The Complete Poems of Samuel Taylor Coleridge (Illustrated Edition). Samuel Taylor Coleridge

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The Complete Poems of Samuel Taylor Coleridge (Illustrated Edition) - Samuel Taylor Coleridge

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AND IMMORTALITY

      From what reasons do I believe in continuous and ever-continuable consciousness? From conscience! Not for myself, but for my conscience, that is, my affections and duties towards others, I should have no self—for self is definition, but all boundary implies neighbourhood and is knowable only by neighbourhood or relations. Does the understanding say nothing in favour of immortality? It says nothing for or against; but its silence gives consent, and is better than a thousand arguments such as mere understanding could afford. But miracles! "Do you speak of them as proofs or as natural consequences of revelation, whose presence is proof only by precluding the disproof that would arise from their absence?" "Nay, I speak of them as of positive fundamental proofs." Then I dare answer you "Miracles in that sense are blasphemies in morality, contradictions in reason. God the Truth, the actuality of logic, the very logos—He deceive his creatures and demonstrate the properties of a triangle by the confusion of all properties! If a miracle merely means an event before inexperienced, it proves only itself, and the inexperience of mankind. Whatever other definition be given of it, or rather attempted (for no other not involving direct contradiction can be given), it is blasphemy. It calls darkness light, and makes Ignorance the mother of Malignity, the appointed nurse of religion—which is knowledge as opposed to mere calculating and conjectural understanding. Seven years ago, but oh! in what happier times—I wrote thus—

      O ye hopes! that stir within me!

       Health comes with you from above!

       God is with me! God is in me! I cannot die: for life is love!

      And now, that I am alone and utterly hopeless for myself, yet still I love—and more strongly than ever feel that conscience or the duty of love is the proof of continuing, as it is the cause and condition of existing consciousness. How beautiful the harmony! Whence could the proof come, so appropriately, so conformly with all nature, in which the cause and condition of each thing is its revealing and infallible prophecy!

      And for what reason, say, rather, for what cause, do you believe immortality? Because I ought, therefore I must!

      [The lines "On revisiting the sea-shore," of which the last stanza is quoted, were written in August, 1801. [P.W., 1893, p. 159.] If the note was written exactly seven years after the date of that poem, it must belong to the summer of 1808, when Coleridge was living over the Courier office in the Strand.]

      THE CAP OF LIBERTY

      Truly, I hope not irreverently, may we apply to the French nation the Scripture text, "From him that hath nothing shall be taken that which he hath"—that is, their pretences to being free, which are the same as nothing. They, the illuminators, the discoverers and sole possessors of the true philosopher's stone! Alas! it proved both for them and Europe the Lapis Infernalis.

      VAIN GLORY

      Lord of light and fire? What is the universal of man in all, but especially in savage states? Fantastic ornament and, in general, the most frightful deformities—slits in the ears and nose, for instance. What is the solution? Man will not be a mere thing of nature: he will be and shew himself a power of himself. Hence these violent disruptions of himself from all other creatures! What they are made, that they remain—they are Nature's, and wholly Nature's.

      CHILDREN OF A LARGER GROWTH

      Try to contemplate mankind as children. These we love tenderly, because they are beautiful and happy; we know that a sweet-meat or a top will transfer their little love for a moment, and that we shall be repelled with a grimace. Yet we are not offended.

      CHYMICAL ANALOGIES

      I am persuaded that the chymical technology, as far as it was borrowed from life and intelligence, half-metaphorically, half-mystically, may be brought back again (as when a man borrows of another a sum which the latter had previously borrowed of him, because he is too polite to remind him of a debt) to the use of psychology in many instances, and, above all, [may be re-adapted to] the philosophy of language, which ought to be experimentative and analytic of the elements of meaning—their double, triple, and quadruple combinations, of simple aggregation or of composition by balance of opposition.

      Thus innocence is distinguished from virtue, and vice versâ. In both of them there is a positive, but in each opposite. A decomposition must take place in the first instance, and then a new composition, in order for innocence to become virtue. It loses a positive, and then the base attracts another different positive, by the higher affinity of the same base under a different temperature for the latter.

      I stated the legal use of the innocent as opposed to mere not guilty (he was not only acquitted, but was proved innocent), only to shew the existence of a positive in the former—by no means as confounding this use of the word with the moral pleasurable feeling connected with it when used of little children, maidens, and those who in mature age preserve this sweet fragrance of vernal life, this mother's gift and so-seldom-kept keepsake to her child, as she sends him forth into the world. The distinction is obvious. Law agnizes actions alone, and character only as presumptive or illustrative of particular action as to its guilt or non-guilt, or to the commission or non-commission. But our moral feelings are never pleasurably excited except as they refer to a state of being—and the most glorious actions do not delight us as separate acts, or, rather, facts, but as representatives of the being of the agent—mental stenographs which bring an indeterminate extension within the field of easy and simultaneous vision, diffused being rendered visible by condensation. Only for the hero's sake do we exult in the heroic act, or, rather, the act abstracted from the hero would no longer appear to us heroic. Not, therefore, solely from the advantage of poets and historians do the deeds of ancient Greece and Rome strike us into admiration, while we relate the very same deeds of barbarians as matters of curiosity, but because in the former we refer the deed to the individual exaltation of the agent, in the latter only to the physical result of a given state of society. Compare the [heroism of that] Swiss patriot, with his bundle of spears turned towards his breast, in order to break the Austrian pikemen, and that of the Mameluke, related to me by Sir Alexander Ball, who, when his horse refused to plunge in on the French line, turned round and backed it on them, with a certainty of death, in order to effect the same purpose. In the former, the state of mind arose from reason, morals, liberty, the sense of the duty owing to the independence of his country, and its continuing in a state compatible with the highest perfection and development; while the latter was predicative only of mere animal habit, ferocity, and unreasoned antipathy to strangers of a different dress and religion.

      BOOKS IN THE AIR

      If, contrary to my expectations—alas! almost, I fear, to my wishes—I should live, it is my intention to make a catalogue of the Greek and Latin Classics, and of those who, like the author of the Argenis [William Barclay, 1546-1605], and Euphormio, Fracastorius, Flaminius, etc., deserve that name though moderns—and every year to apply all my book-money to the gradual completion of the collection, and buy no other books except German, if the continent should be opened again, except Massinger, Beaumont and Fletcher, and Jonson. The two last I have, I believe, but imperfect—indeed, B. and F. worthless, the best plays omitted. It would be a pleasing employment, had I health, to translate the Hymns of Homer, with a disquisitional attempt to settle the question concerning the personality of Homer. Such a thing in two volumes, well done, by philosophical notes on the mythology of the Greeks, distinguishing the sacerdotal from the poetical, and both from the philosophical or allegorical, fairly grown into two octavos, might go a good way, if not all the way, to the Bipontine Latin and Greek Classics.

      A TURTLE-SHELL FOR HOUSE-HOLD TUB

      I almost fear that the alteration would excite surprise and uneasy contempt in Verbidigno's mind (towards one less loved, at least); but had I written the sweet tale

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