A Residence in France. James Fenimore Cooper
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Although most of our acquaintances quitted the town, a few thought it safer to remain in their own comfortable apartments, than to run the hazards of travelling; for, in a short time, most of the north of France was suffering under the same grievous affliction. The authorities conducted themselves well, and there have been very many instances of noble self-devotion, on the part of private individuals, the French character never appearing to better advantage. In this respect, notwithstanding the general impression to the contrary, I am inclined to believe, after a good deal of inquiry, that Paris has acquitted itself better than London. The French, certainly, are less disposed, as a rule, to "hide their light under a bushel," than most other people; but, on the spot and a looker-on, my respect for their feelings and philanthropy has been greatly raised by their conduct during this terrible calamity.
Notwithstanding the horror of the disease, some of the more prominent traits of national character have shown themselves lately. Among other things, the artists have taken to caricaturing the cholera! One gets to be so hardened by exposure, as to be able to laugh at even these proofs of moral obtuseness. Odd enough traits of character are developed by seeing men under such trying circumstances. During one of the worst periods of the disease, I met a countryman in the street, who, though otherwise a clever man, has the weakness to think the democracy of America its greatest blot. I asked him why he remained in Paris, having no family, nor any sufficient inducement? "Oh," said he, "it is a disease that only kills the rabble: I feel no concern—do you?" I told him that, under my peculiar circumstances, I felt a great deal of uneasiness, though not enough to make an unreflecting flight. A few days afterwards I missed him, and, on inquiry, learned that he had fled. Some nobleman had died in our faubourg, when he and one of a fellow feeling, finding a taint "between the wind and their nobility," forthwith beat a retreat!
During the height of the malady, an old English general officer, who had served in India, and who was now residing near us, sent me an invitation to dinner. Tired of seeing no one, I went. Here everything was as tranquil as if we were living in the purest atmosphere in Europe. Sir ----, my host, observed that he had got seasoned in India, and that he believed good living one of the best preventives against the disease. The Count de—— came in just before dinner was announced, and whispered to me that some twelve or fifteen hundred had been buried the previous day, although less than a thousand had been reported. This gentleman told a queer anecdote, which he said came from very respectable authority, and which he gave as he had heard it. About ten days before the cholera appeared, a friend of his had accompanied one of the Polish generals, who are now in Paris, a short distance into the country to dine. On quitting the house, the Pole stopped to gaze intently at the horizon. His companion inquired what he saw, when, pointing to a hazy appearance in the atmosphere, of rather an unusual kind, the other said, "You will have the cholera here in less than ten days; such appearances always preceded it in the North." As M. de—— observed, "I tell it as I heard it."
Sir—— did me the favour, on that occasion, to introduce me to a mild gentleman-like old man, who greatly resembled one of the quiet old school of our own, which is so fast disappearing before the bustling, fussy, money-getting race of the day. It was Lord Robert Fitzgerald, a brother of the unfortunate Lord Edward, and the brother of whom he so pleasantly speaks in his natural and amiable letters, as "Plenipo Bob." This gentleman is since dead, having, as I hear, fallen a victim to the cholera.
I went to one other dinner, during this scene of destruction, given by Madame de B——, a woman who has so much vogue, as to assemble, in her house, people of the most conflicting opinions and opposite characters. On this occasion, I was surprised to hear from Marshal——, one of the guests, that many believe the cholera to be contagious. That such an opinion should prevail among the mass, was natural enough, but I was not prepared to hear it from so high a quarter.
A gentleman mentioned, at this dinner, that the destruction among the porters had been fearful. A friend of his was the proprietor of five hotels, and the porters of all are dead!
LETTER III.
Insecurity of the Government.—Louis-Philippe and the Pear.—Caricatures.—Ugliness of the Public Men of France.—The Duke de Valmy.—Care-worn aspect of Society under the New Regime.—Controversy in France respecting the Cost of Government in America.—Conduct of American Agents in Europe.
Dear——,
The government is becoming every day less secure, and while it holds language directly to the contrary, it very well knows it cannot depend on the attachment of the nation. It has kept faith with no one, and the mass looks coldly on, at the political agitation that is excited, in all quarters, by the Carlists and the republicans. The bold movement of the Duchess of Berri, although it has been unwise and unreflecting, has occasioned a good deal of alarm, and causes great uneasiness in this cabinet.[5]
In a country where the cholera could not escape being caricatured, you will readily imagine that the King has fared no better. The lower part of the face of Louis-Philippe is massive, while his forehead, without being mean, narrows in a way to give the outline a shape not unlike that of a pear. An editor of one of the publications of caricatures being on trial for a libel, in his defence, produced a large pear, in order to illustrate his argument, which ran as follows:—People fancied they saw a resemblance in some one feature of a caricature to a particular thing; this thing, again, might resemble another thing; that thing a third; and thus from one to another, until the face of some distinguished individual might be reached. He put it to the jury whether such forced constructions were safe. "This, gentlemen," he continued, "is a common pear, a fruit well known to all of you. By culling here, and here," using his knife as he spoke, "something like a resemblance to a human face is obtained: by clipping here, again, and shaping there, one gets a face that some may fancy they know; and should I, hereafter, publish an engraving of a pear, why everybody will call it a caricature of a man!" You will understand that, by a dexterous use of the knife, such a general resemblance to the countenance of the King was obtained, that it was instantly recognised. The man was rewarded for his cleverness by an acquittal, and, since that time, by an implied convention, a rude sketch of a pear is understood to allude to the King. The fruit abounds in a manner altogether unusual for the season, and, at this moment, I make little doubt, that some thousands of pears are drawn in chalk, coal, or other substances, on the walls of the capital. During the carnival, masquers appeared as pears, with pears for caps, and carrying pears, and all this with a boldness and point that must go far to convince the King that the extreme license he has affected hitherto to allow, cannot very well accord with his secret intentions to bring France back to a government of coercion. The discrepancies that necessarily exist in the present system will, sooner or later, destroy it.
Little can be said in favour of caricatures. They address themselves to a faculty of the mind that is the farthest removed from reason, and, by consequence, from the right; and it is a prostitution of the term to suppose that they are either cause or effect, as connected with liberty. Such things may certainly have their effect, as means, but every good cause is so much the purer for abstaining from the use of questionable agencies. Au reste, there is really a fatality of feature and expression common to the public men of this country that is a strong provocative to caricature. The revolution and empire appear to have given rise to a state of feeling that has broken out with marked sympathy, in the countenance. The French, as a nation, are far from handsome, though brilliant exceptions