THE MAN IN LOWER TEN (Murder Mystery). Mary Roberts Rinehart
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But sleep did not visit me. The train came to frequent, grating stops, and I surmised the hot box again. I am not a nervous man, but there was something chilling in the thought of the second section pounding along behind us. Once, as I was dozing, our locomotive whistled a shrill warning—"You keep back where you belong," it screamed to my drowsy ears, and from somewhere behind came a chastened "All-right-I-will."
I grew more and more wide-awake. At Cresson I got up on my elbow and blinked out at the station lights. Some passengers boarded the train there and I heard a woman's low tones, a southern voice, rich and full. Then quiet again. Every nerve was tense: time passed, perhaps ten minutes, possibly half an hour. Then, without the slightest warning, as the train rounded a curve, a heavy body was thrown into my berth. The incident, trivial as it seemed, was startling in its suddenness, for although my ears were painfully strained and awake, I had heard no step outside. The next instant the curtain hung limp again; still without a sound, my disturber had slipped away into the gloom and darkness. In a frenzy of wakefulness, I sat up, drew on a pair of slippers and fumbled for my bath-robe.
From a berth across, probably lower ten, came that particularly aggravating snore which begins lightly, delicately, faintly soprano, goes down the scale a note with every breath, and, after keeping the listener tense with expectation, ends with an explosion that tears the very air. I was more and more irritable: I sat on the edge of the berth and hoped the snorer would choke to death.
He had considerable vitality, however; he withstood one shock after another and survived to start again with new vigor. In desperation I found some cigarettes and one match, piled my blankets over my grip, and drawing the curtains together as though the berth were still occupied, I made my way to the vestibule of the car.
I was not clad for dress parade. Is it because the male is so restricted to gloom in his everyday attire that he blossoms into gaudy colors in his pajamas and dressing-gowns? It would take a Turk to feel at home before an audience in my red and yellow bath-robe, a Christmas remembrance from Mrs. Klopton, with slippers to match.
So, naturally, when I saw a feminine figure on the platform, my first instinct was to dodge. The woman, however, was quicker than I; she gave me a startled glance, wheeled and disappeared, with a flash of two bronze-colored braids, into the next car.
Cigarette box in one hand, match in the other, I leaned against the uncertain frame of the door and gazed after her vanished figure. The mountain air flapped my bath-robe around my bare ankles, my one match burned to the end and went out, and still I stared. For I had seen on her expressive face a haunting look that was horror, nothing less. Heaven knows, I am not psychological. Emotions have to be written large before I can read them. But a woman in trouble always appeals to me, and this woman was more than that. She was in deadly fear.
If I had not been afraid of being ridiculous, I would have followed her. But I fancied that the apparition of a man in a red and yellow bath-robe, with an unkempt thatch of hair, walking up to her and assuring her that he would protect her would probably put her into hysterics. I had done that once before, when burglars had tried to break into the house, and had startled the parlor maid into bed for a week. So I tried to assure myself that I had imagined the lady's distress—or caused it, perhaps—and to dismiss her from my mind. Perhaps she was merely anxious about the unpleasant gentleman of the restaurant. I thought smugly that I could have told her all about him: that he was sleeping the sleep of the just and the intoxicated in a berth that ought, by all that was fair and right, to have been mine, and that if I were tied to a man who snored like that I should have him anæsthetized and his soft palate put where it would never again flap like a loose sail in the wind.
We passed Harrisburg as I stood there. It was starlight, and the great crests of the Alleghanies had given way to low hills. At intervals we passed smudges of gray white, no doubt in daytime comfortable farms, which McKnight says is a good way of putting it, the farms being a lot more comfortable than the people on them.
I was growing drowsy: the woman with the bronze hair and the horrified face was fading in retrospect. It was colder, too, and I turned with a shiver to go in.
As I did so, a bit of paper fluttered into the air and settled on my sleeve, like a butterfly on a gorgeous red and yellow blossom. I picked it up curiously and glanced at it. It was part of a telegram that had been torn into bits.
There were only parts of four words on the scrap, but it left me puzzled and thoughtful. It read, "—ower ten, car seve—." "Lower ten, car seven," was my berth—the one I had bought and found preëmpted.
Chapter III.
Across the Aisle
No solution offering itself, I went back to my berth. The snorer across had apparently strangled, or turned over, and so after a time I dropped asleep, to be awakened by the morning sunlight across my face.
I felt for my watch, yawning prodigiously. I reached under the pillow and failed to find it, but something scratched the back of my hand. I sat up irritably and nursed the wound, which was bleeding a little. Still drowsy, I felt more cautiously for what I supposed had been my scarf pin, but there was nothing there. Wide awake now, I reached for my traveling-bag, on the chance that I had put my watch in there. I had drawn the satchel to me and had my hand on the lock before I realized that it was not my own!
Mine was of alligator hide. I had killed the beast in Florida, after the expenditure of enough money to have bought a house and enough energy to have built one. The bag I held in my hand was a black one, sealskin, I think. The staggering thought of what the loss of my bag meant to me put my finger on the bell and kept it there until the porter came.
"Did .you ring, sir?" he asked, poking his head through the curtains obsequiously. McKnight objects that nobody can poke his head through a curtain and be obsequious. But Pullman porters can and do.
"No," I snapped. "It rang itself. What in thunder do you mean by exchanging my valise for this one? You'll have to find it if you waken the entire car to do it. There are important papers in that grip."
"Porter," called a feminine voice from an upper berth near-by. "Porter, am I to dangle here all day?"
"Let her dangle," I said savagely. "You find that bag of mine."
The porter frowned. Then he looked at me with injured dignity. "I brought in your overcoat, sir. You carried your own valise."
The fellow was right! In an excess of caution I had refused to relinquish my alligator bag, and had turned over my other traps to the porter. It was clear enough then. I was simply a victim of the usual sleeping-car robbery. I was in a lather of perspiration by that time: the lady down the car was still dangling and talking about it: still nearer a feminine voice was giving quick orders in French, presumably to a maid. The porter was on his knees, looking under the berth.
"Not there, sir," he said, dusting his knees. He was visibly more cheerful, having been absolved of responsibility. "Reckon it was taken while you was wanderin' around the car last night."
"I'll give you fifty dollars if you find it," I said. "A hundred. Reach up my shoes and I'll——"
I stopped abruptly. My eyes were fixed in stupefied amazement on a coat that hung from a hook at the foot of my berth. From the coat they traveled, dazed, to the soft-bosomed shirt beside it, and from there to the collar and cravat in the net hammock across the windows.