Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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for Mary Anne’s benefit, not her own, ‘where does this young woman, who is called but not named Lizzie, live? Think, now, before answering.’

      ‘In Church Street, Smith Square, by Mill Bank, ma’am.’

      ‘In Church Street, Smith Square, by Mill Bank,’ repeated Miss Peecher, as if possessed beforehand of the book in which it was written. Exactly so. And what occupation does this young woman pursue, Mary Anne? Take time.’

      ‘She has a place of trust at an outfitter’s in the City, ma’am.’

      ‘Oh!’ said Miss Peecher, pondering on it; but smoothly added, in a confirmatory tone, ‘At an outfitter’s in the City. Ye-es?’

      ‘And Charley—’ Mary Anne was proceeding, when Miss Peecher stared.

      ‘I mean Hexam, Miss Peecher.’

      ‘I should think you did, Mary Anne. I am glad to hear you do. And Hexam—’

      ‘Says,’ Mary Anne went on, ‘that he is not pleased with his sister, and that his sister won’t be guided by his advice, and persists in being guided by somebody else’s; and that—’

      ‘Mr Headstone coming across the garden!’ exclaimed Miss Peecher, with a flushed glance at the looking-glass. ‘You have answered very well, Mary Anne. You are forming an excellent habit of arranging your thoughts clearly. That will do.’

      The discreet Mary Anne resumed her seat and her silence, and stitched, and stitched, and was stitching when the schoolmaster’s shadow came in before him, announcing that he might be instantly expected.

      ‘Good evening, Miss Peecher,’ he said, pursuing the shadow, and taking its place.

      ‘Good evening, Mr Headstone. Mary Anne, a chair.’

      ‘Thank you,’ said Bradley, seating himself in his constrained manner. ‘This is but a flying visit. I have looked in, on my way, to ask a kindness of you as a neighbour.’

      ‘Did you say on your way, Mr Headstone?’ asked Miss Peecher.

      ‘On my way to—where I am going.’

      ‘Church Street, Smith Square, by Mill Bank,’ repeated Miss Peecher, in her own thoughts.

      ‘Charley Hexam has gone to get a book or two he wants, and will probably be back before me. As we leave my house empty, I took the liberty of telling him I would leave the key here. Would you kindly allow me to do so?’

      ‘Certainly, Mr Headstone. Going for an evening walk, sir?’

      ‘Partly for a walk, and partly for—on business.’

      ‘Business in Church Street, Smith Square, by Mill Bank,’ repeated Miss Peecher to herself.

      ‘Having said which,’ pursued Bradley, laying his door-key on the table, ‘I must be already going. There is nothing I can do for you, Miss Peecher?’

      ‘Thank you, Mr Headstone. In which direction?’

      ‘In the direction of Westminster.’

      ‘Mill Bank,’ Miss Peecher repeated in her own thoughts once again. ‘No, thank you, Mr Headstone; I’ll not trouble you.’

      ‘You couldn’t trouble me,’ said the schoolmaster.

      ‘Ah!’ returned Miss Peecher, though not aloud; ‘but you can trouble me!’ And for all her quiet manner, and her quiet smile, she was full of trouble as he went his way.

      She was right touching his destination. He held as straight a course for the house of the dolls’ dressmaker as the wisdom of his ancestors, exemplified in the construction of the intervening streets, would let him, and walked with a bent head hammering at one fixed idea. It had been an immoveable idea since he first set eyes upon her. It seemed to him as if all that he could suppress in himself he had suppressed, as if all that he could restrain in himself he had restrained, and the time had come—in a rush, in a moment—when the power of self-command had departed from him. Love at first sight is a trite expression quite sufficiently discussed; enough that in certain smouldering natures like this man’s, that passion leaps into a blaze, and makes such head as fire does in a rage of wind, when other passions, but for its mastery, could be held in chains. As a multitude of weak, imitative natures are always lying by, ready to go mad upon the next wrong idea that may be broached—in these times, generally some form of tribute to Somebody for something that never was done, or, if ever done, that was done by Somebody Else—so these less ordinary natures may lie by for years, ready on the touch of an instant to burst into flame.

      The schoolmaster went his way, brooding and brooding, and a sense of being vanquished in a struggle might have been pieced out of his worried face. Truly, in his breast there lingered a resentful shame to find himself defeated by this passion for Charley Hexam’s sister, though in the very self-same moments he was concentrating himself upon the object of bringing the passion to a successful issue.

      He appeared before the dolls’ dressmaker, sitting alone at her work. ‘Oho!’ thought that sharp young personage, ‘it’s you, is it? I know your tricks and your manners, my friend!’

      ‘Hexam’s sister,’ said Bradley Headstone, ‘is not come home yet?’

      ‘You are quite a conjuror,’ returned Miss Wren.

      ‘I will wait, if you please, for I want to speak to her.’

      ‘Do you?’ returned Miss Wren. ‘Sit down. I hope it’s mutual.’ Bradley glanced distrustfully at the shrewd face again bending over the work, and said, trying to conquer doubt and hesitation:

      ‘I hope you don’t imply that my visit will be unacceptable to Hexam’s sister?’

      ‘There! Don’t call her that. I can’t bear you to call her that,’ returned Miss Wren, snapping her fingers in a volley of impatient snaps, ‘for I don’t like Hexam.’

      ‘Indeed?’

      ‘No.’ Miss Wren wrinkled her nose, to express dislike. ‘Selfish. Thinks only of himself. The way with all of you.’

      ‘The way with all of us? Then you don’t like me?’

      ‘So-so,’ replied Miss Wren, with a shrug and a laugh. ‘Don’t know much about you.’

      ‘But I was not aware it was the way with all of us,’ said Bradley, returning to the accusation, a little injured. ‘Won’t you say, some of us?’

      ‘Meaning,’ returned the little creature, ‘every one of you, but you. Hah! Now look this lady in the face. This is Mrs Truth. The Honourable. Full-dressed.’

      Bradley glanced at the doll she held up for his observation—which had been lying on its face on her bench, while with a needle and thread she fastened the dress on at the back—and looked from it to her.

      ‘I stand the Honourable Mrs T. on my bench in this corner against the wall, where her blue eyes can shine upon you,’ pursued Miss Wren, doing so,

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