The Complete Works of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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may rest in peace,

       Thy pin-point of a soul away!

      — A Moralist perchance appears;

       Led, Heaven knows how! to this poor sod:

       And He has neither eyes nor ears;

       Himself his world, and his own God;

      One to whose smooth-rubb’d soul can cling

       Nor form nor feeling great nor small,

       A reasoning, self-sufficing thing,

       An intellectual All in All!

      Shut close the door! press down the latch:

       Sleep in thy intellectual crust,

       Nor lose ten tickings of thy watch,

       Near this unprofitable dust.

      But who is He with modest looks,

       And clad in homely russet brown?

       He murmurs near the running brooks

       A music sweeter than their own.

      He is retired as noontide dew,

       Or fountain in a noonday grove;

       And you must love him, ere to you

       He will seem worthy of your love.

      The outward shews of sky and earth.

       Of hill and valley he has view’d;

       And impulses of deeper birth

       Have come to him in solitude.

      In common things that round us lie

       Some random truths he can impart

       The harvest of a quiet eye

       That broods and sleeps on his own heart.

      But he is weak, both man and boy,

       Hath been an idler in the land;

       Contented if he might enjoy

       The things which others understand.

      — Come hither in thy hour of strength,

       Come, weak as is a breaking wave!

       Here stretch thy body at full length

       Or build thy house upon this grave. —

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      I marvel how Nature could ever find space

       For the weight and the levity seen in his face:

       There’s thought and no thought, and there’s paleness and bloom,

       And bustle and sluggishness, pleasure and gloom.

      There’s weakness, and strength both redundant and vain;

       Such strength, as if ever affliction and pain

       Could pierce through a temper that’s soft to disease,

       Would be rational peace — a philosopher’s ease.

      There’s indifference, alike when he fails and succeeds,

       And attention full ten times as much as there needs,

       Pride where there’s no envy, there’s so much of joy;

       And mildness, and spirit both forward and coy.

      There’s freedom, and sometimes a diffident stare

       Of shame scarcely seeming to know that she’s there.

       There’s virtue, the title it surely may claim,

       Yet wants, heaven knows what, to be worthy the name.

      What a picture! ‘tis drawn without nature or art,

       — Yet the Man would at once run away with your heart,

       And I for five centuries right gladly would be

       Such an odd, such a kind happy creature as he.

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      Between two sister moorland rills

       There is a spot that seems to lie

       Sacred to flowrets of the hills,

       And sacred to the sky.

      And in this smooth and open dell

       There is a tempest-stricken tree;

       A corner stone by lightning cut,

       The last stone of a cottage hut;

       And in this dell you see

       A thing no storm can e’er destroy,

       The shadow of a Danish Boy.

      In clouds above, the lark is heard,

       He sings his blithest and his beet;

       But in this lonesome nook the bird

       Did never build his nest.

      No beast, no bird hath here his home;

       The bees borne on the breezy air

       Pass high above those fragrant bells

       To other flowers, to other dells.

       Nor ever linger there.

       The Danish Boy walks here alone:

       The lovely dell is all his own.

      A spirit of noon day is he,

       He seems a Form of flesh and blood;

       A piping Shepherd he might be,

       A Herd-boy of the wood.

      A regal vest of fur he wears,

       In colour like a raven’s wing;

       It fears nor rain, nor wind, nor dew,

       But in the storm ‘tis fresh and blue

      

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