when she called on you, carissima. It would have been embarrassing if you were out, and she could not hand in her card."
"And about Mr Shuttleworth?" asked she in an absent voice, as if she had no real interest in her question.
"He has not been seen yet at all, as far as I can gather."
"Then shall we have no host, if we drop in tomorrow night?"
"Let us go and see, cara," said he gaily.
Apart from this matter of her call not being returned, Lucia had not as yet had any reason to suspect Olga of revolutionary designs on the throne. She had done odd things — pushing Mrs Weston's chair round the green was one of them, smoking a cigarette as she came back from church on Sunday was another — but these she set down to the Bohemianism and want of polish which might be expected from her upbringing, if you could call an orphan school at Brixton an upbringing at all. This terrific fact Georgie had let slip in his stern determination to know twice as much about Olga as anybody else, and Lucia had treasured it. She had in the last fortnight labelled Olga as "rather common," retaining, however, a certain respect for her professional career, given that that professional career was to be thrown down as a carpet for her own feet. But, after all, if Olga was a bit Bohemian in her way of life, as exhibited by the absence of calling cards, Lucia was perfectly ready to overlook that (confident in the refining influence of Riseholme), and to go to the informal party next day, if she felt so disposed, for no direct answer was asked for.
There was a considerable illumination in the windows of Old Place when she and Peppino set out after dinner next night to go to the "silly" party, kindly overlooking the informality and the absence of a return visit to her call. It had been a sloppy day of rain, and, as was natural, Lucia carried some very smart indoor shoes in a paper-parcel and Peppino had his Russian goloshes on. These were immense snow-boots, in which his evening shoes were completely encased, but Lucia preferred not to disfigure her feet to that extent, and was clad in neat walking-boots which she could exchange for her smart satin footwear in the cloakroom. The resumption of walking-boots when the evening was over was rather a feature among the ladies and was called "The cobbler's at-home." The two started rather late, for it was fitting that Lucia should be the last to arrive.
They had come to the door of the Old Place, and Peppino was fumbling in the dark for the bell, when Lucia gave a little cry of agony and put her hands over her ears, just as if she had been seized with a double-earache of peculiar intensity.
"Gramophone," she said faintly.
There could be no doubt about that. From the window close at hand came out the excruciating strains of a very lusty instrument, and the record was that of a vulgar "catchy" waltz-tune, taken down from a brass-band. All Riseholme knew what her opinion about gramophones was; to the lover of Beethoven they were like indecent and profane language loudly used in a public place. Only one, so far as was known, had ever come to Riseholme, and that was introduced by the misguided Robert Quantock. Once he had turned it on in her presence, but the look of agony which crossed her face was such that he had to stop it immediately. Then the door was opened, and the abominable noise poured out in increased volume.
Lucia paused for a moment in indecision. Would it be the great, the magnificent thing to go home without coming in, trusting to Peppino to let it be widely known what had turned her back from the door? There was a good deal to be said for that, for it would be living up to her own high and immutable standards. On the other hand she particularly wanted to see what standard of entertaining Olga was initiating. The "silly evening" was quite a new type of party, for since she had directed and controlled the social side of things there had been no "silly evenings" of any kind in Riseholme, and it might be a good thing to ensure the failure of this (in case she did not like it) by setting the example of a bored and frosty face. But if she went in, the gramophone must be stopped. She would sit and wince, and Peppino must explain her feeling about gramophones. That would be a suitable exhibition of authority. Or she might tell Olga.
Lucia put on her satin shoes, leaving her boots till the hour of the cobbler's at-home came, and composing her face to a suitable wince was led by a footman on tiptoe to the door of the big music-room which Georgie had spoken of.
"If you'll please to step in very quietly, ma'am," he said.
The room was full of people; all Riseholme was there, and since there were not nearly enough chairs (Lucia saw that at once) a large number were sitting on the floor on cushions. At the far end of the room was a slightly raised dais, to the corner of which the grand piano had been pushed, on the top of which, with its braying trumpet pointing straight at Lucia, was an immense gramophone. On the dais was Olga dancing. She was dressed in some white soft fabric shimmering with silver, which left her beautiful arms bare to the shoulder. It was cut squarely and simply about the neck, and hung in straight folds down to just above her ankles. She held in her hands some long shimmering scarf of brilliant red, that floated and undulated as she moved, as if inspired by some life of its own that it drew out of her slim superb vitality. From the cloud of shifting crimson, with the slow billows of silver moving rhythmically round her body, that beautiful face looked out deliciously smiling and brimming with life . . .
Lucia had hardly entered when with a final bray the gramophone came to the end of its record, and Olga swept a great curtsey, threw down her scarf, and stepped off the dais. Georgie was sitting on the floor close to it, and jumped up, leading the applause. For a moment, though several heads had been turned at Lucia's entrance, nobody took the slightest notice of her, indeed, the first apparently to recognize her presence was her hostess, who just kissed her hand to her, and then continued talking to Georgie. Then Olga threaded her way through the besprinkled floor, and came up to her.
"How wise you were to miss that very poor performance," she said. "But Mr Georgie insisted that I should make a fool of myself."
"Indeed, I am sorry not to have been here for it," said Lucia in her most stately manner. "It seemed to me very far from being a poor performance, very far indeed. Caro mio, you remember Miss Bracely."
"Si, si molto bene," said Peppino, shaking hands.
"Ah, and you talk Italian," said Olga. "Che bella lingua! I wish I knew it."
"You have a very good pronunciation," said Lucia.
"Tante grazie. You know everyone here of course. Now, what shall we do next? Clumps or charades or what? Ah, there are some cigarettes. Won't you have one?"
Lucia gave a little scream of dismay.
"A cigarette for me? That would be a very odd thing," she said. Then relenting, as she remembered that Olga must be excused for her ignorance, she added: "You see I never smoke. Never."
"Oh, you should learn," said Olga. "Now let's play clumps. Does everyone know clumps? If they don't they will find out. Or shall we dance? There's the gramophone to dance to."
Lucia put up her hands in playful petition.
"Oh please, no gramophone!" she said.
"Oh, don't you like it?" said Olga. "It's so horrible that I adore it, as I adore dreadful creatures in an aquarium. But I think we won't dance till after supper. We'll have supper extremely soon, partly because I am dying of famine, and partly because people are sillier afterwards. But just one game of clumps first. Let's see; there are but enough for four clumps. Please make four clumps everybody, and — and will you and two more go out with Mr Georgie, Mrs Lucas? We will be as quick as we can, and we won't think of anything that will make Mr Georgie blush. Oh, there he is! He heard!"
Olga's intense enjoyment of her own party was rapidly galvanizing everybody into a much keener gaiety than
