Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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— that while Estella looked at me merely with incredulous wonder, the spectral figure of Miss Havisham, her hand still covering her heart, seemed all resolved into a ghastly stare of pity and remorse.

      All done, all gone! So much was done and gone, that when I went out at the gate, the light of the day seemed of a darker colour than when I went in. For a while, I hid myself among some lanes and by-paths, and then struck off to walk all the way to London. For, I had by that time come to myself so far as to consider that I could not go back to the inn and see Drummle there; that I could not bear to sit upon the coach and be spoken to; that I could do nothing half so good for myself as tire myself out.

      It was past midnight when I crossed London Bridge. Pursuing the narrow intricacies of the streets which at that time tended westward near the Middlesex shore of the river, my readiest access to the Temple was close by the riverside, through Whitefriars. I was not expected till tomorrow; but I had my keys, and, if Herbert were gone to bed, could get to bed myself without disturbing him.

      As it seldom happened that I came in at that Whitefriars gate after the Temple was closed, and as I was very muddy and weary, I did not take it ill that the night-porter examined me with much attention as he held the gate a little way open for me to pass in. To help his memory I mentioned my name.

      “I was not quite sure, sir, but I thought so. Here’s a note, sir. The messenger that brought it, said would you be so good as read it by my lantern?”

      Much surprised by the request, I took the note. It was directed to Philip Pip, Esquire, and on the top of the superscription were the words, “PLEASE READ THIS, HERE.” I opened it, the watchman holding up his light, and read inside, in Wemmick’s writing, —

      “DON’T GO HOME.”

      Chapter XLV

       Table of Contents

      Turning from the Temple gate as soon as I had read the warning, I made the best of my way to Fleet Street, and there got a late hackney chariot and drove to the Hummums in Covent Garden. In those times a bed was always to be got there at any hour of the night, and the chamberlain, letting me in at his ready wicket, lighted the candle next in order on his shelf, and showed me straight into the bedroom next in order on his list. It was a sort of vault on the ground floor at the back, with a despotic monster of a four-post bedstead in it, straddling over the whole place, putting one of his arbitrary legs into the fireplace and another into the doorway, and squeezing the wretched little washing-stand in quite a Divinely Righteous manner.

      As I had asked for a nightlight, the chamberlain had brought me in, before he left me, the good old constitutional rushlight of those virtuous days. — an object like the ghost of a walking-cane, which instantly broke its back if it were touched, which nothing could ever be lighted at, and which was placed in solitary confinement at the bottom of a high tin tower, perforated with round holes that made a staringly wideawake pattern on the walls. When I had got into bed, and lay there footsore, weary, and wretched, I found that I could no more close my own eyes than I could close the eyes of this foolish Argus. And thus, in the gloom and death of the night, we stared at one another.

      What a doleful night! How anxious, how dismal, how long! There was an inhospitable smell in the room, of cold soot and hot dust; and, as I looked up into the corners of the tester over my head, I thought what a number of bluebottle flies from the butchers’, and earwigs from the market, and grubs from the country, must be holding on up there, lying by for next summer. This led me to speculate whether any of them ever tumbled down, and then I fancied that I felt light falls on my face, — a disagreeable turn of thought, suggesting other and more objectionable approaches up my back. When I had lain awake a little while, those extraordinary voices with which silence teems began to make themselves audible. The closet whispered, the fireplace sighed, the little washing-stand ticked, and one guitar-string played occasionally in the chest of drawers. At about the same time, the eyes on the wall acquired a new expression, and in every one of those staring rounds I saw written, DON’T GO HOME.

      Whatever night-fancies and night-noises crowded on me, they never warded off this DON’T GO HOME. It plaited itself into whatever I thought of, as a bodily pain would have done. Not long before, I had read in the newspapers, how a gentleman unknown had come to the Hummums in the night, and had gone to bed, and had destroyed himself, and had been found in the morning weltering in blood. It came into my head that he must have occupied this very vault of mine, and I got out of bed to assure myself that there were no red marks about; then opened the door to look out into the passages, and cheer myself with the companionship of a distant light, near which I knew the chamberlain to be dozing. But all this time, why I was not to go home, and what had happened at home, and when I should go home, and whether Provis was safe at home, were questions occupying my mind so busily, that one might have supposed there could be no more room in it for any other theme. Even when I thought of Estella, and how we had parted that day forever, and when I recalled all the circumstances of our parting, and all her looks and tones, and the action of her fingers while she knitted, — even then I was pursuing, here and there and everywhere, the caution, Don’t go home. When at last I dozed, in sheer exhaustion of mind and body, it became a vast shadowy verb which I had to conjugate. Imperative mood, present tense: Do not thou go home, let him not go home, let us not go home, do not ye or you go home, let not them go home. Then potentially: I may not and I cannot go home; and I might not, could not, would not, and should not go home; until I felt that I was going distracted, and rolled over on the pillow, and looked at the staring rounds upon the wall again.

      I had left directions that I was to be called at seven; for it was plain that I must see Wemmick before seeing any one else, and equally plain that this was a case in which his Walworth sentiments only could be taken. It was a relief to get out of the room where the night had been so miserable, and I needed no second knocking at the door to startle me from my uneasy bed.

      The Castle battlements arose upon my view at eight o’clock. The little servant happening to be entering the fortress with two hot rolls, I passed through the postern and crossed the drawbridge in her company, and so came without announcement into the presence of Wemmick as he was making tea for himself and the Aged. An open door afforded a perspective view of the Aged in bed.

      “Halloa, Mr. Pip!” said Wemmick. “You did come home, then?”

      “Yes,” I returned; “but I didn’t go home.”

      “That’s all right,” said he, rubbing his hands. “I left a note for you at each of the Temple gates, on the chance. Which gate did you come to?”

      I told him.

      “I’ll go round to the others in the course of the day and destroy the notes,” said Wemmick; “it’s a good rule never to leave documentary evidence if you can help it, because you don’t know when it may be put in. I’m going to take a liberty with you. Would you mind toasting this sausage for the Aged P.?”

      I said I should be delighted to do it.

      “Then you can go about your work, Mary Anne,” said Wemmick to the little servant; “which leaves us to ourselves, don’t you see, Mr. Pip?” he added, winking, as she disappeared.

      I thanked him for his friendship and caution, and our discourse proceeded in a low tone, while I toasted the Aged’s sausage and he buttered the crumb of the Aged’s roll.

      “Now, Mr. Pip, you know,” said Wemmick, “you and I understand one another. We are in

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