Charles Dickens' Most Influential Works (Illustrated). Charles Dickens

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Charles Dickens' Most Influential Works (Illustrated) - Charles Dickens

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the arm.

      ‘Mr Headstone, let me go. Mr Headstone, I must call for help!’

      ‘It is I who should call for help,’ he said; ‘you don’t know yet how much I need it.’

      The working of his face as she shrank from it, glancing round for her brother and uncertain what to do, might have extorted a cry from her in another instant; but all at once he sternly stopped it and fixed it, as if Death itself had done so.

      ‘There! You see I have recovered myself. Hear me out.’

      With much of the dignity of courage, as she recalled her self-reliant life and her right to be free from accountability to this man, she released her arm from his grasp and stood looking full at him. She had never been so handsome, in his eyes. A shade came over them while he looked back at her, as if she drew the very light out of them to herself.

      ‘This time, at least, I will leave nothing unsaid,’ he went on, folding his hands before him, clearly to prevent his being betrayed into any impetuous gesture; ‘this last time at least I will not be tortured with after-thoughts of a lost opportunity. Mr Eugene Wrayburn.’

      ‘Was it of him you spoke in your ungovernable rage and violence?’ Lizzie Hexam demanded with spirit.

      He bit his lip, and looked at her, and said never a word.

      ‘Was it Mr Wrayburn that you threatened?’

      He bit his lip again, and looked at her, and said never a word.

      ‘You asked me to hear you out, and you will not speak. Let me find my brother.’

      ‘Stay! I threatened no one.’

      Her look dropped for an instant to his bleeding hand. He lifted it to his mouth, wiped it on his sleeve, and again folded it over the other. ‘Mr Eugene Wrayburn,’ he repeated.

      ‘Why do you mention that name again and again, Mr Headstone?’

      ‘Because it is the text of the little I have left to say. Observe! There are no threats in it. If I utter a threat, stop me, and fasten it upon me. Mr Eugene Wrayburn.’

      A worse threat than was conveyed in his manner of uttering the name, could hardly have escaped him.

      ‘He haunts you. You accept favours from him. You are willing enough to listen to him. I know it, as well as he does.’

      ‘Mr Wrayburn has been considerate and good to me, sir,’ said Lizzie, proudly, ‘in connexion with the death and with the memory of my poor father.’

      ‘No doubt. He is of course a very considerate and a very good man, Mr Eugene Wrayburn.’

      ‘He is nothing to you, I think,’ said Lizzie, with an indignation she could not repress.

      ‘Oh yes, he is. There you mistake. He is much to me.’

      ‘What can he be to you?’

      ‘He can be a rival to me among other things,’ said Bradley.

      ‘Mr Headstone,’ returned Lizzie, with a burning face, ‘it is cowardly in you to speak to me in this way. But it makes me able to tell you that I do not like you, and that I never have liked you from the first, and that no other living creature has anything to do with the effect you have produced upon me for yourself.’

      His head bent for a moment, as if under a weight, and he then looked up again, moistening his lips. ‘I was going on with the little I had left to say. I knew all this about Mr Eugene Wrayburn, all the while you were drawing me to you. I strove against the knowledge, but quite in vain. It made no difference in me. With Mr Eugene Wrayburn in my mind, I went on. With Mr Eugene Wrayburn in my mind, I spoke to you just now. With Mr Eugene Wrayburn in my mind, I have been set aside and I have been cast out.’

      ‘If you give those names to my thanking you for your proposal and declining it, is it my fault, Mr Headstone?’ said Lizzie, compassionating the bitter struggle he could not conceal, almost as much as she was repelled and alarmed by it.

      ‘I am not complaining,’ he returned, ‘I am only stating the case. I had to wrestle with my self-respect when I submitted to be drawn to you in spite of Mr Wrayburn. You may imagine how low my self-respect lies now.’

      She was hurt and angry; but repressed herself in consideration of his suffering, and of his being her brother’s friend.

      ‘And it lies under his feet,’ said Bradley, unfolding his hands in spite of himself, and fiercely motioning with them both towards the stones of the pavement. ‘Remember that! It lies under that fellow’s feet, and he treads upon it and exults above it.’

      ‘He does not!’ said Lizzie.

      ‘He does!’ said Bradley. ‘I have stood before him face to face, and he crushed me down in the dirt of his contempt, and walked over me. Why? Because he knew with triumph what was in store for me to-night.’

      ‘O, Mr Headstone, you talk quite wildly.’

      ‘Quite collectedly. I know what I say too well. Now I have said all. I have used no threat, remember; I have done no more than show you how the case stands;—how the case stands, so far.’

      At this moment her brother sauntered into view close by. She darted to him, and caught him by the hand. Bradley followed, and laid his heavy hand on the boy’s opposite shoulder.

      ‘Charley Hexam, I am going home. I must walk home by myself to-night, and get shut up in my room without being spoken to. Give me half an hour’s start, and let me be, till you find me at my work in the morning. I shall be at my work in the morning just as usual.’

      Clasping his hands, he uttered a short unearthly broken cry, and went his way. The brother and sister were left looking at one another near a lamp in the solitary churchyard, and the boy’s face clouded and darkened, as he said in a rough tone: ‘What is the meaning of this? What have you done to my best friend? Out with the truth!’

      ‘Charley!’ said his sister. ‘Speak a little more considerately!’

      ‘I am not in the humour for consideration, or for nonsense of any sort,’ replied the boy. ‘What have you been doing? Why has Mr Headstone gone from us in that way?’

      ‘He asked me—you know he asked me—to be his wife, Charley.’

      ‘Well?’ said the boy, impatiently.

      ‘And I was obliged to tell him that I could not be his wife.’

      ‘You were obliged to tell him,’ repeated the boy angrily, between his teeth, and rudely pushing her away. ‘You were obliged to tell him! Do you know that he is worth fifty of you?’

      ‘It may easily be so, Charley, but I cannot marry him.’

      ‘You mean that you are conscious that you can’t appreciate him, and don’t deserve him, I suppose?’

      ‘I mean that I do not like him, Charley, and that I will never marry him.’

      ‘Upon my soul,’ exclaimed the boy, ‘you are a nice picture

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