me for the moment. The dad loathes French women. I'm extra careful to keep this one's picture out of sight. I say! Don't know what you'll think about my manners, but I forgot all about your asking to go down and get out into the air. Sorry, old chap! Come along! Take my arm, and I'll help you."
As the breaking of the tobacco jar had deprived Raynor of again making use of that as a means of hiding the little silver box and its contents, he had, while speaking, crammed the letters, the photograph, and the scrap of pink gauze into an inside pocket of his coat, and now came forward and took Cleek's arm with the amiable intention of leading him from the room.
There was, of course, in the circumstances nothing for it but to go, much as Cleek would have preferred to stop and trace the connection between young Raynor and Margot; but he was far too careful in his methods to cast any doubt regarding the genuineness of that sudden attack of a moment before by pretending that it had begun to abate, and therefore yielded himself to the inevitable.
But he had this consolation in doing it: not only would he now be enabled to witness the meeting between Geoff Clavering and Lady Katharine Fordham after all, but as a man who is ill is always more or less an object of sympathy and attention upon the part of women, he foresaw that he might induce Lady Katharine to hover round him, and thus bring Geoff Clavering within close range for easy and careful studying. Nor did he fear that he had lost all opportunity for pursuing the subject of Harry Raynor's acquaintance with Margot. The mere fact that that young man had the contents of the little silver box upon his person might easily cause an apprehensive inquiry regarding the risk of carrying them about where they might be dropped, and so brought to his father's attention; and from that inquiry it would be simple work getting back to the subject itself without exciting any suspicion regarding his keen interest in it. He therefore allowed young Raynor to lead him from the room.
"Fearfully groggy, old chap, fearfully," he said in answer to young Raynor's inquiry regarding how he felt as they went down the dim passage toward the staircase; "head going round like a teetotum; hope I don't keel over and spoil the evening's sport by having to be put to bed like a kid. Don't want two sick men on one floor, do you, eh? Or is it on this floor that Lord St. Ulmer's room is situated?"
"Yes, that one over there—second door from the wing staircase. Speak low, old chap, or you may disturb him. Sleeps like a cat, they say—one eye and both ears always open. Doesn't do anything but sleep, I imagine, day and night, from the way he keeps to his room. Hullo! I say! What's it? Aren't going to crumple up, Barch, are you?"
This, because Cleek had suddenly lurched against the bannister at the head of the stairs, and swung clean round until his back was resting against it.
"No—that is, I hope not; but I do feel rotten, old chap," replied he. "Just half a second, will you?"
He lolled back his head, gave a sort of groan, and rapidly and silently began to count the doors and to make sure of the location of Lord St. Ulmer's room. "All right; only a passing spasm, I reckon, old chap," he went on as soon as he had discovered that his lordship's door was the third from the end of the passage, and that his window would, therefore, be the second from the angle of the wing in the outer wall of the house. "Come on—let's go down." And leaning heavily upon young Raynor, he descended to the dining-room.
CHAPTER ELEVEN
THE CLOUDBURST
The delay, trifling though it was, occasioned by the smashing of the tobacco jar and the discovery of the photograph, served to interfere with the smooth progress of events, as it fell out that Cleek did not, after all, rejoin the party below in time to witness the first meeting between Geoffrey Clavering and Lady Katharine Fordham, for the carriage had arrived at the entrance to the house before he put in an appearance, and the General and Mrs. Raynor, Ailsa and Lady Katharine, were out on the veranda talking excitedly with young Clavering when Harry and Cleek came upon the scene.
There is a subtle magic in love that dispels all other emotions, and despite the gravity of the situation, a look of happiness radiated from Lady Katharine's face, reflected, though in a far lesser degree, upon Geoffrey Clavering's; indeed it did not need an over-keen eye to detect that the young man was seriously ill at ease, and general conversation languished.
Cleek's entry, therefore, with young Raynor's announcement of his sudden attack of faintness, not only drew all attention, but, as he had foreseen, he became an object of extreme solicitude upon the part of the ladies.
"Crocked up, poor beggar, and came within an ace of bowling over," explained young Raynor as he led him to a seat in a big wicker chair. "Sharp attack of indigestion, if I know the symptoms. Bet you a hat, mater, it was that beastly cheese soufflé we had for lunch. Enough to kill a dog, that stuff. But you will give that silly ass of a cook his head, and let him serve up anything he likes. How are you, Clavering? Things look like going all right for you after all—eh, what? 'Tisn't every man who can have his rival's wind shut off to order."
The remark could not be said to be a happy one, despite the fact that the maker of it laughed as though he had just perpetrated a witticism; for even his doting mother could not but deplore it.
"Harry, darling, how can you?" she said reproachfully, as young Clavering coloured and the two girls looked distressed and indignant. "Darling, you ought to think before you speak."
"Huh!" grunted the disgusted General. "If he did, he probably wouldn't speak at all. It seems to me, Harry, that you must lie awake at nights planning how you can arrange to say just the wrong thing upon all occasions—you do it so constantly."
"Oh, that's it—just lay everything on me!" responded his dutiful offspring sulkily. "I'm always doing the wrong thing—if you believe what other people say. Seems to me that the best thing I can do is to take myself off, and then everybody will be happy. I say, Barch, when you feel like yourself again you'll find me either at the stables or in the pater's blessed ruin taking lessons in etiquette from the family ghost—if the pater has been able to rake up one and coax him to reside there."
And with this ill-natured dig at his father's pet weakness this engaging young gentleman lurched down the steps of the veranda and walked surlily away round the angle of the house.
The place which he had spoken of as "the pater's ruin" was a little fad of the General's, whose love of antiquities and the like had tempted him to transform a bare and unattractive part of the Grange grounds into something at least picturesque if not in the very highest good taste. Ancient ruins had always been a passion with him, but as you can't have ancient ruins in modern Wimbledon, the General had had a ruin built for himself, modelling it after the crumbling remains of an old Scottish castle which had appealed to his artistic eye, planting it with ferns and enwrapping ivy and vines of Virginia creeper, and even supplying it with owls and bats to keep up the illusion. It was his one harmless weakness, his one foible—that ruin; and nobody but his son ever mocked him for it, though many laughed in their sleeves and secretly made game of his foolish whim.
Cleek had heard of the "ruin" at Wuthering Grange before he had ever set foot inside the gates of the place; and hearing of it again—now, like this—he felt that he would like to kick the young cub who could publicly mock his father's folly in this fashion. He saw the General's kindly old face flush with anger and mortification, and was not at all surprised when he presently made an excuse to get away and retired indoors.
Meantime, Cleek's plan of pretending illness had panned out precisely as he had imagined, and was productive of the results he desired. Essentially feminine and of a highly sympathetic nature, Lady Katharine hovered near
