formed a mosaic of coloured hand-bills, lids of tomato-cans, old shoes, cigar-stumps and banana skins, cemented together by a layer of mud, or veiled in a powdering of dust, as the state of the weather determined.
The sole refuge offered from the contemplation of this depressing waste was the sight of the Bunner Sisters’ window. Its panes were always well-washed, and though their display of artificial flowers, bands of scalloped flannel, wire hat-frames, and jars of homemade preserves, had the undefinable greyish tinge of objects long preserved in the show-case of a museum, the window revealed a background of orderly counters and whitewashed walls in pleasant contrast to the adjoining dinginess.
The Bunner sisters were proud of the neatness of their shop and content with its humble prosperity. It was not what they had once imagined it would be, but though it presented but a shrunken image of their earlier ambitions it enabled them to pay their rent and keep themselves alive and out of debt; and it was long since their hopes had soared higher.
Now and then, however, among their greyer hours there came one not bright enough to be called sunny, but rather of the silvery twilight hue which sometimes ends a day of storm. It was such an hour that Ann Eliza, the elder of the firm, was soberly enjoying as she sat one January evening in the back room which served as bedroom, kitchen and parlour to herself and her sister Evelina. In the shop the blinds had been drawn down, the counters cleared and the wares in the window lightly covered with an old sheet; but the shop-door remained unlocked till Evelina, who had taken a parcel to the dyer’s, should come back.
In the back room a kettle bubbled on the stove, and Ann Eliza had laid a cloth over one end of the centre table, and placed near the green-shaded sewing lamp two teacups, two plates, a sugar-bowl and a piece of pie. The rest of the room remained in a greenish shadow which discreetly veiled the outline of an old-fashioned mahogany bedstead surmounted by a chromo of a young lady in a night-gown who clung with eloquently-rolling eyes to a crag described in illuminated letters as the Rock of Ages; and against the unshaded windows two rocking-chairs and a sewing-machine were silhouetted on the dusk.
Ann Eliza, her small and habitually anxious face smoothed to unusual serenity, and the streaks of pale hair on her veined temples shining glossily beneath the lamp, had seated herself at the table, and was tying up, with her usual fumbling deliberation, a knobby object wrapped in paper. Now and then, as she struggled with the string, which was too short, she fancied she heard the click of the shop-door, and paused to listen for her sister; then, as no one came, she straightened her spectacles and entered into renewed conflict with the parcel. In honour of some event of obvious importance, she had put on her double-dyed and triple-turned black silk. Age, while bestowing on this garment a patine worthy of a Renaissance bronze, had deprived it of whatever curves the wearer’s pre-Raphaelite figure had once been able to impress on it; but this stiffness of outline gave it an air of sacerdotal state which seemed to emphasize the importance of the occasion.
Seen thus, in her sacramental black silk, a wisp of lace turned over the collar and fastened by a mosaic brooch, and her face smoothed into harmony with her apparel, Ann Eliza looked ten years younger than behind the counter, in the heat and burden of the day. It would have been as difficult to guess her approximate age as that of the black silk, for she had the same worn and glossy aspect as her dress; but a faint tinge of pink still lingered on her cheekbones, like the reflection of sunset which sometimes colours the west long after the day is over.
When she had tied the parcel to her satisfaction, and laid it with furtive accuracy just opposite her sister’s plate, she sat down, with an air of obviously-assumed indifference, in one of the rocking-chairs near the window; and a moment later the shop-door opened and Evelina entered.
The younger Bunner sister, who was a little taller than her elder, had a more pronounced nose, but a weaker slope of mouth and chin. She still permitted herself the frivolity of waving her pale hair, and its tight little ridges, stiff as the tresses of an Assyrian statue, were flattened under a dotted veil which ended at the tip of her cold-reddened nose. In her scant jacket and skirt of black cashmere she looked singularly nipped and faded; but it seemed possible that under happier conditions she might still warm into relative youth.
“Why, Ann Eliza,” she exclaimed, in a thin voice pitched to chronic fretfulness, “what in the world you got your best silk on for?”
Ann Eliza had risen with a blush that made her steel-browed spectacles incongruous.
“Why, Evelina, why shouldn’t I, I sh’ld like to know? Ain’t it your birthday, dear?” She put out her arms with the awkwardness of habitually repressed emotion.
Evelina, without seeming to notice the gesture, threw back the jacket from her narrow shoulders.
“Oh, pshaw,” she said, less peevishly. “I guess we’d better give up birthdays. Much as we can do to keep Christmas nowadays.”
“You hadn’t oughter say that, Evelina. We ain’t so badly off as all that. I guess you’re cold and tired. Set down while I take the kettle off: it’s right on the boil.”
She pushed Evelina toward the table, keeping a sideward eye on her sister’s listless movements, while her own hands were busy with the kettle. A moment later came the exclamation for which she waited.
“Why, Ann Eliza!” Evelina stood transfixed by the sight of the parcel beside her plate.
Ann Eliza, tremulously engaged in filling the teapot, lifted a look of hypocritical surprise.
“Sakes, Evelina! What’s the matter?”
The younger sister had rapidly untied the string, and drawn from its wrappings a round nickel clock of the kind to be bought for a dollar-seventy-five.
“Oh, Ann Eliza, how could you?” She set the clock down, and the sisters exchanged agitated glances across the table.
“Well,” the elder retorted, “AIN’T it your birthday?”
“Yes, but—”
“Well, and ain’t you had to run round the corner to the Square every morning, rain or shine, to see what time it was, ever since we had to sell mother’s watch last July? Ain’t you, Evelina?”
“Yes, but—”
“There ain’t any buts. We’ve always wanted a clock and now we’ve got one: that’s all there is about it. Ain’t she a beauty, Evelina?” Ann Eliza, putting back the kettle on the stove, leaned over her sister’s shoulder to pass an approving hand over the circular rim of the clock. “Hear how loud she ticks. I was afraid you’d hear her soon as you come in.”
“No. I wasn’t thinking,” murmured Evelina.
“Well, ain’t you glad now?” Ann Eliza gently reproached her. The rebuke had no acerbity, for she knew that Evelina’s seeming indifference was alive with unexpressed scruples.
“I’m real glad, sister; but you hadn’t oughter. We could have got on well enough without.”
“Evelina Bunner, just you sit down to your tea. I guess I know what I’d oughter and what I’d hadn’t oughter just as well as you do—I’m old enough!”
“You’re real good, Ann Eliza; but I know you’ve given up something you needed to get me this clock.”
“What do I need, I’d like to know? Ain’t I got a best black silk?” the elder sister said with a laugh full of nervous pleasure.
