girl climbed off the gun.
"I'm going to have a look at him," she said; and turning her back on Taffy, she sauntered off across the square, just as the band struck up the first note of the overture from Semiramide. A waltz of Strauss followed, and then came a cornet solo by the bandmaster, and a medley of old English tunes. To all of these Taffy listened. It had fallen too dark to read, and the boy was always sensitive to music. Often when he played alone broken phrases and scraps of remembered tunes came into his head and repeated themselves over and over. Then he would drop his game and wander about restlessly, trying to fix and complete the melody; and somehow in the process the melody always became a story, or so like a story that he never knew the difference. Sometimes his uneasiness lasted for days together. But when the story came complete at last—and this always sprang on him quite suddenly—he wanted to caper and fling his arms about and sing aloud; and did so, if nobody happened to be looking.
The bandmaster, too, had music, and a reputation for imparting it. Famous regimental bands contained pupils of his; and his old pupils, when they met, usually told each other stories of his atrocious temper. But he kept his temper to-night, for his youngsters were playing well, and the small crowd standing quiet.
The English melodies had scarcely closed with "Come, lasses and lads," when across in Mayoralty a blind was drawn, and a window thrown open, and Taffy saw the warm room within, and the officers and ladies standing with glasses in their hands. The Colonel was giving the one toast of the evening:
"Ladies and gentlemen—The Queen!"
The adjutant leaned out and lifted his hand for signal, and the band crashed out with the National Anthem. Then there was silence for a minute. The window remained open. Taffy still caught glimpses of jewels and uniforms, and white necks bending, and men leaning back in their chairs, with their mess-jackets open, and the candle-light flashing on their shirt-fronts. Below, in the dark street, the bandmaster trimmed the lamp by his music-stand. In the rays of it he drew out a handkerchief and polished the keys of his cornet; then passed the cornet over to his left hand, took up his baton, and nodded.
What music was that, stealing, rippling, across the square? The bandmaster knew nothing of the tale of Tannhauser, but was wishing that he had violins at his beck, instead of stupid flutes and reeds. And Taffy had never heard so much as the name of Tannhauser. Of the meaning of the music he knew nothing—nothing beyond its wonder and terror. But afterward he made a tale of it to himself.
In the tale it seemed that a vine shot up and climbed on the shadows of the warm night; and the shadows climbed with it and made a trellis for it right across the sky. The vine thrust through the trellis faster and faster, dividing, throwing out little curls and tendrils; then leaves and millions of leaves, each leaf unfolding about a drop of dew, which trickled and fell and tinkled like a bird's song.
The beauty and scent of the vine distressed him. He wanted to cry out, for it was hiding the sky. Then he heard the tramp of feet in the distance, and knew that they threatened the vine, and with that he wanted to save it. But the feet came nearer and nearer, tramping terribly.
He could not bear it. He ran to the stairs, stole down them, opened the front door cautiously, and slipped outside. He was half-way across the square before it occurred to him that the band had ceased to play. Then he wondered why he had come, but he did not go back. He found Honoria standing a little apart from the crowd, with her hands clasped behind her, gazing up at the window of the banqueting-room.
She did not see him at once.
"Stand on the steps, here," he whispered, "then you can see him. That's the Colonel—the man at the end of the table, with the big, grey moustache."
He touched her arm. She sprang away and stamped her foot.
"Keep off with you! Who told you?—Oh! you bad boy!"
"Nobody. I thought you hated boys who wait to be told."
"And now you'll get the whooping-cough, and goodness knows what will happen to you, and you needn't think I'll be sorry!"
"Who wants you to be sorry! As for you," Taffy went on sturdily, "I think your grandfather might have more sense than to keep you waiting out here in the cold, and giving your cough to the whole town!"
"Ha! you do, do you?"
It was not the girl who said this. Taffy swung round, and saw an old man staring down on him. There was just light enough to reveal that he had very formidable grey eyes. But Taffy's blood was up.
"Yes, I do," he said, and wondered at himself.
"Ha! Does your father whip you sometimes?"
"No, sir."
"I should if you were my boy. I believe in it. Come, Honoria!"
The child threw a glance at Taffy as she was led away. He could not be sure whether she took his side or her grandfather's.
That night he had a very queer dream.
His grandmother had lost her lace-pillow, and after searching for some time, he found it lying out in the square. But the pins and bobbins were darting to and fro on their own account, at an incredible rate, and the lace as they made it turned into a singing beanstalk, and rose and threw out branches all over the sky. Very soon he found himself climbing among those branches, up and up until he came to a Palace, which was really the Assize Hall, with a flight of steps before it and a cannon on either side of the steps. Within sat a giant, asleep, with his head on the table and his face hidden; but his neck bulged at the back just like the bandmaster's during a cornet solo. A harp stood on the table. Taffy caught this up, and was stealing downstairs with it, but at the third stair the harp—which had Honoria's head and face—began to cough, and wound up with a whoop! This woke the giant—he turned out to be Honoria's grandfather—who came roaring after him. Glancing down below as he ran, Taffy saw his mother and the bandmaster far below with axes, hacking at the foot of the beanstalk. He tried to call out and prevent them, but they kept smiting. And the worst of it was, that down below, too, his father was climbing into a pulpit, quite as if nothing was happening. The pulpit grew and became a tower, and his father kept calling, "Be a tower! Be a tower, like me!"
But Taffy couldn't for the life of him see how to manage it. The beanstalk began to totter; he felt himself falling, and leapt for the tower. … And awoke in his bed shuddering, and, for the first time in his life, afraid of the dark. He would have called for his mother, but just then down by the turret clock in Fore Street the buglers began to sound the "Last Post," and he hugged himself and felt that the world he knew was still about him, companionable and kind.
Twice the buglers repeated their call, in more distant streets, each time more faintly; and the last flying notes carried him into sleep again.
CHAPTER III.
PASSENGERS BY JOBY'S VAN.
At breakfast next morning he saw by his parents' faces that something unusual had happened. Nothing was said to him about it, whatever it might be. But once or twice after this, coming into the parlour suddenly, he found his father and mother talking low and earnestly together; and now and then they would go up to his grandmother's room and talk.
In some way he
