air they swing,Under the sunny sky.
I wish we could wash from our hearts and our souls
The stains of the week away,
And let water and air by their magic make
Ourselves as pure as they;
Then on the earth there would be indeed
A glorious washing-day!
Along the path of a useful life
Will heart's-ease ever bloom;
The busy mind has no time to think
Of sorrow, or care, or gloom;
And anxious thoughts may be swept away
As we busily wield a broom.
I am glad a task to me is given
To labor at day by day;
For it brings me health, and strength, and hope,
And I cheerfully learn to say, –
"Head, you may think; heart, you may feel;
But hand, you shall work alway!"
THE period of free, happy childhood was necessarily short, and at about the age of fifteen Louisa Alcott began to feel the pressure of thoughts and duties which made life a more solemn matter. In spite of the overflowing fun which appears in her books, her nature was very serious, and she could not cast aside care lightly. So many varying tendencies existed in her character that she must have struggled with many doubts and questions before finding the true path. But she always kept the pole-star of right strictly in view, and never failed in truth to that duty which seemed to her nearest and most imperative. If she erred in judgment, she did not err in conscientious fidelity.
Her mother's rules for her guidance were –
Rule yourself.
Love your neighbor.
Do the duty which lies nearest you.
She never lost sight of these instructions.
I will introduce this period in her own words, as written later for the use of a friend.
My romantic period began at fifteen, when I fell to writing poetry, keeping a heart-journal, and wandering by moonlight instead of sleeping quietly. About that time, in browsing over Mr. Emerson's library, I found Goethe's "Correspondence with a Child," and at once was fired with a desire to be a Bettine, making my father's friend my Goethe. So I wrote letters to him, but never sent them; sat in a tall cherry-tree at midnight, singing to the moon till the owls scared me to bed; left wild flowers on the doorstep of my "Master," and sung Mignon's song under his window in very bad German.
Not till many years later did I tell my Goethe of this early romance and the part he played in it. He was much amused, and begged for his letters, kindly saying he felt honored to be so worshipped. The letters were burnt long ago, but Emerson remained my "Master" while he lived, doing more for me, – as for many another, – than he knew, by the simple beauty of his life, the truth and wisdom of his books, the example of a great, good man, untempted and unspoiled by the world which he made better while in it, and left richer and nobler when he went.
The trials of life began about this time, and happy childhood ended. One of the most memorable days of my life is a certain gloomy November afternoon, when we had been holding a family council as to ways and means. In summer we lived much as the birds did, on our fruit and bread and milk; the sun was our fire, the sky our roof, and Nature's plenty made us forget that such a thing as poverty existed.
In 1850 she heads her diary "The Sentimental Period." She was then seventeen years old, but her diary gives no hint of the sentimental notions that often fill the heads of young girls at that period. The experiences of Jo with her charming young neighbor in "Little Women" do not represent hers at all.
One bit of romance was suggested by Goethe's "Correspondence with a Child." It may be difficult for readers of to-day to understand the fascination which this book exercised upon young minds of the last generation, yet it is certain that it led more than one young girl to form an ideal attachment to a man far older than herself, but full of nobility and intellectual greatness. Theodore Parker said of letters addressed to him by a young New Hampshire girl, "They are as good as Bettine's without the lies." This mingling of idealism and hero-worship was strongly characteristic of that transcendental period when women, having little solid education and less industrial employment, were full of noble aspirations and longings for fuller and freer life, which must find expression in some way.
The young woman of to-day, wearing waterproof and india-rubber boots, skating, driving, and bicycling, studying chemistry in the laboratory, exhibiting her pictures in open competition, adopting a profession without opposition, and living single without fear of reproach, has less time for fancies and more regard for facts.
Miss Alcott was safe in choosing her idol. Worship of Emerson could only refine and elevate her thoughts, and her intimate acquaintance with his beautiful home chastened her idolatry into pure reverent friendship which never failed her. She kept her worship to herself, and never sent him the letters in which she poured out the longings and raptures which filled her girlish heart.
Her diary, which was revised by herself in later years, tells the story of this period quite fully. The details may seem trifling, but they help to illustrate this important formative period of her life.
Journal.
THE SENTIMENTAL PERIOD.
Boston, May, 1850. – So long a time has passed since I kept a journal that I hardly know how to begin. Since coming to the city I don't seem to have thought much, for the bustle and dirt and change send all lovely images and restful feelings away. Among my hills and woods I had fine free times alone, and though my thoughts were silly, I daresay, they helped to keep me happy and good. I see now what Nature did for me, and my "romantic tastes," as people called that love of solitude and out-of-door life, taught me much.
This summer, like the last, we shall spend in a large house (Uncle May's, Atkinson Street), with many comforts about us which we shall enjoy, and in the autumn I hope I shall have something to show that the time has not been wasted. Seventeen years have I lived, and yet so little do I know, and so much remains to be done before I begin to be what I desire, – a truly good and useful woman.
In looking over our journals, Father says, "Anna's is about other people, Louisa's about herself." That is true, for I don't talk about myself; yet must always think of the wilful, moody girl I try to manage, and in my journal I write of her to see how she gets on. Anna is so good she need not take care of herself, and can enjoy other people. If I look in my glass, I try to keep down vanity about my long hair, my well-shaped head, and my good nose. In the street I try not to covet fine things. My quick tongue is always getting me into trouble, and my moodiness makes it hard to be cheerful when I think how poor we are, how much worry it is to live, and how many things I long to do I never can.
So every day is a battle, and I'm so tired I don't want to live; only it's cowardly to die till you have done something.
I can't talk to any one but Mother about my troubles, and she has so many now to bear I try not to add any more. I know God is always ready to hear, but heaven's so far away in the city, and
