealth of all those jewels, indeed, for which people are ready to barter their lives! Yours is the only light that burns for ever. But for you the human pilgrimage would be performed in utter darkness'; (here the coach gave a great lurch as it fell into a rut in Park Lane) 'without genius we should be upset and undone. Most august, most lucid of beams,'—thus she was apostrophizing the hump on the cushion when they drove beneath one of the street lamps in Berkeley Square and she realized her mistake. Mr Pope had a forehead no bigger than another man's. 'Wretched man,' she thought, 'how you have deceived me! I took that hump for your forehead. When one sees you plain, how ignoble, how despicable you are! Deformed and weakly, there is nothing to venerate in you, much to pity, most to despise.'
Again they were in darkness and her anger became modified directly she could see nothing but the poet's knees.
'But it is I that am a wretch,' she reflected, once they were in complete obscurity again, 'for base as you may be, am I not still baser? It is you who nourish and protect me, you who scare the wild beast, frighten the savage, make me clothes of the silkworm's wool, and carpets of the sheep's. If I want to worship, have you not provided me with an image of yourself and set it in the sky? Are not evidences of your care everywhere? How humble, how grateful, how docile, should I not be, therefore? Let it be all my joy to serve, honour, and obey you.'
Here they reached the big lamp-post at the corner of what is now Piccadilly Circus. The light blazed in her eyes, and she saw, besides some degraded creatures of her own sex, two wretched pigmies on a stark desert land. Both were naked, solitary, and defenceless. The one was powerless to help the other. Each had enough to do to look after itself. Looking Mr Pope full in the face, 'It is equally vain', she thought; 'for you to think you can protect me, or for me to think I can worship you. The light of truth beats upon us