To The Last Man, The Mysterious Rider & Desert Gold (A Wild West Trilogy). Zane Grey
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"Wal, I wish I could skip the next chapter an' hev only the last to tell," rejoined the old man, and he put a heavy, but solicitous, hand upon hers.... Simm Bruce haw-hawed loud an' loud.... 'Say, Nez Perce,' he calls out, most insolent-like, 'we air too good sheepmen heah to hev the wool pulled over our eyes. We shore know what y'u meant by Ellen Jorth. But y'u wasn't smart when y'u told her y'u was Jean Isbel! ... Haw-haw!'
"Isbel flashed a strange, surprised look from the red-faced Bruce to Greaves and to the other men. I take it he was wonderin' if he'd heerd right or if they'd got the same hunch thet 'd come to him. An' I reckon he determined to make sure.
"'Why wasn't I smart?' he asked.
"'Shore y'u wasn't smart if y'u was aimin' to be one of Ellen Jorth's lovers,' said Bruce, with a leer. 'Fer if y'u hedn't give y'urself away y'u could hev been easy enough.'
"Thar was no mistakin' Bruce's meanin' an' when he got it out some of the men thar laughed. Isbel kept lookin' from one to another of them. Then facin' Greaves, he said, deliberately: 'Greaves, this drunken Bruce is excuse enough fer a show-down. I take it that you are sheepmen, an' you're goin' on Jorth's side of the fence in the matter of this sheep rangin'.'
"'Wal, Nez Perce, I reckon you hit plumb center,' said Greaves, dryly. He spread wide his big hands to the other men, as if to say they'd might as well own the jig was up.
"'All right. You're Jorth's backers. Have any of you a word to say in Ellen Jorth's defense? I tell you the Mexican lied. Believin' me or not doesn't matter. But this vile-mouthed Bruce hinted against thet girl's honor.'
"Ag'in some of the men laughed, but not so noisy, an' there was a nervous shufflin' of feet. Isbel looked sort of queer. His neck had a bulge round his collar. An' his eyes was like black coals of fire. Greaves spread his big hands again, as if to wash them of this part of the dirty argument.
"'When it comes to any wimmen I pass—much less play a hand fer a wildcat like Jorth's gurl,' said Greaves, sort of cold an' thick. 'Bruce shore ought to know her. Accordin' to talk heahaboots an' what HE says, Ellen Jorth has been his gurl fer two years.'
"Then Isbel turned his attention to Bruce an' I fer one begun to shake in my boots.
"'Say thet to me!' he called.
"'Shore she's my gurl, an' thet's why Im a-goin' to hev y'u run off this range.'
"Isbel jumped at Bruce. 'You damned drunken cur! You vile-mouthed liar! ... I may be an Isbel, but by God you cain't slander thet girl to my face! ... Then he moved so quick I couldn't see what he did. But I heerd his fist hit Bruce. It sounded like an ax ag'in' a beef. Bruce fell clear across the room. An' by Jinny when he landed Isbel was thar. As Bruce staggered up, all bloody-faced, bellowin' an' spittin' out teeth Isbel eyed Greaves's crowd an' said: 'If any of y'u make a move it 'll mean gun-play.' Nobody moved, thet's sure. In fact, none of Greaves's outfit was packin' guns, at least in sight. When Bruce got all the way up—he's a tall fellar—why Isbel took a full swing at him an' knocked him back across the room ag'in' the counter. Y'u know when a fellar's hurt by the way he yells. Bruce got thet second smash right on his big red nose.... I never seen any one so quick as Isbel. He vaulted over thet counter jest the second Bruce fell back on it, an' then, with Greaves's gang in front so he could catch any moves of theirs, he jest slugged Bruce right an' left, an' banged his head on the counter. Then as Bruce sunk limp an' slipped down, lookin' like a bloody sack, Isbel let him fall to the floor. Then he vaulted back over the counter. Wipin' the blood off his hands, he throwed his kerchief down in Bruce's face. Bruce wasn't dead or bad hurt. He'd jest been beaten bad. He was moanin' an' slobberin'. Isbel kicked him, not hard, but jest sort of disgustful. Then he faced thet crowd. 'Greaves, thet's what I think of your Simm Bruce. Tell him next time he sees me to run or pull a gun.' An' then Isbel grabbed his rifle an' package off the counter an' went out. He didn't even look back. I seen him nount his horse an' ride away.... Now, girl, what hev you to say?"
Ellen could only say good-by and the word was so low as to be almost inaudible. She ran to her burro. She could not see very clearly through tear-blurred eyes, and her shaking fingers were all thumbs. It seemed she had to rush away—somewhere, anywhere—not to get away from old John Sprague, but from herself—this palpitating, bursting self whose feet stumbled down the trail. All—all seemed ended for her. That interminable story! It had taken so long. And every minute of it she had been helplessly torn asunder by feelings she had never known she possessed. This Ellen Jorth was an unknown creature. She sobbed now as she dragged the burro down the canyon trail. She sat down only to rise. She hurried only to stop. Driven, pursued, barred, she had no way to escape the flaying thoughts, no time or will to repudiate them. The death of her girlhood, the rending aside of a veil of maiden mystery only vaguely instinctively guessed, the barren, sordid truth of her life as seen by her enlightened eyes, the bitter realization of the vileness of men of her clan in contrast to the manliness and chivalry of an enemy, the hard facts of unalterable repute as created by slander and fostered by low minds, all these were forces in a cataclysm that had suddenly caught her heart and whirled her through changes immense and agonizing, to bring her face to face with reality, to force upon her suspicion and doubt of all she had trusted, to warn her of the dark, impending horror of a tragic bloody feud, and lastly to teach her the supreme truth at once so glorious and so terrible—that she could not escape the doom of womanhood.
About noon that day Ellen Jorth arrived at the Knoll, which was the location of her father's ranch. Three canyons met there to form a larger one. The knoll was a symmetrical hill situated at the mouth of the three canyons. It was covered with brush and cedars, with here and there lichened rocks showing above the bleached grass. Below the Knoll was a wide, grassy flat or meadow through which a willow-bordered stream cut its rugged boulder-strewn bed. Water flowed abundantly at this season, and the deep washes leading down from the slopes attested to the fact of cloudbursts and heavy storms. This meadow valley was dotted with horses and cattle, and meandered away between the timbered slopes to lose itself in a green curve. A singular feature of this canyon was that a heavy growth of spruce trees covered the slope facing northwest; and the opposite slope, exposed to the sun and therefore less snowbound in winter, held a sparse growth of yellow pines. The ranch house of Colonel Jorth stood round the rough corner of the largest of the three canyons, and rather well hidden, it did not obtrude its rude and broken-down log cabins, its squalid surroundings, its black mud-holes of corrals upon the beautiful and serene meadow valley.
Ellen Jorth approached her home slowly, with dragging, reluctant steps; and never before in the three unhappy years of her existence there had the ranch seemed so bare, so uncared for, so repugnant to her. As she had seen herself with clarified eyes, so now she saw her home. The cabin that Ellen lived in with her father was a single-room structure with one door and no windows. It was about twenty feet square. The huge, ragged, stone chimney had been built on the outside, with the wide open fireplace set inside the logs. Smoke was rising from the chimney. As Ellen halted at the door and began unpacking her burro she heard the loud, lazy laughter of men. An adjoining log cabin had been built in two sections, with a wide roofed hall or space between them. The door in each cabin faced the other, and there was a tall man standing in one. Ellen recognized Daggs, a neighbor sheepman, who evidently spent more time with her father than at his own home, wherever that was. Ellen had never seen it. She heard this man drawl, "Jorth, heah's your kid come home."
Ellen carried her bed inside the cabin, and unrolled it upon a couch built of boughs in the far corner. She had forgotten Jean Isbel's package, and now it fell out under her sight. Quickly she covered it. A Mexican woman, relative of Antonio, and the only servant about the place, was squatting Indian fashion before the fireplace, stirring a pot of beans. She and Ellen did not get along well together, and few words ever passed between them. Ellen had a canvas curtain stretched upon a wire across a small triangular corner, and this