his poverty was against him. True, he had gorgeously given a house away to an aged widow! True, he succeeded in transmitting to his acquaintances a vague idea that he was doing well and waxing financially from strength to strength! But the idea was too vague, too much in the air. And save by a suit of clothes, he never gave ocular proof that he had money to waste. He could not. It was impossible for him to compete with even the more modest of the bloods and the blades. To keep a satisfactory straight crease down the middle of each leg of his trousers was all he could accomplish with the money regularly at his disposal. The town was wafting for him to do something decisive in the matter of what it called "the stuff."
Thus Ruth Earp was the first to introduce him to the higher intimate civilisations, the refinements lurking behind the foul walls of Bursley.
"Sugar?" she questioned, her head on one side, her arm uplifted, her sleeve drooping, and a bit of sugar caught like a white mouse between the claws of the tongs.
Nobody before had ever said "Sugar?" to him like that. His mother never said "Sugar?" to him. His mother was aware that he liked three pieces, but she would not give him more than two. "Sugar?" in that slightly weak, imploring voice seemed to be charged with a significance at once tremendous and elusive.
"Yes, please."
"Another?"
And the "Another?" was even more delicious.
He said to himself: "I suppose this is what they call flirting."
When a chronicler tells the exact truth, there is always a danger that he will not be believed. Yet, in spite of the risk, it must be said plainly that at this point Denry actually thought of marriage. An absurd and childish thought, preposterously rash; but it came into his mind, and—what is more—it stuck there! He pictured marriage as a perpetual afternoon tea alone with an elegant woman, amid an environment of ribboned muslin. And the picture appealed to him very strongly. And Ruth appeared to him in a new light. It was perhaps the change in her voice that did it. She appeared to him at once as a creature very feminine and enchanting, and as a creature who could earn her own living in a manner that was both original and ladylike. A woman such as Ruth would be a delight without being a drag. And, truly, was she not a remarkable woman, as remarkable as he was a man? Here she was living amid the refinements of luxury. Not an expensive luxury (he had an excellent notion of the monetary value of things), but still luxury. And the whole affair was so stylish. His heart went out to the stylish.
The slices of bread-and-butter were rolled up. There, now, was a pleasing device! It cost nothing to roll up a slice of bread-and-butter--her fingers had doubtless done the rolling—and yet it gave quite a different taste to the food.
"What made you give that house to Mrs. Hullins?" she asked him suddenly, with a candour that seemed to demand candour.
"Oh," he said, "just a lark! I thought I would. It came to me all in a second, and I did."
She shook her head. "Strange boy!" she observed.
There was a pause.
"It was something Charlie Fearns said, wasn't it?" she inquired.
She uttered the name "Charlie Fearns" with a certain faint hint of disdain, as if indicating to Denry that of course she and Denry were quite able to put Fearns into his proper place in the scheme of things.
"Oh!" he said. "So you know all about it?"
"Well," said she, "naturally it was all over the town. Mrs. Fearns's girl, Annunciata—what a name, eh?—is one of my pupils—the youngest, in fact."
"Well," said he, after another pause, "I wasn't going to have Fearns coming the duke over me!" She smiled sympathetically. He felt that they understood each other deeply.
"You'll find some cigarettes in that box," she said, when he had been there thirty minutes, and pointed to the mantelpiece.
"Sure you don't mind?" he murmured.
She raised her eyebrows.
There was also a silver match-box in the larger box. No detail lacked. It seemed to him that he stood on a mountain and had only to walk down a winding path in order to enter the promised land. He was decidedly pleased with the worldly way in which he had said: "Sure you don't mind?"
He puffed out smoke delicately. And, the cigarette between his lips, as with his left hand he waved the match into extinction, he demanded:
"You smoke?"
"Yes," she said, "but not in public. I know what you men are."
This was in the early, timid days of feminine smoking.
"I assure you!" he protested, and pushed the box towards her. But she would not smoke.
"It isn't that I mind you," she said, "not at all. But I'm not well. I've got a frightful headache."
He put on a concerned expression.
"I thought you looked rather pale," he said awkwardly.
"Pale!" she repeated the word. "You should have seen me this morning: I have fits of dizziness, you know, too. The doctor says it's nothing but dyspepsia. However, don't let's talk about poor little me and my silly complaints. Perhaps the tea will do me good."
He protested again, but his experience of intimate civilisation was too brief to allow him to protest with effectiveness. The truth was, he could not say these things naturally. He had to compose them, and then pronounce them, and the result failed in the necessary air of spontaneity. He could not help thinking what marvellous self-control women had. Now, when he had a headache—which happily was seldom—he could think of nothing else and talk of nothing else; the entire universe consisted solely of his headache. And here she was overcome with a headache, and during more than half-an-hour had not even mentioned it!
She began talking gossip about the Fearnses and the Swetnams, and she mentioned rumours concerning Henry Mynors (who had scruples against dancing) and Anna Tellwright, the daughter of that rich old skinflint Ephraim Tellwright. No mistake; she was on the inside of things in Bursley society! It was just as if she had removed the front walls of every house and examined every room at her leisure, with minute particularity. But of course a teacher of dancing had opportunities. … Denry had to pretend to be nearly as omniscient as she was.
Then she broke off, without warning, and lay back in her chair.
"I wonder if you'd mind going into the barn for me?" she murmured.
She generally referred to her academy as the barn. It had once been a warehouse.
He jumped up. "Certainly," he said, very eager.
"I think you'll see a small bottle of eau-de-Cologne on the top of the piano," she said, and shut her eyes.
He hastened away, full of his mission, and feeling himself to be a terrific cavalier and guardian of weak women. He felt keenly that he must be equal to the situation. Yes, the small bottle of eau-de-Cologne was on the top of the piano. He seized it and bore it to her on the wings of chivalry. He had not been aware that eau-de-Cologne was a remedy for, or a palliative of, headaches.
She opened her eyes, and with a great effort tried to be bright and better. But it was a failure. She took
