THE UNCOLLECTED TALES OF 1926-1934 (38 Short Stories in One Edition). F. Scott Fitzgerald
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“What time do you want me for dinner, Noel?” she asked.
“Eight o’clock,” said Noel. “Billy Harper’ll call for you.”
Juan felt a twinge of disappointment. He had thought that he and Noel were to be alone for dinner; that afterwards they would have a long talk on the dark veranda and he would kiss her lips as he had upon that never-to-be-forgotten Montana night, and give her his DKE pin to wear. Perhaps the others would leave early—he had told Holly Morgan of his love for Noel; she should have sense enough to know.
At twilight Noel dropped him at Miss Chandler’s gate, lingered for a moment with the engine cut off. The promise of the evening—the first lights in the houses along the bay, the sound of a remote piano, the little coolness in the wind—swung them both up suddenly into that paradise which Juan, drunk with ecstasy and terror, had been unable to evoke.
“Are you glad to see me?” she whispered.
“Am I glad?” The words trembled on his tongue. Miserably he struggled to bend his emotion into a phrase, a look, a gesture, but his mind chilled at the thought that nothing, nothing, nothing could express what he felt in his heart.
“You embarrass me,” he said wretchedly. “I don’t know what to say.” Noel waited, attuned to what she expected, sympathetic, but too young quite to see that behind the mask of egotism, of moody childishness, which the intensity of Juan’s devotion compelled him to wear, there was a tremendous emotion.
“Don’t be embarrassed,” Noel said. She was listening to the music now a tune they had danced to in the Adirondacks. The wings of a trance folded about her and the inscrutable someone who waited always in the middle distance loomed down over her with passionate words and dark romantic eyes. Almost mechanically, she started the engine and slipped the gear into first.
“At eight o’clock,” she said, almost abstractedly. “Good-bye, Juan.” The car moved off down the road. At the corner she turned and waved her hand and Juan waved back, happier than he had ever been in his life, his soul dissolved to a sweet gas that buoyed up his body like a balloon. Then the roadster was out of sight and, all unaware, he had lost her.
II.
Cousin Cora’s chauffeur took him to Noel’s door. The other male guest, Billy Harper, was, he discovered, the young man with the bright brown eyes whom he had met that afternoon. Juan was afraid of him; he was on such familiar, facetious terms with the two girls—towards Noel his attitude seemed almost irreverent—that Juan was slighted during the conversation at dinner. They talked of the Adirondacks and they all seemed to know the group who had been there. Noel and Holly spoke of boys at Cambridge and New Haven and of how wonderful it was that they were going to school in New York this whiter. Juan meant to invite Noel to the autumn dance at his college, but he thought that he had better wait and do it in a letter, later on. He was glad when dinner was over.
The girls went upstairs. Juan and Billy Harper smoked.
“She certainly is attractive,” broke out Juan suddenly, his repression bursting into words.
“Who? Noel?”
“Yes.”
“She’s a nice girl,” agreed Harper gravely.
Juan fingered the DKE pin in his pocket.
“She’s wonderful,” he said. “I like Holly Morgan pretty well—I was handing her a sort of line yesterday afternoon—but Noel’s really the most attractive girl I ever knew.”
Harper looked at him curiously, but Juan, released from the enforced and artificial smile of dinner, continued enthusiastically: “Of course it’s silly to fool with two girls. I mean, you’ve got to be careful not to get in too deep.”
Billy Harper didn’t answer. Noel and Holly came downstairs. Holly suggested bridge, but Juan didn’t play bridge, so they sat talking by the fire. In some fashion Noel and Billy Harper became involved in a conversation about dates and friends, and Juan began boasting to Holly Morgan, who sat beside him on the sofa.
“You must come to a prom at college,” he said suddenly. “Why don’t you? It’s a small college, but we have the best bunch in our house and the proms are fun.”
“I’d love it.”
“You’d only have to meet the people in our house.”
“What’s that?”
“DKE.” He drew the pin from his pocket. “See?”
Holly examined it, laughed and handed it back.
“I wanted to go to Yale,” he went on, “but my family always go to the same place.”
“I love Yale,” said Holly.
“Yes,” he agreed vaguely, half hearing her, his mind moving between himself and Noel. “You must come up. I’ll write you about it.”
Time passed. Holly played the piano. Noel took a ukulele from the top of the piano, strummed it and hummed. Billy Harper turned the pages of the music. Juan listened, restless, unamused. Then they sauntered out into the dark garden, and finding himself beside Noel at last, Juan walked her quickly ahead until they were alone.
“Noel,” he whispered, “here’s my Deke pin. I want you to have it.”
She looked at him expressionlessly.
“I saw you offering it to Holly Morgan,” she said.
“Noel,” he cried in alarm, “I wasn’t offering it to her. I just showed it to her. Why, Noel, do you think——”
“You invited her to the prom.”
“I didn’t. I was just being nice to her.”
The others were close behind. She took the Deke pin quickly and put her finger to his lips in a facile gesture of caress.
He did not realize that she had not been really angry about the pin or the prom, and that his unfortunate egotism was forfeiting her interest.
At eleven o’clock Holly said she must go, and Billy Harper drove his car to the front door.
“I’m going to stay a few minutes if you don’t mind,” said Juan, standing in the door with Noel. “I can walk home.”
Holly and Billy Harper drove away. Noel and Juan strolled back into the drawing-room, where she avoided the couch and sat down in a chair.
“Let’s go out on the veranda,” suggested Juan uncertainly.
“Why?”
“Please, Noel.”
Unwillingly she obeyed. They sat side by side on a canvas settee and he put his arm around her.
“Kiss