woman was she? A lady or—or not?"
Joseph clucked his tongue admiringly. "She was a lady, all right. And a stunner! Eyes and—shoulders and—um-m!" He described imaginary feminine curves with the unction of a male dressmaker. "Oh, there's one thing more!"
"You can tell me later. Now, doctor, we'll look at the room. I'll need you, Leroy, and you and you." He motioned to his secretary and to two of his men.
Dr. Joubert, bowing gravely, opened the door of Number Six, and the commissary entered, followed by his scribe, a very bald and pale young man, and by the two policemen. Last came the doctor, closing the door carefully behind him.
It was the commissary's custom on arriving at the scene of a crime to record his first impressions immediately, taking careful note of every fact and detail in the picture that seemed to have the slightest bearing on the case. These he would dictate rapidly to his secretary, walking back and forth, searching everywhere with keen eyes and trained intelligence, especially for signs of violence, a broken window, an overturned table, a weapon, and noting all suspicious stains—mud stains, blood stains, the print of a foot, the smear of a hand and, of course, describing carefully the appearance of a victim's body, the wounds, the position, the expression of the face, any tearing or disorder of the garments. Many times these quick, haphazard jottings, made in the precious moments immediately following a crime, had proved of incalculable value in the subsequent investigation.
In the present case, however, M. Pougeot was fairly taken aback by the lack of significant material. Everything in the room was as it should be, table spread with snowy linen, two places set faultlessly among flowers and flashing glasses, chairs in their places, pictures smiling down from the white-and-gold walls, shaded electric lights diffusing a pleasant glow—in short, no disorder, no sign of struggle, yet, there, stretched at full length on the floor near a pale-yellow sofa, lay a man in evening dress, his head resting, face downward, in a little red pool. He was evidently dead.
"Has anything been disturbed here? Has anyone touched this body?" demanded Pougeot sharply.
"No," said the doctor; "Gibelin came in with me, but neither of us touched anything. We waited for you."
"I see. Ready, Leroy," and he proceeded to dictate what there was to say, dwelling on two facts: that there was no sign of a weapon in the room and that the long double window opening on the Rue Marboeuf was standing open.
"Now, doctor," he concluded, "we will look at the body."
Dr. Joubert's examination established at once the direct cause of death. The man, a well-built young fellow of perhaps twenty-eight, had been shot in the right eye, a ball having penetrated the brain, killing him instantly. The face showed marks of flame and powder, proving that the weapon—undoubtedly a pistol—had been discharged from a very short distance.
This certainly looked like suicide, although the absence of the pistol pointed to murder. The man's face was perfectly calm, with no suggestion of fright or anger; his hands and body lay in a natural position and his clothes were in no way disordered. Either he had met death willingly, or it had come to him without warning, like a lightning stroke.
"Doctor," asked the commissary, glancing at the open window, "if this man shot himself, could he, in your opinion, with his last strength have thrown the pistol out there?"
"Certainly not," answered Joubert. "A man who received a wound like this would be dead before he could lift a hand, before he could wink."
"Ah!"
"Besides, a search has been made underneath that window and no pistol has been found."
"It must be murder," muttered Pougeot. "Was there any quarreling with the woman?"
"Joseph says not. On the contrary, they seemed on the friendliest terms."
"Hah! See what he has on his person. Note everything down. We must find out who this poor fellow was."
These instructions were carefully carried out, and it straightway became clear that robbery, at any rate, had no part in the crime. In the dead man's pockets was found a considerable sum of money, a bundle of five-pound notes of the Bank of England, besides a handful of French gold. On his fingers were several valuable rings, in his scarf was a large ruby set with diamonds, and attached to his waistcoat was a massive gold medal that at once established his identity. He was Enrico Martinez, a Spaniard widely known as a professional billiard player, and also the hero of the terrible Charity Bazaar fire, where, at the risk of his life, he had saved several women from the flames. For this bravery the city of Paris had awarded him a gold medal and people had praised him until his head was half turned.
So familiar a figure was Martinez that there was no difficulty in finding witnesses in the restaurant able to identify him positively as the dead man. Several had seen him within a few days at the Olympia billiard academy, where he had been practicing for a much-advertised match with an American rival. All agreed that Martinez was quite the last man in Paris to take his own life, for the simple reason that he enjoyed it altogether too much. He was scarcely thirty and in excellent health, he made plenty of money, he was fond of pleasure, and particularly fond of the ladies and had no reason to complain of bad treatment at their hands; in fact, if the truth must be told, he was ridiculously vain of his conquests among the fair sex, and was always saying to whoever would listen: "Ah, mon cher, I have met a woman! But such a woman!" Then his dark eyes would glow and he would snap his thumb nail under an upper tooth, with an expression of ravishing joy that only a Castilian billiard player could assume. And, of course, it was always a different woman!
"Aha!" muttered the commissary. "There may be a husband mixed up in this. Call that waiter again, and—er—we will continue the examination outside."
With this they removed to the adjoining private room, Number Five, leaving a policeman at the door of Number Six until proper disposal of the body should be made.
In the further questioning of Joseph the commissary brought out several important facts. The waiter testified that, after serving the soup to Martinez and the lady, he had not left the corridor outside the door of Number Six until the moment when he entered the room and discovered the crime. During this interval of perhaps a quarter of an hour he had moved down the corridor a short distance, but not farther than the door of Number Four. He was sure of this because one of the doors to the banquet room was just opposite the door of Number Four, and he had stood there listening to a Fourth-of-July speaker who was discussing the relations between France and America. Joseph, being something of a politician, was greatly interested in this.
"Then this banquet-room door was open?" questioned Pougeot.
"Yes, sir, it was open about a foot—some of the guests wanted air."
"How did you stand as you listened to the speaker? Show me." M. Pougeot led Joseph to the banquet-room door.
"Like this," answered the waiter, and he placed himself so that his back was turned to Number Six.
"So you would not have seen anyone who might have come out of Number Six at that time or gone into Number Six?"
"I suppose not."
"And if the door of Number Six had opened while your back was turned, would you have heard it?"
Joseph shook his head. "No, sir; there was a lot of applauding—like that," he paused as a roar of laughter came from
