parts to keep to main issue. Should be sorry to recall in any detail exact number and nature of utterly irrelevant observations exchanged, but have distinct recollection that Rose asserts at various times that: (a) If I had been properly psycho-analysed years ago, I should realise that my mind has never really come to maturity at all. (b) It is perfectly ridiculous to wear shoes with such high heels. (c) Robert is a perfect saint and has a lot to put up with. (d) No one in the world can be readier than Rose is to admit that I can Write, but to talk about The Piano is absurd.
Cannot deny that in return I inform her, in the course of the evening, that: (a) Her best friend could never call Rose tidy--look at the room now! (b) There is a great difference between being merely impulsive, and being utterly and grossly inconsiderate. (c) Having been to America does not, in itself, constitute any claim to infallibility on every question under the sun. (d) Naturally, what's past is past, and I don't want to remind her about the time she lost her temper over those idiotic iris-roots.
Cannot say at what stage I am reduced to tears, but this unfortunately happens, and I explain that it is entirely due to rage, and nothing else. Rose suddenly says that there is nothing like coffee, and rings the bell. Retire to the bathroom in great disorder, mop myself up--tears highly unbecoming, and should much like to know how film-stars do it, usual explanation of Glycerine seems to me quite inadequate--Return to sitting-room and find that Rose, with extraordinary presence of mind, has put on the gramophone. Listen in silence to Rhapsody in Blue, and feel better.
Admirable coffee is brought in, drink some, and feel better still. Am once more enabled to meet Rose's eye, which now indicates contrition, and we simultaneously say that this is Perfectly Impossible, and Don't let's quarrel, whatever we do. All is harmony in a moment, and I kiss Rose, and she says that the whole thing was her fault, from start to finish, and I say No, it was mine absolutely, and we both say that we didn't really mean anything we said.
(Cold-blooded and slightly cynical idea crosses my mind later that entire evening has been complete waste of nervous energy, if neither of us meant any of the things we said--but refuse to dwell on this aspect of the case.)
Eventually go home feeling extraordinarily tired. Find letter from Vicky, with small drawing of an elephant, that I think distinctly clever and modernistic, until I read letter and learn that it is A Table, laid for Dinner, also communication from Literary Agent saying how much he looks forward to seeing my new manuscript. (Can only hope that he enjoys the pleasures of anticipation as much as he says, since they are, at present rate of progress, likely to be prolonged.)
Am also confronted by purple envelope and silver cypher, now becoming familiar, and scrawled invitation from Pamela Pringle to lunch at her flat, and meet half a dozen dear friends who simply adore my writing. Am sceptical about this, but shall accept, from degraded motives of curiosity to see the dear friends, and still more degraded motives of economy, leading me to accept a free meal from whatever quarter offered.
October 16th.--Find myself in very singular position as regards the Bank, where distinctly unsympathetic attitude prevails in regard to quite small overdraft. Am interviewed by the Manager, who says he very much regrets that my account at present appears to be absolutely Stationary. I say with some warmth that he cannot regret it nearly as much as I do myself, and dead-lock appears to have been reached. Manager--cannot imagine why he thinks it a good idea--suddenly opens a large file, and reads me out extract from correspondence with very unendearing personality referred to as his Director, instructing him to bring pressure to bear upon this client--(me). I say Well, that's all right, he has brought pressure to bear, so he needn't worry--but perfect understanding fails to establish itself, and we part in gloom.
Idle fantasy of suddenly acquiring several hundreds of thousands of pounds by means of Irish Sweep ticket nearly causes me to be run over by inferior-looking lorry with coal.
October 18th.--Go to Woolworth's to buy paper handkerchiefs--cold definitely impending--and hear excellent sixpenny record, entitled "Around the Corner and Under the Tree", which I buy. Tune completely engaging, and words definitely vulgar, but not without cheap appeal. Something tells me that sooner or later I shall be explaining purchase away by saying that I got it to amuse the children.
(Note: Self-knowledge possibly beneficial, but almost always unpleasant to a degree.)
Determine to stifle impending cold, if only till after Pamela's luncheon-party to-morrow, and take infinite trouble to collect jug, boiling water, small bottle of Friar's Balsam and large bath-towel. All is ruined by one careless movement, which tips jug, Friar's Balsam and hot water down front of my pyjamas. Am definitely scalded--skin breaks in one place and turns scarlet over area of at least six inches--try to show presence of mind and remember that Butter is The Thing, remember that there is no butter in the flat--frantic and irrelevant quotation here, It was the Best butter--remember vaseline, use it recklessly, and retire to bed in considerable pain and with cold unalleviated.
October 19th.--Vagaries of Fate very curious and inexplicable. Why should severe cold in the head assail me exactly when due to lunch with Pamela Pringle in character of reasonably successful authoress, in order to meet unknown gathering of smart Society Women? Answer remains impenetrably mysterious.
Take endless trouble with appearance, decide to wear my Blue, then take it all off again and revert to my Check, but find that this makes me look like a Swiss nursery governess, and return once more to Blue. Regret, not for the first time, that Fur Coat, which constitutes my highest claim to distinction of appearance, will necessarily have to be discarded in hall.
Sloane Street achieved, as usual, via bus No. 19, and I again confront splendours of Pamela's purple front door. Am shown into empty drawing-room, where I meditate in silence on unpleasant, but all-too-applicable, maxim that It is Provincial to Arrive too Early. Presently strange woman in black, with colossal emerald brooch pinned in expensive-looking frills of lace, is shown in, and says How d'y do, very amiably, and we talk about the weather, Gandhi and French poodles. (Why? There are none in the room, and can trace no association of ideas whatsoever.)
Two more strange women in black appear, and I feel that my Blue is becoming conspicuous. All appear to know one another well, and to have met last week at lunch, yesterday evening at Bridge, and this morning at an Art Exhibition: No one makes any reference to Pamela, and grave and unreasonable panic suddenly assails me that I am in wrong flat altogether. Look madly round to see if I can recognise any of the furniture, and woman with osprey and rope of pearls enquires if I am missing that precious horse. I say No, not really--which is purest truth--and wonder if she has gone off her head. Subsequent conversation reveals that horse was made of soapstone.
(Query: What is soapstone? Association here with Lord Darling, but cannot work out in full.)
More and more anxious about non-appearance of Pamela P., especially when three more guests arrive--black two-piece, black coat-and-skirt, and black crêpe-de-chine with orange-varnished nails. (My Blue now definitely revealed as inferior imitation of Joseph's coat, no less, and of very nearly equal antiquity.)
They all call one another by Christian names, and have much to say about mutual friends, none of whom I have ever heard of before. Someone called Goo-goo has had influenza, and while this is being discussed, I am impelled to violent sneezing fit. Everybody looks at me in horror, and conversation suffers severe check.
(Note: Optimistic conviction that two handkerchiefs will last out through one luncheon party utterly unjustified in present circumstances. Never forget this again.)
Door flies open and Pamela Pringle, of whom I have now given up all hope, rushes in, kisses everybody, falls over little dog--which has mysteriously appeared out of the blue and vanishes again after being fallen over--and says Oh do we all know
