To The Last Man, The Mysterious Rider & Desert Gold (A Wild West Trilogy). Zane Grey
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The next year I went again with the best horses, outfit, and men the Doyles could provide. And this time I did not ask any questions. But I rode horses—some of them too wild for me—and packed a rifle many a hundred miles, riding sometimes thirty and forty miles a day, and I climbed in and out of the deep canyons, desperately staying at the heels of one of those long-legged Texans. I learned the life of those backwoodsmen, but I did not get the story of the Pleasant Valley War. I had, however, won the friendship of that hardy people.
In 1920 I went back with a still larger outfit, equipped to stay as long as I liked. And this time, without my asking it, different natives of the Tonto came to tell me about the Pleasant Valley War. No two of them agreed on anything concerning it, except that only one of the active participants survived the fighting. Whence comes my title, TO THE LAST MAN. Thus I was swamped in a mass of material out of which I could only flounder to my own conclusion. Some of the stories told me are singularly tempting to a novelist. But, though I believe them myself, I cannot risk their improbability to those who have no idea of the wildness of wild men at a wild time. There really was a terrible and bloody feud, perhaps the most deadly and least known in all the annals of the West. I saw the ground, the cabins, the graves, all so darkly suggestive of what must have happened.
I never learned the truth of the cause of the Pleasant Valley War, or if I did hear it I had no means of recognizing it. All the given causes were plausible and convincing. Strange to state, there is still secrecy and reticence all over the Tonto Basin as to the facts of this feud. Many descendents of those killed are living there now. But no one likes to talk about it. Assuredly many of the incidents told me really occurred, as, for example, the terrible one of the two women, in the face of relentless enemies, saving the bodies of their dead husbands from being devoured by wild hogs. Suffice it to say that this romance is true to my conception of the war, and I base it upon the setting I learned to know and love so well, upon the strange passions of primitive people, and upon my instinctive reaction to the facts and rumors that I gathered.
ZANE GREY. AVALON, CALIFORNIA,
April, 1921
CHAPTER I
At the end of a dry, uphill ride over barren country Jean Isbel unpacked to camp at the edge of the cedars where a little rocky canyon green with willow and cottonwood, promised water and grass.
His animals were tired, especially the pack mule that had carried a heavy load; and with slow heave of relief they knelt and rolled in the dust. Jean experienced something of relief himself as he threw off his chaps. He had not been used to hot, dusty, glaring days on the barren lands. Stretching his long length beside a tiny rill of clear water that tinkled over the red stones, he drank thirstily. The water was cool, but it had an acrid taste—an alkali bite that he did not like. Not since he had left Oregon had he tasted clear, sweet, cold water; and he missed it just as he longed for the stately shady forests he had loved. This wild, endless Arizona land bade fair to earn his hatred.
By the time he had leisurely completed his tasks twilight had fallen and coyotes had begun their barking. Jean listened to the yelps and to the moan of the cool wind in the cedars with a sense of satisfaction that these lonely sounds were familiar. This cedar wood burned into a pretty fire and the smell of its smoke was newly pleasant.
"Reckon maybe I'll learn to like Arizona," he mused, half aloud. "But I've a hankerin' for waterfalls an' dark-green forests. Must be the Indian in me.... Anyway, dad needs me bad, an' I reckon I'm here for keeps."
Jean threw some cedar branches on the fire, in the light of which he opened his father's letter, hoping by repeated reading to grasp more of its strange portent. It had been two months in reaching him, coming by traveler, by stage and train, and then by boat, and finally by stage again. Written in lead pencil on a leaf torn from an old ledger, it would have been hard to read even if the writing had been more legible.
"Dad's writin' was always bad, but I never saw it so shaky," said Jean, thinking aloud.
GRASS VALLY, ARIZONA.
Son Jean,—Come home. Here is your home and here your needed. When we left Oregon we all reckoned you would not be long behind. But its years now. I am growing old, son, and you was always my steadiest boy. Not that you ever was so dam steady. Only your wildness seemed more for the woods. You take after mother, and your brothers Bill and Guy take after me. That is the red and white of it. Your part Indian, Jean, and that Indian I reckon I am going to need bad. I am rich in cattle and horses. And my range here is the best I ever seen. Lately we have been losing stock. But that is not all nor so bad. Sheepmen have moved into the Tonto and are grazing down on Grass Vally. Cattlemen and sheepmen can never bide in this country. We have bad times ahead. Reckon I have more reasons to worry and need you, but you must wait to hear that by word of mouth. Whatever your doing, chuck it and rustle for Grass Vally so to make here by spring. I am asking you to take pains to pack in some guns and a lot of shells. And hide them in your outfit. If you meet anyone when your coming down into the Tonto, listen more than you talk. And last, son, dont let anything keep you in Oregon. Reckon you have a sweetheart, and if so fetch her along. With love from your dad,
GASTON ISBEL.
Jean pondered over this letter. Judged by memory of his father, who had always been self-sufficient, it had been a surprise and somewhat of a shock. Weeks of travel and reflection had not helped him to grasp the meaning between the lines.
"Yes, dad's growin' old," mused Jean, feeling a warmth and a sadness stir in him. "He must be 'way over sixty. But he never looked old.... So he's rich now an' losin' stock, an' goin' to be sheeped off his range. Dad could stand a lot of rustlin', but not much from sheepmen."
The softness that stirred in Jean merged into a cold, thoughtful earnestness which had followed every perusal of his father's letter. A dark, full current seemed flowing in his veins, and at times he felt it swell and heat. It troubled him, making him conscious of a deeper, stronger self, opposed to his careless, free, and dreamy nature. No ties had bound him in Oregon, except love for the great, still forests and the thundering rivers; and this love came from his softer side. It had cost him a wrench to leave. And all the way by ship down the coast to San Diego and across the Sierra Madres by stage, and so on to this last overland travel by horseback, he had felt a retreating of the self that was tranquil and happy and a dominating of this unknown somber self, with its menacing possibilities. Yet despite a nameless regret and a loyalty to Oregon, when he lay in his blankets he had to confess a keen interest in his adventurous future, a keen enjoyment of this stark, wild Arizona. It appeared to be a different sky stretching in dark, star-spangled dome over him—closer, vaster, bluer. The strong fragrance of sage and cedar floated over him with the camp-fire smoke, and all seemed drowsily to subdue his thoughts.
At dawn he rolled out of his blankets and, pulling on his boots, began the day with a zest for the work that must bring closer his calling future. White, crackling frost and cold, nipping air were the same keen spurs to action that he had known in the uplands of Oregon, yet they were not wholly the same. He sensed an exhilaration similar to the effect of a strong, sweet wine. His horse and mule had fared well during the night, having been much refreshed by the grass and water of the little canyon.