Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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Secretary proposed to Mrs Boffin, either to go down himself and take a preliminary survey of this orphan, or to drive her down, that she might at once form her own opinion. Mrs Boffin preferring the latter course, they set off one morning in a hired phaeton, conveying the hammer-headed young man behind them.

      The abode of Mrs Betty Higden was not easy to find, lying in such complicated back settlements of muddy Brentford that they left their equipage at the sign of the Three Magpies, and went in search of it on foot. After many inquiries and defeats, there was pointed out to them in a lane, a very small cottage residence, with a board across the open doorway, hooked on to which board by the armpits was a young gentleman of tender years, angling for mud with a headless wooden horse and line. In this young sportsman, distinguished by a crisply curling auburn head and a bluff countenance, the Secretary descried the orphan.

      It unfortunately happened as they quickened their pace, that the orphan, lost to considerations of personal safety in the ardour of the moment, overbalanced himself and toppled into the street. Being an orphan of a chubby conformation, he then took to rolling, and had rolled into the gutter before they could come up. From the gutter he was rescued by John Rokesmith, and thus the first meeting with Mrs Higden was inaugurated by the awkward circumstance of their being in possession—one would say at first sight unlawful possession—of the orphan, upside down and purple in the countenance. The board across the doorway too, acting as a trap equally for the feet of Mrs Higden coming out, and the feet of Mrs Boffin and John Rokesmith going in, greatly increased the difficulty of the situation: to which the cries of the orphan imparted a lugubrious and inhuman character.

      At first, it was impossible to explain, on account of the orphan’s ‘holding his breath’: a most terrific proceeding, super-inducing in the orphan lead-colour rigidity and a deadly silence, compared with which his cries were music yielding the height of enjoyment. But as he gradually recovered, Mrs Boffin gradually introduced herself; and smiling peace was gradually wooed back to Mrs Betty Higden’s home.

      It was then perceived to be a small home with a large mangle in it, at the handle of which machine stood a very long boy, with a very little head, and an open mouth of disproportionate capacity that seemed to assist his eyes in staring at the visitors. In a corner below the mangle, on a couple of stools, sat two very little children: a boy and a girl; and when the very long boy, in an interval of staring, took a turn at the mangle, it was alarming to see how it lunged itself at those two innocents, like a catapult designed for their destruction, harmlessly retiring when within an inch of their heads. The room was clean and neat. It had a brick floor, and a window of diamond panes, and a flounce hanging below the chimney-piece, and strings nailed from bottom to top outside the window on which scarlet-beans were to grow in the coming season if the Fates were propitious. However propitious they might have been in the seasons that were gone, to Betty Higden in the matter of beans, they had not been very favourable in the matter of coins; for it was easy to see that she was poor.

      She was one of those old women, was Mrs Betty Higden, who by dint of an indomitable purpose and a strong constitution fight out many years, though each year has come with its new knock-down blows fresh to the fight against her, wearied by it; an active old woman, with a bright dark eye and a resolute face, yet quite a tender creature too; not a logically-reasoning woman, but God is good, and hearts may count in Heaven as high as heads.

      ‘Yes sure!’ said she, when the business was opened, ‘Mrs Milvey had the kindness to write to me, ma’am, and I got Sloppy to read it. It was a pretty letter. But she’s an affable lady.’

      The visitors glanced at the long boy, who seemed to indicate by a broader stare of his mouth and eyes that in him Sloppy stood confessed.

      ‘For I aint, you must know,’ said Betty, ‘much of a hand at reading writing-hand, though I can read my Bible and most print. And I do love a newspaper. You mightn’t think it, but Sloppy is a beautiful reader of a newspaper. He do the Police in different voices.’

      The visitors again considered it a point of politeness to look at Sloppy, who, looking at them, suddenly threw back his head, extended his mouth to its utmost width, and laughed loud and long. At this the two innocents, with their brains in that apparent danger, laughed, and Mrs Higden laughed, and the orphan laughed, and then the visitors laughed. Which was more cheerful than intelligible.

      Then Sloppy seeming to be seized with an industrious mania or fury, turned to at the mangle, and impelled it at the heads of the innocents with such a creaking and rumbling, that Mrs Higden stopped him.

      ‘The gentlefolks can’t hear themselves speak, Sloppy. Bide a bit, bide a bit!’

      ‘Is that the dear child in your lap?’ said Mrs Boffin.

      ‘Yes, ma’am, this is Johnny.’

      ‘Johnny, too!’ cried Mrs Boffin, turning to the Secretary; ‘already Johnny! Only one of the two names left to give him! He’s a pretty boy.’

      With his chin tucked down in his shy childish manner, he was looking furtively at Mrs Boffin out of his blue eyes, and reaching his fat dimpled hand up to the lips of the old woman, who was kissing it by times.

      ‘Yes, ma’am, he’s a pretty boy, he’s a dear darling boy, he’s the child of my own last left daughter’s daughter. But she’s gone the way of all the rest.’

      ‘Those are not his brother and sister?’ said Mrs Boffin.

      ‘Oh, dear no, ma’am. Those are Minders.’

      ‘Minders?’ the Secretary repeated.

      ‘Left to be Minded, sir. I keep a Minding-School. I can take only three, on account of the Mangle. But I love children, and Four-pence a week is Four-pence. Come here, Toddles and Poddles.’

      Toddles was the pet-name of the boy; Poddles of the girl. At their little unsteady pace, they came across the floor, hand-in-hand, as if they were traversing an extremely difficult road intersected by brooks, and, when they had had their heads patted by Mrs Betty Higden, made lunges at the orphan, dramatically representing an attempt to bear him, crowing, into captivity and slavery. All the three children enjoyed this to a delightful extent, and the sympathetic Sloppy again laughed long and loud. When it was discreet to stop the play, Betty Higden said ‘Go to your seats Toddles and Poddles,’ and they returned hand-in-hand across country, seeming to find the brooks rather swollen by late rains.

      ‘And Master—or Mister—Sloppy?’ said the Secretary, in doubt whether he was man, boy, or what.

      ‘A love-child,’ returned Betty Higden, dropping her voice; ‘parents never known; found in the street. He was brought up in the—’ with a shiver of repugnance, ‘—the House.’

      ‘The Poor-house?’ said the Secretary.

      Mrs Higden set that resolute old face of hers, and darkly nodded yes.

      ‘You dislike the mention of it.’

      ‘Dislike the mention of it?’ answered the old woman. ‘Kill me sooner than take me there. Throw this pretty child under cart-horses feet and a loaded waggon, sooner than take him there. Come to us and find us all a-dying, and set a light to us all where we lie and let us all blaze away with the house into a heap of cinders sooner than move a corpse of us there!’

      A surprising

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