The Angel of the Revolution (Dystopian Novel). Griffith George Chetwynd
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He let the model fly the length of the room before he stopped the clockwork and cut off the motive power, allowing it to sink gently to the floor. Then came the reaction. He looked steadfastly at his handiwork for several moments in silence, and then he turned and threw himself on to a shabby little bed that stood in one corner of the room and burst into a flood of tears.
Triumph had come, but had it not come too late? He knew the boundless possibilities of his invention — but they had still to be realised. To do this would cost thousands of pounds, and he had just one half-crown and a few coppers. Even these were not really his own, for he was already a week behind with his rent, and another payment fell due the next day. That would be twelve shillings in all, and if it was not paid he would be turned into the street.
As he raised himself from the bed he looked despairingly round the bare, shabby room. No; there was nothing there that he could pawn or sell. Everything saleable had gone already to keep up the struggle of hope against despair. The bed and wash-stand, the plain deal table, and the one chair that comprised the furniture of the room were not his. A little carpenter’s bench, a few worn tools and odds and ends of scientific apparatus, and a dozen well-used books — these were all that he possessed in the world now, save the clothes on his back, and a plain painted sea-chest in which he was wont to lock up his precious model when he had to go out.
His model! No, he could not sell that. At best it would fetch but the price of an ingenious toy, and without the secret of the two gases it was useless. But was not that worth something? Yes, if he did not starve to death before he could persuade any one that there was money in it. Besides, the chest and its priceless contents would be seized for the rent next day, and then —
“God help me! What am I to do?”
The words broke from him like a cry of physical pain, and ended in a sob, and for all answer there was the silence of the room and the inarticulate murmur of the streets below coming up through the open windows.
He was weak with hunger and sick with excitement, for he had lived for days on bread and cheese, and that day he had eaten nothing since the crust that had served him for breakfast. His nerves, too, were shattered by the intense strain of his final trial and triumph, and his head was getting light.
With a desperate effort he recovered himself, and the heroic resolution that had sustained him through his long struggle came to his aid again. He got up and poured some water from the ewer into a cracked cup and drank it. It refreshed him for the moment, and he poured the rest of the water over his head. That steadied his nerves and cleared his brain. He took up the model from the floor, laid it tenderly and lovingly in its usual resting-place in the chest. Then he locked the chest and sat down upon it to think the situation over.
Ten minutes later he rose to his feet and said aloud —
“It’s no use. I can’t think on an empty stomach. I’ll go out and have one more good meal if it’s the last I ever have in the world, and then perhaps some ideas will come.”
So saying, he took down his hat, buttoned his shabby velveteen coat to conceal his lack of a waistcoat, and went out, locking the door behind him as he went.
Five minutes’ walk brought him to the Blackfriars Road, and then he turned towards the river and crossed the bridge just as the motley stream of city workers was crossing it in the opposite direction on their homeward journey.
At Ludgate Circus he went into an eating-house and fared sumptuously on a plate of beef, some bread and butter, and a pint mug of coffee. As he was eating a paper-boy came in and laid an Echo on the table at which he was sitting. He took it up mechanically, and ran his eye carelessly over the columns. He was in no humour to be interested by the tattle of an evening paper, but in a paragraph under the heading of Foreign News a once familiar name caught his eye, and he read the paragraph through. It ran as follows:—
RAILWAY OUTRAGE IN RUSSIA.
When the Berlin–Petersburg express stopped last night at Kovno, the first stop after passing the Russian frontier, a shocking discovery was made in the smoking compartment of the palace car which has been on the train for the last few months. Colonel Dornovitch, of the Imperial Police, who is understood to have been on his return journey from a secret mission to Paris, was found stabbed to the heart and quite dead. In the centre of the forehead were two short straight cuts in the form of a T reaching to the bone. Not long ago Colonel Dornovitch was instrumental in unearthing a formidable Nihilist conspiracy, in connection with which over fifty men and women of various social ranks were exiled for life to Siberia. The whole affair is wrapped in the deepest mystery, the only clue in the hands of the police being the fact that the cross cut on the forehead of the victim indicates that the crime is the work, not of the Nihilists proper, but of that unknown and mysterious society usually alluded to as the Terrorists, not one of whom has ever been seen save in his crimes. How the assassin managed to enter and leave the car unperceived while the train was going at full speed is an apparently insoluble riddle. Saving the victim and the attendants, the only passengers in the car who had not retired to rest were another officer in the Russian service and Lord Alanmere, who was travelling to St. Petersburg to resume, after leave of absence, the duties of the Secretaryship to the British Embassy, to which he was appointed some two years ago.
“Why, that must be the Lord Alanmere who was at Trinity in my time, or rather Viscount Tremayne, as he was then,” mused Arnold, as he laid the paper down. “We were very good friends in those days. I wonder if he’d know me now, and lend me a ten-pound note to get me out of the infernal fix I’m in? I believe he would, for he was one of the few really good-hearted men I have so far met with.
“If he were in London I really think I should take courage from my desperation, and put my case before him and ask his help. However, he’s not in London, and so it’s no use wishing. Well, I feel more of a man for that shillingsworth of food and drink, and I’ll go and wind up my dissipation with a pipe and a quiet think on the Embankment.”
Chapter 2.
At War with Society.
When Richard Arnold reached the Embankment dusk had deepened into night, so far, at least, as nature was concerned. But in London in the beginning of the twentieth century there was but little night to speak of, save in the sense of a division of time. The date of the paper which contained the account of the tragedy on the Russian railway was September 3rd, 1903, and within the last ten years enormous progress had been made in electric lighting.
The ebb and flow in the Thames had at last been turned to account, and worked huge turbines which perpetually stored up electric power that was used not only for lighting, but for cooking in hotels and private houses, and for driving machinery. At all the great centres of traffic huge electric suns cast their rays far and wide along the streets, supplementing the light of the lesser lamps with which they were lined on each side.
The Embankment from Westminster to Blackfriars was bathed in a flood of soft white light from hundreds of great lamps running along both sides, and from the centre of each bridge a million candle-power sun cast rays upon the water that were continued in one unbroken stream of light from Chelsea to the Tower.
On the north side of the river the scene was one of brilliant