The Complete Works of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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me tell

       My ghastly aventure.

      I pass, like night, from land to land;

       I have strange power of speech;

       The moment that his face I see

       I know the man that must hear me;

       To him my tale I teach.

      What loud uproar bursts from that door!

       The Wedding-guests are there;

       But in the Garden-bower the Bride

       And Bride-maids singing are:

       And hark the little Vesper-bell

       Which biddeth me to prayer.

      O Wedding-guest! this soul hath been

       Alone on a wide wide sea:

       So lonely ‘twas, that God himself

       Scarce seemed there to be.

      O sweeter than the Marriage-feast,

       ’Tis sweeter far to me

       To walk together to the Kirk

       With a goodly company.

      To walk together to the Kirk

       And all together pray,

       While each to his great father bends,

       Old men, and babes, and loving friends,

       And Youths, and Maidens gay.

      Farewell, farewell! but this I tell

       To thee, thou wedding-guest!

       He prayeth well who loveth well

       Both man and bird and beast.

      He prayeth best who loveth best,

       All things both great and small:

       For the dear God, who loveth us,

       He made and loveth all.

      The Marinere, whose eye is bright,

       Whose beard with age is hoar,

       Is gone; and now the wedding-guest

       Turn’d from the bridegroom’s door.

      He went, like one that hath been stunn’d

       And is of sense forlorn:

       A sadder and a wiser man

       He rose the morrow morn.

      THE FOSTER-MOTHER’S TALE

       Table of Contents

      By Samuel Taylor Coleridge

      A DRAMATIC FRAGMENT.

      FOSTER-MOTHER.

       I never saw the man whom you describe.

      MARIA.

       ‘Tis strange! he spake of you familiarly

       As mine and Albert’s common Foster-mother.

      FOSTER-MOTHER.

       Now blessings on the man, whoe’er he be,

       That joined your names with mine! O my sweet lady,

       As often as I think of those dear times

       When you two little ones would stand at eve

       On each side of my chair, and make me learn

       All you had learnt in the day; and how to talk

       In gentle phrase, then bid me sing to you —

       ‘Tis more like heaven to come than what has been.

      MARIA.

       O my dear Mother! this strange man has left me

       Troubled with wilder fancies, than the moon

       Breeds in the love-sick maid who gazes at it,

       Till lost in inward vision, with wet eye

       She gazes idly! — But that entrance, Mother!

      FOSTER-MOTHER.

       Can no one hear? It is a perilous tale!

      MARIA.

       No one.

      FOSTER-MOTHER

       My husband’s father told it me,

       Poor old Leoni! — Angels rest his soul!

       He was a woodman, and could fell and saw

       With lusty arm. You know that huge round beam

       Which props the hanging wall of the old chapel?

       Beneath that tree, while yet it was a tree

       He found a baby wrapt in mosses, lined

       With thistle-beards, and such small locks of wool

       As hang on brambles. Well, he brought him home,

       And reared him at the then Lord Velez’ cost.

       And so the babe grew up a pretty boy,

       A pretty boy, but most unteachable —

       And never learnt a prayer, nor told a bead,

       But knew the names of birds, and mocked their notes,

       And whistled, as he were a bird himself:

       And all the autumn ‘twas his only play

       To get the seeds of wild flowers, and to plant them

       With earth and water, on the stumps of trees.

       A Friar, who gathered simples in the wood,

       A grey-haired man — he loved this little boy,

       The boy loved him — and, when the Friar taught him,

       He soon could write with the pen: and from that time,

       Lived chiefly at the Convent or the Castle.

       So he became a very learned youth.

       But Oh! poor wretch! — he

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