No Great Magic & The Big Time. Fritz Leiber

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No Great Magic & The Big Time - Fritz  Leiber

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      "Oh, Erich, it's all so lousy," I said, touching his hand, reminded that he was one of the unfortunates Resurrected from a point in their lifelines well before their deaths—in his case, because the date of his death had been shifted forward by a Big Change after his Resurrection. And as every Demon finds out, if he can't imagine it beforehand, it is pure hell to remember your future, and the shorter the time between your Resurrection and your death back in the cosmos, the better. Mine, bless Bab-ed-Din, was only an action-packed ten minutes on North Clark Street.

      Erich put his other hand lightly over mine. "Fortunes of the Change War, Liebchen. At least I'm a Soldier and sometimes assigned to future operations—though why we should have this monomania about our future personalities back there, I don't know. Mine is a stupid Oberst, thin as paper—and frightfully indignant at the voyageurs! But it helps me a little if I see him in perspective and at least I get back to the cosmos pretty regularly, Gott sei Dank, so I'm better off than you Entertainers."

      I didn't say aloud that a Changing cosmos is worse than none, but I found myself sending a prayer to the Bonny Dew for my father's repose, that the Change Winds would blow lightly across the lifeline of Anton A. Forzane, professor of physiology, born in Norway and buried in Chicago. Woodlawn Cemetery is a nice gray spot.

      "That's all right, Erich," I said. "We Entertainers Got Mittens too."

      He scowled around at me suspiciously, as if he were wondering whether I had all my buttons on.

      "Mittens?" he said. "What do you mean? I'm not wearing any. Are you trying to say something about Bruce's gloves—which incidentally seem to annoy him for some reason. No, seriously, Greta, why do you Entertainers need mittens?"

      "Because we get cold feet sometimes. At least I do. Got Mittens, as I say."

      A sickly light dawned in his Prussian puss. He muttered, "Got mittens ... Gott mit uns ... God with us," and roared softly, "Greta, I don't know how I put up with you, the way you murder a great language for cheap laughs."

      "You've got to take me as I am," I told him, "mittens and all, thank the Bonny Dew—" and hastily explained, "That's French—le bon Dieu—the good God—don't hit me. I'm not going to tell you any more of my secrets."

      He laughed feebly, like he was dying.

      "Cheer up," I said. "I won't be here forever, and there are worse places than the Place."

      He nodded grudgingly, looking around. "You know what, Greta, if you'll promise not to make some dreadful joke out of it: on operations, I pretend I'll soon be going backstage to court the world-famous ballerina Greta Forzane."

      He was right about the backstage part. The Place is a regular theater-in-the-round with the Void for an audience, the Void's gray hardly disturbed by the screens masking Surgery (Ugh!), Refresher and Stores. Between the last two are the bar and kitchen and Beau's piano. Between Surgery and the sector where the Door usually appears are the shelves and taborets of the Art Gallery. The control divan is stage center. Spaced around at a fair distance are six big low couches—one with its curtains now shooting up into the gray—and a few small tables. It is like a ballet set and the crazy costumes and characters that turn up don't ruin the illusion. By no means. Diaghilev would have hired most of them for the Ballet Russe on first sight, without even asking them whether they could keep time to music.

      Chapter 2.

       A Right-Hand Glove

       Table of Contents

      Last week in Babylon,

       Last night in Rome,

      —Hodgson

      Beau had gone behind the bar and was talking quietly at Doc, but with his eyes elsewhere, looking very sallow and professional in his white, and I thought—Damballa!—I'm in the French Quarter. I couldn't see the New Girl. Sid was at last getting to the New Boy after the fuss about Mark. He threw me a sign and I started over with Erich in tow.

      "Welcome, sweet lad. Sidney Lessingham's your host, and a fellow Englishman. Born in King's Lynn, 1564, schooled at Cambridge, but London was the life and death of me, though I outlasted Bessie, Jimmie, Charlie, and Ollie almost. And what a life! By turns a clerk, a spy, a bawd—the two trades are hand in glove—a poet of no account, a beggar, and a peddler of resurrection tracts. Beau Lassiter, our throats are tinder!"

      At the word "poet," the New Boy looked up, but resentfully, as if he had been tricked into it.

      "And to spare your throat for drinking, sweet gallant, I'll be so bold as to guess and answer one of your questions," Sid rattled on. "Yes, I knew Will Shakespeare—we were of an age—and he was such a modest, mind-your-business rogue that we all wondered whether he really did write those plays. Your pardon, 'faith, but that scratch might be looked to."

      Then I saw that the New Girl hadn't lost her head, but gone to Surgery (Ugh!) for a first-aid tray. She reached a swab toward the New Boy's sticky cheek, saying rather shrilly, "If I might ..."

      Her timing was bad. Sid's last words and Erich's approach had darkened the look in the young Soldier's face and he angrily swept her arm aside without even glancing at her. Erich squeezed my arm. The tray clattered to the floor—and one of the drinks that Beau was bringing almost followed it. Ever since the New Girl's arrival, Beau had been figuring that she was his responsibility, though I don't think the two of them had reached an agreement yet. Beau was especially set on it because I was thick with Sid at the time and Maud with Doc, she loving tough cases.

      "Easy now, lad, and you love me!" Sid thundered, again shooting Beau the "Hold it" look. "She's just a poor pagan trying to comfort you. Swallow your bile, you black villain, and perchance it will turn to poetry. Ah, did I touch you there? Confess, you are a poet."

      There isn't much gets by Sid, though for a second I forgot my psychology and wondered if he knew what he was doing with his insights.

      "Yes, I'm a poet, all right," the New Boy roared. "I'm Bruce Marchant, you bloody Zombies. I'm a poet in a world where even the lines of the King James and your precious Will whom you use for laughs aren't safe from Snakes' slime and the Spiders' dirty legs. Changing our history, stealing our certainties, claiming to be so blasted all-knowing and best intentioned and efficient, and what does it lead to? This bloody SI glove!"

      He held up his black-gloved left hand which still held the mate and he shook it.

      "What's wrong with the Spider Issue gauntlet, heart of gold?" Sid demanded. "And you love us, tell us." While Erich laughed, "Consider yourself lucky, Kamerad. Mark and I didn't draw any gloves at all."

      "What's wrong with it?" Bruce yelled. "The bloody things are both lefts!" He slammed it down on the floor.

      We all howled, we couldn't help it. He turned his back on us and stamped off, though I guessed he would keep out of the Void. Erich squeezed my arm and said between gasps, "Mein Gott, Liebchen, what have I always told you about Soldiers? The bigger the gripe, the smaller the cause! It is infallible!"

      One of us didn't laugh. Ever since the New Girl heard the name Bruce Marchant, she'd had a look in her eyes like she'd been given the sacrament. I was glad she'd got interested in something, because she'd been pretty much of a snoot and a wet blanket up until now, although she'd come to the

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