you have some tea?"
"Thanks."
The tea is poured out; it has been standing on the table an hour, and is perfectly cold. The goddess and the little female collier examine each other stealthily.
"Rather alarming," thinks the latter: "talks in such a low voice, and has such a difficulty in pronouncing her r's. So that is the correct thing, is it? Well, I'll always call Robert Wobert for the future."
"Might be pretty, if she were not so filthy," thinks the other.
"Same age as I am, indeed! She looks five years older."
"I think, if you don't mind, we had perhaps better be going to dress. Sir Thomas is so very particular as to punctuality."
"Is he? was that Sir Thomas that got out of the window just as I came in?"
"Oh no! that was St. John."
("St. John! What a pretty name! How much prettier than Bob!")
Sir Thomas Gerard is walking up and down the library, with his watch in his hand, prepared the instant the clock strikes to ring the bell violently, and inquire what is the meaning of dinner being so late. Sir Thomas is a big man, who affects the country squire, the good, old English gentleman—plain Sir Thomas, without any nonsense about him; dresses to the character, and succeeds in looking not unlike the Frenchman's idea of an English milord, as depicted in Punch some years ago, where he is represented in low-crowned hat and breeches, with the face of a truculent butcher, cracking a whip, and exclaiming, with equal coherency and elegance, "Rosbif! I send my wife to Smiffel! God dam!"
Sir Thomas does not use such strong language when speaking of Lady Gerard, but in other respects the portrait is not unfaithful. Lady Gerard is lying in an arm-chair. She is fat to make you shudder; she has a short, turn-up nose, short legs, a red skin, and next to no hair—all very good points in a pig, but hardly so good in a lady. The clock strikes, and at the same instant the butler opens the door, and announces "Dinner!"
"Come along, Conny!" says Sir Thomas, sticking out his elbow to his ward.
"Are not you going to wait for Miss Craven? And St. John is not down, either," suggests Lady Gerard, who is hoisting herself slowly up out of her chair.
"Wait for 'em? Not I," responds Sir Roger de Coverley. "If people don't choose to conform to the rules of my house, they may go without their dinner for all I care, and serve 'em right, too. Come along, Conny!"
The soup is nearly ended when two people, who have come together by a fortuitous concourse of atoms at the door, make a simultaneous entry into the dining-room.
"Companions in iniquity!" says St. John, with a sarcastic look at his father, bowing to Esther, as he seats himself beside Miss Blessington.
"How do?" says Sir Thomas, putting out his left hand (his right is still grasping his spoon). "Never wait for anybody here; would not let the soup get cold for the Queen nor the Lord Chancellor either."
"Miss Craven mistook you for Sir Thomas before dinner," says Miss Blessington, in her sweet, smooth way to her neighbour.
"Did she? Unintentional compliments are always the most flattering," replies Mr. Gerard, quietly.
Then he looks across through the partition wall of great bigonias in silver pots, and sees a little face peeping at him under and over the broad crimson leaves.
No one would ever call Esther's a Madonna face. No artist would ever ask her to sit for St. Catherine, or St. Cecilia, or St. Anybody else; hers is essentially beauté du diable—one of those little, sparkling, provoking, petulant faces that have a fresh dress of smiles or tears, or dimples or blushes, for every trivial, passing question; one of those little faces that have been at the bottom of half the mischiefs the world has seen.
"I only saw a pair of legs," replies the face, exculpating itself; "how could I tell whether they were young or old legs?"
Miss Blessington looks rather shocked, as if she thought that Esther's modes of expression were somewhat libre; and indeed at the rate of purity at which we are advancing, legs will soon walk off into the limbo of silence and unmentionableness; arms will probably follow them, and then perhaps noses.
Although Miss Blessington looks shocked, St. John only laughs. He looks pleasant when he laughs; he did not look pleasant just now, when he was turning up his nose at his cold soup. When he is in an ill-humour he has a decided look of his father, though it puts him into an awful rage to tell him so. He is not handsome, certainly; not a straight-nosed, pink-cheeked, flaxen-curled, fairy prince at all; neither is he very young—not a boy, that is to say—five-and-thirty, or thereabouts; his face has a weather-beaten look, as of one that has felt many an icy wind and many a tropic sun beat against it. No lily-handed, curled woman's darling.
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