The Job (Unabridged). Sinclair Lewis
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Gently arbitrary, dearer than ever to Una in her helpless longing for kindly neighbors and the familiar places, Mrs. Golden went on hoping that she could persuade Una to go back to Panama. She never seemed to realize that their capital wasn’t increasing as time passed. Sometimes impatient at her obtuseness, sometimes passionate with comprehending tenderness, Una devoted herself to her, and Mr. Schwirtz and Sanford Hunt and Sam Weintraub and Todd faded. She treasured her mother’s happiness at their Christmas dinner with the Sessionses. She encouraged the Sessionses to come up to the flat as often as they could, and she lulled her mother to a tolerable calm boredom. Before it was convenient to think of men again, her school-work was over.
The commercial college had a graduation once a month. On January 15, 1906, Una finished her course, regretfully said good-by to Sam Weintraub, and to Sanford Hunt, who had graduated in mid-December, but had come back for “class commencement”; and at the last moment she hesitated so long over J. J. Todd’s hints about calling some day, that he was discouraged and turned away. Una glanced about the study-hall — the first place where she had ever been taken seriously as a worker — and marched off to her first battle in the war of business.
CHAPTER IV
1
SANFORD HUNT telephoned to Una that he and Mr. Julius Edward Schwirtz — whom he called “Eddie” — had done their best to find an “opening” for her in the office of the Lowry Paint Company, but that there was no chance.
The commercial college gave her the names of several possible employers, but they all wanted approximate perfection at approximately nothing a week. After ten days of panic-stricken waiting at the employment office of a typewriter company, and answering want advertisements, the typewriter people sent her to the office of the Motor and Gas Gazette, a weekly magazine for the trade. In this atmosphere of the literature of lubricating oil and drop forgings and body enamels, as an eight-dollar-a-week copyist, Una first beheld the drama and romance of the office world.
2
There is plenty of romance in business. Fine, large, meaningless, general terms like romance and business can always be related. They take the place of thinking, and are highly useful to optimists and lecturers.
But in the world of business there is a bewildered new Muse of Romance, who is clad not in silvery tissue of dreams, but in a neat blue suit that won’t grow too shiny under the sleeves.
Adventure now, with Una, in the world of business; of offices and jobs and tired, ordinary people who know such reality of romance as your masquerading earl, your shoddy Broadway actress, or your rosily amorous dairy-maid could never imagine. The youths of poetry and of the modern motor-car fiction make a long diversion of love; while the sleezy-coated office-man who surprises a look of humanness in the weary eyes of the office-woman, knows that he must compress all the wonder of madness into five minutes, because the Chief is prowling about, glancing meaningly at the little signs that declare, “Your time is your employer’s money; don’t steal it.”
A world is this whose noblest vista is composed of desks and typewriters, filing-cases and insurance calendars, telephones, and the bald heads of men who believe dreams to be idiotic. Here, no galleon breasts the sky-line; no explorer in evening clothes makes love to an heiress. Here ride no rollicking cowboys, nor heroes of the great European war. It is a world whose crises you cannot comprehend unless you have learned that the difference between a 2-A pencil and a 2-B pencil is at least equal to the contrast between London and Tibet; unless you understand why a normally self-controlled young woman may have a week of tragic discomfort because she is using a billing-machine instead of her ordinary correspondence typewriter. The shifting of the water-cooler from the front office to the packing-room may be an epochal event to a copyist who apparently has no human existence beyond bending over a clacking typewriter, who seems to have no home, no family, no loves; in whom all pride and wonder of life and all transforming drama seem to be satisfied by the possession of a new V-necked blouse. The moving of the water-cooler may mean that she must now pass the sentinel office-manager; that therefore she no longer dares break the incredible monotony by expeditions to get glasses of water. As a consequence she gives up the office and marries unhappily.
A vast, competent, largely useless cosmos of offices. It spends much energy in causing advertisements of beer and chewing-gum and union suits and pot-cleansers to spread over the whole landscape. It marches out ponderous battalions to sell a brass pin. It evokes shoes that are uncomfortable, hideous, and perishable, and touchingly hopes that all women will aid the cause of good business by wearing them. It turns noble valleys into fields for pickles. It compels men whom it has never seen to toil in distant factories and produce useless wares, which are never actually brought into the office, but which it nevertheless sells to the heathen in the Solomon Islands in exchange for commodities whose very names it does not know; and in order to perform this miracle of transmutation it keeps stenographers so busy that they change from dewy girls into tight-lipped spinsters before they discover life.
The reason for it all, nobody who is actually engaged in it can tell you, except the bosses, who believe that these sacred rites of composing dull letters and solemnly filing them away are observed in order that they may buy the large automobiles in which they do not have time to take the air. Efficiency of production they have learned; efficiency of life they still consider an effeminate hobby.
An unreasonable world, sacrificing bird-song and tranquil dusk and high golden noons to selling junk — yet it rules us. And life lives there. The office is filled with thrills of love and distrust and ambition. Each alley between desks quivers with secret romance as ceaselessly as a battle-trench, or a lane in Normandy.
3
Una’s first view of the Motor and Gas Gazette was of an overwhelming mass of desks and files and books, and a confusing, spying crowd of strange people, among whom the only safe, familiar persons were Miss Moynihan, the good-natured solid block of girl whom she had known at the commercial college, and Mr. S. Herbert Ross, the advertising-manager, who had hired her. Mr. Ross was a poet of business; a squat, nervous little man, whose hair was cut in a Dutch bang, straight across his forehead, and who always wore a black bow tie and semi-clerical black clothes. He had eyed Una amusedly, asked her what was her reaction to green and crimson posters, and given her a little book by himself, “R U A Time-clock, Mr. Man?” which, in large and tremendously black type, related two stories about the youth of Carnegie, and strongly advocated industry, correspondence schools, and expensive advertising. When Una entered the office, as a copyist, Mr. S. Herbert Ross turned her over to the office-manager, and thereafter ignored her; but whenever she saw him in pompous conference with editors and advertisers she felt proudly that she knew him.
The commercial college had trained her to work with a number of people, as she was now to do in the office; but in the seriousness and savage continuity of its toil, the office was very different. There was no let-up; she couldn’t shirk for a day or two, as she had done at the commercial college. It was not so much that she was afraid of losing her job as that she came to see herself as part of a chain. The others, beyond, were waiting for her; she mustn’t hold them up. That was her first impression of the office system, that and the insignificance of herself in the presence of the office-hierarchy — manager above manager and the Mysterious Owner beyond all. She was alone; once she transgressed they would crush her. They had no personal interest in her, none