the attic! And the cellar! The attic was the kind of attic every woman longs for who hasn't one and every woman loathes who has. "If I only had some place to put things in!" wails the first. And, "If it weren't for the attic I'd have thrown this stuff away long ago," complains the second. Mrs. Brewster herself had helped plan it. Hardwood floored, spacious, light, the Brewster attic revealed to you the social, æsthetic, educational, and spiritual progress of the entire family as clearly as if a sociologist had charted it.
Take, for example (before we run down to the cellar for a minute), the crayon portraits of Gran'ma and Gran'pa Brewster. When Ted had been a junior and Pinky a freshman at the Winnebago High School the crayon portraits had beamed down upon them from the living-room wall. To each of these worthy old people the artist had given a pair of hectic pink cheeks. Gran'ma Brewster especially, simpering down at you from the labyrinthian scrolls of her sextuple gold frame, was rouged like a soubrette and further embellished with a pair of gentian-blue eyes behind steel-bowed specs. Pinky—and in fact the entire Brewster household—had thought these massive atrocities the last word in artistic ornament. By the time she reached her sophomore year, Pinky had prevailed upon her mother to banish them to the dining room. Then, two years later, when the Chicago decorator did over the living room and the dining room, the crayons were relegated to the upstairs hall.
Ted and Pinky, away at school, began to bring their friends back with them for the vacations. Pinky's room had been done over in cream enamel and rose-flowered cretonne. She said the chromos in the hall spoiled the entire second floor. So the gold frames, glittering undimmed, the cheeks as rosily glowing as ever, found temporary resting place in a nondescript back chamber known as the sewing room. Then the new sleeping porch was built for Ted, and the portraits ended their journeying in the attic.
One paragraph will cover the cellar. Stationary tubs, laundry stove. Behind that, bin for potatoes, bin for carrots, bins for onions, apples, cabbages. Boxed shelves for preserves. And behind that Hosea C. Brewster's bête noir and plaything, tyrant and slave—the furnace. "She's eating up coal this winter," Hosea Brewster would complain. Or: "Give her a little more draft, Fred." Fred, of the furnace and lawn mower, would shake a doleful head. "She ain't drawin' good. I do' know what's got into her."
By noon of this particular September day—a blue-and-gold Wisconsin September day—Mrs. Brewster had reached that stage in the cleaning of the attic when it looked as if it would never be clean and orderly again. Taking into consideration Miz' Merz (Miz' Merz by-the-day, you understand) and Gussie, the girl, and Fred, there was very little necessity for Mrs. Brewster's official house-cleaning uniform. She might have unpinned her skirt, unbound her head, rolled down her sleeves, and left for the day, serene in the knowledge that no corner, no chandelier, no mirror, no curlicue so hidden, so high, so glittering, so ornate that it might hope to escape the rag or brush of one or the other of this relentless and expert crew.
Every year, twice a year, as this box, that trunk or chest was opened and its contents revealed, Miz' Merz would say: "You keepin' this, Miz' Brewster?"
"That? Oh, dear, yes!" Or: "Well—I don't know. You can take that home with you if you want it. It might make over for Minnie."
Yet, why in the name of all that's ridiculous did she treasure the funeral wheat wreath in the walnut frame? Nothing is more passéthan a last summer's hat, yet the leghorn and pink-cambric-rose thing in the tin trunk was the one Mrs. Brewster had worn when a bride. Then the plaid kilted dress with the black velvet monkey jacket that Pinky had worn when she spoke her first piece at the age of seven—well, these were things that even the rapacious eye of Miz' Merz (by-the-day) passed by unbrightened by covetousness.
The smell of soap and water, and cedar, and moth balls, and dust, and the ghost of a perfumery that Pinky used to use pervaded the hot attic. Mrs. Brewster, head and shoulders in a trunk, was trying not to listen and not to seem not to listen to Miz' Merz's recital of her husband's relations' latest flagrancy.
"'Families is nix,' I says. 'I got my own fam'ly to look out fur,' I says. Like that. 'Well,' s's he, 'w'en it comes to that,' s's he, 'I guess I got some—'" Punctuated by thumps, spatterings, swashings, and much heavy breathing, so that the sound of light footsteps along the second-floor hallway, a young, clear voice calling, then the same footsteps, fleeter now, on the attic stairway, were quite unheard.
Pinky's arms were around her mother's neck and for one awful moment it looked as if both were to be decapitated by the trunk lid, so violent had been Mrs. Brewster's start of surprise.
Incoherent little cries, and sentences unfinished:
"Pinky! Why—my baby! We didn't get your telegram. Did you—"
"No; I didn't. I just thought I—Don't look so dazed, mummy—You're all smudged, too—what in the world!" Pinky straightened her hat and looked about the attic. "Why, mother! You're—you're house cleaning!" There was a stunned sort of look on her face. Pinky's last visit home had been in June, all hammocks, and roses, and especially baked things, and motor trips into the country.
"Of course. This is September. But if I'd known you were coming—Come here to the window. Let mother see you. Is that the kind of hat they're—why, it's a winter one, isn't it? Already! Dear me, I've just got used to the angle of my summer one. You must telephone father."
Miz' Merz, damply calicoed, rose from a corner and came forward, wiping a moist and parboiled hand on her skirt. "Ha' do, Pinky. Ain't forgot your old friends, have you?"
"It's Mrs. Merz!" Pinky put her cool, sweet fingers into the other woman's spongy clasp. "Why, hello, Mrs. Merz! Of course when there's house cleaning—I'd forgotten all about house cleaning—that there was such a thing, I mean."
"It's got to be done," replied Miz' Merz, severely.
Pinky, suddenly looking like one of her own magazine covers (in tailor clothes), turned swiftly to her mother. "Nothing of the kind," she said, crisply. She looked about the hot, dusty, littered room. She included and then banished it all with one sweeping gesture. "Nothing of the kind. This is—this is an anachronism."
"Mebbe so," retorted Miz' Merz with equal crispness. "But it's got to be cleaned just the same. Yessir; it's got to be cleaned."
They smiled at each other then, the mother and daughter. They descended the winding attic stairs happily, talking very fast and interrupting each other.
Mrs. Brewster's skirt was still pinned up. Her hair was bound in the protecting towel. "You must telephone father. No, let's surprise him. You'll hate the dinner—built around Miz Merz; you know—boiled. Well, you know what a despot she is."
It was hot for September, in Wisconsin. As they came out to the porch Pinky saw that there were tiny beads of moisture under her mother's eyes and about her chin. The sight infuriated her somehow. "Well, really, mother!"
Mrs. Brewster unpinned her skirt and smoothed it down; and smiled at Pinky, all unconscious that she looked like a plump, pink Sister of Mercy with that towel bound tightly about her hair. With a swift movement Pinky unpinned the towel, unwound it, dabbed with it tenderly at her mother's chin and brow, rolled it into a vicious wad, and hurled it through the open doorway.
"Now just what does that mean?" said Mrs. Brewster, equably. "Take off your hat and coat, Pinky, but don't treat them that way—unless that's the way they're doing in New York. Everything is so informal since the war." She had a pretty wit of her own, Mrs. Brewster.
Of course Pinky laughed then, and kissed her mother and hugged her hard. "It's just that it seems so idiotic—your digging around in an attic in this day and age! Why, it's—it's—"
