slept in a big, soft chair until almost five o’clock when another crowd found and woke him; there followed an alcoholic dressing of several temperaments for the ordeal of dinner. They selected theatre tickets at Tyson’s for a play that had a four-drink programme—a play with two monotonous voices, with turbid, gloomy scenes, and lighting effects that were hard to follow when his eyes behaved so amazingly. He imagined afterward that it must have been “The Jest.”…
… Then the Cocoanut Grove, where Amory slept again on a little balcony outside. Out in Shanley’s, Yonkers, he became almost logical, and by a careful control of the number of highballs he drank, grew quite lucid and garrulous. He found that the party consisted of five men, two of whom he knew slightly; he became righteous about paying his share of the expense and insisted in a loud voice on arranging everything then and there to the amusement of the tables around him….
Some one mentioned that a famous cabaret star was at the next table, so Amory rose and, approaching gallantly, introduced himself… this involved him in an argument, first with her escort and then with the headwaiter—Amory’s attitude being a lofty and exaggerated courtesy… he consented, after being confronted with irrefutable logic, to being led back to his own table.
“Decided to commit suicide,” he announced suddenly.
“When? Next year?”
“Now. Tomorrow morning. Going to take a room at the Commodore, get into a hot bath and open a vein.”
“He’s getting morbid!”
“You need another rye, old boy!”
“We’ll all talk it over tomorrow.”
But Amory was not to be dissuaded, from argument at least.
“Did you ever get that way?” he demanded confidentially fortaccio.
“Sure!”
“Often?”
“My chronic state.”
This provoked discussion. One man said that he got so depressed sometimes that he seriously considered it. Another agreed that there was nothing to live for. “Captain Corn,” who had somehow rejoined the party, said that in his opinion it was when one’s health was bad that one felt that way most. Amory’s suggestion was that they should each order a Bronx, mix broken glass in it, and drink it off. To his relief no one applauded the idea, so having finished his highball, he balanced his chin in his hand and his elbow on the table—a most delicate, scarcely noticeable sleeping position, he assured himself—and went into a deep stupor….
He was awakened by a woman clinging to him, a pretty woman, with brown, disarranged hair and dark blue eyes.
“Take me home!” she cried.
“Hello!” said Amory, blinking.
“I like you,” she announced tenderly.
“I like you too.”
He noticed that there was a noisy man in the background and that one of his party was arguing with him.
“Fella I was with’s a damn fool,” confided the blue-eyed woman. “I hate him. I want to go home with you.”
“You drunk?” queried Amory with intense wisdom.
She nodded coyly.
“Go home with him,” he advised gravely. “He brought you.”
At this point the noisy man in the background broke away from his detainers and approached.
“Say!” he said fiercely. “I brought this girl out here and you’re butting in!”
Amory regarded him coldly, while the girl clung to him closer.
“You let go that girl!” cried the noisy man.
Amory tried to make his eyes threatening.
“You go to hell!” he directed finally, and turned his attention to the girl.
“Love first sight,” he suggested.
“I love you,” she breathed and nestled close to him. She did have beautiful eyes.
Some one leaned over and spoke in Amory’s ear.
“That’s just Margaret Diamond. She’s drunk and this fellow here brought her. Better let her go.”
“Let him take care of her, then!” shouted Amory furiously. “I’m no W. Y. C. A. worker, am I?—am I?”
“Let her go!”
“It’s her hanging on, damn it! Let her hang!”
The crowd around the table thickened. For an instant a brawl threatened, but a sleek waiter bent back Margaret Diamond’s fingers until she released her hold on Amory, whereupon she slapped the waiter furiously in the face and flung her arms about her raging original escort.
“Oh, Lord!” cried Amory.
“Let’s go!”
“Come on, the taxis are getting scarce!”
“Check, waiter.”
“C’mon, Amory. Your romance is over.”
Amory laughed.
“You don’t know how true you spoke. No idea. ‘At’s the whole trouble.”
AMORY ON THE LABOR QUESTION
Two mornings later he knocked at the president’s door at Bascome and Barlow’s advertising agency.
“Come in!”
Amory entered unsteadily.
“‘Morning, Mr. Barlow.”
Mr. Barlow brought his glasses to the inspection and set his mouth slightly ajar that he might better listen.
“Well, Mr. Blaine. We haven’t seen you for several days.”
“No,” said Amory. “I’m quitting.”
“Well—well—this is—”
“I don’t like it here.”
“I’m sorry. I thought our relations had been quite—ah—pleasant. You seemed to be a hard worker—a little inclined perhaps to write fancy copy—”
“I just got tired of it,” interrupted Amory rudely. “It didn’t matter a damn to me whether Harebell’s flour was any better than any one else’s. In fact, I never ate any of it. So I got tired of telling people about it—oh, I know I’ve been drinking—”
Mr. Barlow’s face steeled by several ingots of expression.
