conduct, only worthy of suffragettes, and she partook of the Poppit's hospitality to the fullest extent possible, but (here her principles came in) she never returned the hospitality of the Member of the British Empire, though she occasionally asked Isobel to her house, and abused her soundly on all possible occasions . . .
This spiteful retrospect passed swiftly and smoothly through Miss Mapp's mind, and did not in the least take off from the acuteness with which she observed the tide in the affairs of Tilling which, after the ebb of the night, was now flowing again, nor did it, a few minutes after Isabel's disappearance round the corner, prevent her from hearing the faint tinkle of the telephone in her own house. At that she started to her feet, but paused again at the door. She had shrewd suspicions about her servants with regard to the telephone: she was convinced (though at present she had not been able to get any evidence on the point) that both her cook and her parlour-maid used it for their own base purposes at her expense, and that their friends habitually employed it for conversation with them. And perhaps — who knows? — her housemaid was the worst of the lot, for she affected an almost incredible stupidity with regard to the instrument, and pretended not to be able either to speak through it or to understand its cacklings. All that might very well be assumed in order to divert suspicion, so Miss Mapp paused by the door to let any of these delinquents get deep in conversation with her friend: a soft and stealthy advance towards the room called the morning-room (a small apartment opening out of the hall, and used chiefly for the bestowal of hats and cloaks and umbrellas) would then enable her to catch one of them red-mouthed, or at any rate to overhear fragments of conversation which would supply equally direct evidence.
She had got no farther than the garden door into her house when Withers, her parlour-maid, came out. Miss Mapp thereupon began to smile and hum a tune. Then the smile widened and the tune stopped.
"Yes, Withers?" she said. "Were you looking for me?"
"Yes, Miss," said Withers. "Miss Poppit has just rung you up —"
Miss Mapp looked much surprised.
"And to think that the telephone should have rung without my hearing it," she said. "I must be growing deaf, Withers, in my old age. What does Miss Poppit want?"
"She hopes you will be able to go to tea this afternoon and play bridge. She expects that a few friends may look in at a quarter to four."
A flood of lurid light poured into Miss Mapp's mind. To expect that a few friends may look in was the orthodox way of announcing a regular party to which she had not been asked, and Miss Mapp knew as if by a special revelation that if she went, she would find that she made the eighth to complete two tables of bridge. When the butler opened the door, he would undoubtedly have in his hand a half-sheet of paper on which were written the names of the expected friends, and if the caller's name was not on that list, he would tell her with brazen impudence that neither Mrs Poppit nor Miss Poppit were at home, while, before the baffled visitor had turned her back, he would admit another caller who duly appeared on his reference paper . . . So then the Poppits were giving a bridge-party to which she had only been bidden at the last moment, clearly to take the place of some expected friend who had developed influenza, lost an aunt or been obliged to go to London: here, too, was the explanation of why (as she had overheard yesterday) Major Flint and Captain Puffin were only intending to play one round of golf today, and to come back by the two-twenty train. And why seek any further for the explanation of the lump of ice and the redcurrants (probably damaged) which she had observed Isabel purchase? And anyone could see (at least Miss Mapp could) why she had gone to the stationer's in the High Street just before. Packs of cards.
Who the expected friend was who had disappointed Mrs Poppit could be thought out later: at present, as Miss Mapp smiled at Withers and hummed her tune again, she had to settle whether she was going to be delighted to accept, or obliged to decline. The argument in favour of being obliged to decline was obvious: Mrs Poppit deserved to be "served out" for not including her among the original guests, and if she declined it was quite probable that at this late hour her hostess might not be able to get anyone else, and so one of her tables would be completely spoiled. In favour of accepting was the fact that she would get a rubber of bridge and a good tea, and would be able to say something disagreeable about the redcurrant fool, which would serve Miss Poppit out for attempting to crib her ancestral dishes . . .
A bright, a joyous, a diabolical idea struck her, and she went herself to the telephone, and genteelly wiped the place where Withers had probably breathed on it.
"So kind of you, Isabel," she said, "but I am very busy today, and you didn't give me much notice, did you? So I'll try to look in if I can, shall I? I might be able to squeeze it in."
There was a pause, and Miss Mapp knew that she had put Isabel in a hole. If she successfully tried to get somebody else, Miss Mapp might find she could squeeze it in, and there would be nine. If she failed to get someone else, and Miss Mapp couldn't squeeze it in, then there would be seven . . . Isabel wouldn't have a tranquil moment all day.
"Ah, do squeeze it in," she said in those horrid wheedling tones which for some reason Major Flint found so attractive. That was one of the weak points about him, and there were many, many others. But that was among those which Miss Mapp found it difficult to condone.
"If I possibly can," said Miss Mapp. "But at this late hour — Goodbye, dear, or only au reservoir, we hope."
She heard Isabel's polite laugh at this nearly new and delicious malaprop before she rang off. Isabel collected malaprops and wrote them out in a notebook. If you reversed the notebook and began at the other end, you would find the collection of Spoonerisms, which were very amusing, too.
Tea, followed by a bridge-party, was, in summer, the chief manifestation of the spirit of hospitality in Tilling. Mrs Poppit, it is true, had attempted to do something in the way of dinner-parties, but though she was at liberty to give as many dinner-parties as she pleased, nobody else had followed her ostentatious example. Dinner-parties entailed a higher scale of living; Miss Mapp, for one, had accurately counted the cost of having three hungry people to dinner, and found that one such dinner-party was not nearly compensated for, in the way of expense, by being invited to three subsequent dinner-parties by your guests. Voluptuous teas were the rule, after which you really wanted no more than little bits of things, a cup of soup, a slice of cold tart, or a dished-up piece of fish and some toasted cheese. Then, after the excitement of bridge (and bridge was very exciting in Tilling), a jig-saw puzzle or Patience cooled your brain and composed your nerves. In winter, however, with its scarcity of daylight, Tilling commonly gave evening bridge-parties, and asked the requisite number of friends to drop in after dinner, though everybody knew that everybody else had only partaken of bits of things. Probably the ruinous price of coal had something to do with these evening bridge-parties, for the fire that warmed your room when you were alone would warm all your guests as well, and then, when your hospitality was returned, you could let your sitting-room fire go out. But though Miss Mapp was already planning something in connection with winter bridge, winter was a long way off yet . . .
Before Miss Mapp got back to her window in the garden-room Mrs Poppit's great offensive motor car, which she always alluded to as "the Royce", had come round the corner and, stopping opposite Major Flint's house, was entirely extinguishing all survey of the street beyond. It was clear enough then that she had sent the Royce to take the two out to the golf-links, so that they should have time to play their round and catch the two-twenty back to Tilling again, so as to be in good time for the bridge-party. Even as she looked, Major Flint came out of his house on one side of the Royce and Captain Puffin on the other. The Royce obstructed their view of each other, and simultaneously each of them shouted across to the house of the other. Captain Puffin emitted a loud "Coo-ee, Major" (an Australian ejaculation, learned on his voyages), while Major Flint bellowed "Quai-hai, Captain," which, all the world knew, was of Oriental origin. The noise each of them made prevented him from hearing the other, and presently one in a fuming hurry
