Buck had been steeled for the worst, but this sudden change loosened all the bonds of his pride. He stammered and choked. Calder turned abruptly away.
"Dan," he said, "here's the dawn, and it's time for us to hit the trail."
They rolled their blankets hastily and broke away from the gratitude which poured like water from the heart of old Sam. They were in their saddles when Buck came beside Dan. His pride, his shame, and his gratitude broke his voice.
"I ain't much on words," he said, "but it's you I'm thankin'!"
His hand reached up hesitatingly, and Dan caught it in a firm grip.
"Why," he said gently, "even Satan here stumbles now an' then, but that ain't no reason I should get rid of him. Good luck—partner!"
He shook the reins and the stallion leaped off after Calder's trotting pony. Buck Daniels stood motionless looking after them, and his eyes were very dim.
For an hour Dan and Tex were on the road before the sun looked over the hills. Calder halted his horse to watch.
"Dan," he said at last, "I used to think there were only two ways of handling men—one with the velvet touch and one with the touch of steel. Mine has been the way of steel, but I begin to see there's a third possibility —the touch of the panther's paw—the velvet with the steel claws hid beneath. That's your way, and I wonder if it isn't the best. I think Buck Daniels would be glad to die for you!"
He turned directly to Dan.
"But all this is aside from the point, which is that the whole country is full of these silent partners of the outlaws. The law plays a lone hand in the mountain-desert."
"You've played the lone hand and won twenty times," said Dan.
"Ay, but the twenty-first time I may fail. The difference between success and failure in this country is just the length of time it takes to pull a trigger—and Silent is fast with a gun. He's the root of the outlaw power. We may kill a hundred men, but till he's gone we've only mowed the weeds, not pulled them. But what's the use of talking? One second will tell the tale when I stand face to face with Jim Silent and we go for our six-guns. And somewhere between that rising sun and those mountains I'll find Jim Silent and the end of things for one of us."
He started his cattle-pony into a sudden gallop, and they drove on into the bright morning.
18. CAIN
Hardly a score of miles away, Jim Silent and his six companions topped a hill. He raised his hand and the others drew rein beside him. Kate Cumberland shifted her weight a little to one side of the saddle to rest and looked down from the crest on the sweep of country below. A mile away the railroad made a streak of silver light across the brown range and directly before them stood the squat station-house with red-tiled roof. Just before the house, a slightly broader streak of that gleaming light showed the position of the siding rails. She turned her head towards the outlaws. They were listening to the final directions of their chief, and the darkly intent faces told their own story. She knew, from what she had gathered of their casual hints, that this was to be the scene of the train hold-up.
It seemed impossible that this little group of men could hold the great fabric of a train with all its scores of passengers at their mercy. In spite of herself, half her heart wished them success. There was Terry Jordan forgetful of the wound in his arm; Shorty Rhinehart, his saturnine face longer and more calamitous than ever; Hal Purvis, grinning and nodding his head; Bill Kilduff with his heavy jaw set like a bull dog's; Lee Haines, with a lock of tawny hair blowing over his forehead, smiling faintly as he listened to Silent as if he heard a girl tell a story of love; and finally Jim Silent himself, huge, solemn, confident. She began to feel that these six men were worth six hundred.
She hated them for some reasons; she feared them for others; but the brave blood of Joe Cumberland was thick in her and she loved the danger of the coming moment. Their plans were finally agreed upon, their masks arranged, and after Haines had tied a similar visor over Kate's face, they started down the hill at a swinging gallop.
In front of the house of the station-agent they drew up, and while the others were at their horses, Lee Haines dismounted and rapped loudly at the door. It was opened by a grey-bearded man smoking a pipe. Haines covered him. He tossed up his hands and the pipe dropped from his mouth.
"Who's in the house here with you?" asked Haines.
"Not a soul!" stammered the man. "If you're lookin' for money you c'n run through the house. You won't find a thing worth takin'."
"I don't want money. I want you," said Haines; and immediately explained, "you're perfectly safe. All you have to do is to be obliging. As for the money, you just throw open that switch and flag the train when she rolls along in a few moments. We'll take care of the rest. You don't have to keep your hands up."
The hands came down slowly. For a brief instant the agent surveyed Haines and the group of masked men who sat their horses a few paces away, and then without a word he picked up his flag from behind the door and walked out of the house. Throughout the affair he never uttered a syllable. Haines walked up to the head of the siding with him while he opened the switch and accompanied him back to the point opposite the station-house to see that he gave the "stop" signal correctly. In the meantime two of the other outlaws entered the little station, bound the telegrapher hand and foot, and shattered his instrument. That would prevent the sending of any call for help after the hold-up. Purvis and Jordan (since Terry could shoot with his left hand in case of need) went to the other side of the track and lay down against the grade. It was their business to open fire on the tops of the windows as the train drew to a stop. That would keep the passengers inside. The other four were distributed along the side nearest to the station-house. Shorty Rhinehart and Bill Kilduff were to see that no passengers broke out from the train and attempted a flank attack. Haines would attend to having the fire box of the engine flooded. For the cracking of the safe, Silent carried the stick of dynamite.
Now the long wait began. There is a dreamlike quality about bright mornings in the open country, and everything seemed unreal to Kate. It was impossible that tragedy should come on such a day. The moments stole on. She saw Silent glance twice at his watch and scowl. Evidently the train was late and possibly they would give up the attempt. Then a light humming caught her ear.
She held her breath and listened again. It was unmistakable—a slight thing—a tremor to be felt rather than heard. She saw Haines peering under shaded eyes far down the track, and following the direction of his gaze she saw a tiny spot of haze on the horizon. The tiny puff of smoke developed to a deeper, louder note. The station-agent took his place on the track.
Now the train bulked big, the engine wavering slightly to the unevenness of the road bed. The flag of the station-agent moved. Kate closed her eyes and set her teeth. There was a rumbling and puffing and a mighty grinding—a shout somewhere—the rattle of a score of pistol shots—she opened her eyes to see the train rolling to a stop on the siding directly before her.
Kilduff and Shorty Rhinehart, crouching against the grade, were splintering the windows one by one with nicely placed shots. The baggage-cars were farther up the siding than Silent calculated. He and Haines now ran towards the head of the train.
The fireman and engineer jumped from their cab, holding their arms stiffly above their heads; and Haines approached with poised revolver to make them flood the fire box. In
