The Essential Max Brand - 29 Westerns in One Edition. Max Brand

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The Essential Max Brand - 29 Westerns in One Edition - Max Brand

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spirit was one with the spirit of Jerry Strann, perhaps because they both served one master. The cavalcade came with a crash of racing hoofs in a cloud of dust. But in the middle of the street Jerry raised his right arm stiffly overhead with a whoop and brought his chestnut to a sliding stop; the cloud of dust rolled lazily on ahead. The young men gathered quickly around the leader, and there was silence as they waited for him to speak—a silence broken only by the wheezing of the horses, and the stench of sweating horseflesh was in every man's nostrils.

      "Who owns that hoss?" asked Jerry Strann, and pointed.

      He had stopped just opposite O'Brien's hotel, store, blacksmith shop, and saloon, and by the hitching rack was a black stallion. Now, there are some men who carry tidings of their inward strength stamped on their foreheads and written in their eyes. In times of crises crowds will turn to such men and follow them as soldiers follow a captain, for it is patent at a glance that this is a man of men. It is likewise true that there are horses which stand out among their fellows, and this was such a horse. He was such a creature that, if he had been led to a barrier, the entire crowd at the race track would rise as one man and say: "What is that horse?" There were points in which some critics would find fault; most of the men of the mountain-desert, for instance, would have said that the animal was too lightly and delicately limbed for long endurance; but as the man of men bears the stamp of his greatness in his forehead and his eyes, so it was with the black stallion. When the thunder of the cavalcade had rushed upon him down the street, he had turned with catlike grace and raised his head to see, and his forehead and his eyes arrested Jerry Strann like a levelled rifle. Looking at that proud head one forgot the body of the horse, the symmetry of curves exquisite beyond the sculptor's dream, the arching neck and the steel muscles; one was only conscious of the great spirit. In Human beings we refer to it as "personality."

      After a little pause, seeing that no one offered a suggestion as to the identity of the owner, Strann said, softly: "That hoss is mine."

      It caused a stir in the crowd of his followers. In the mountain-desert one may deal lightly with a man's wife and lift a random cow or two and settle the score, at need, with a snug "forty-five" chunk of lead. But with horses it is different. A horse in the mountain-desert lies outside of all laws—and above all laws. It is greater than honour and dearer than love, and when a man's horse is taken from him the men of the desert gather together and hunt the thief whether it be a day or whether it be a month, and when they have reached him they shoot him like a dog and leave his flesh to the buzzards and his bones to the merciless stars. For all of this there is a reason. But Jerry Strann swung from his mount, tossed the reins over the head of the chestnut, and walked towards the black with hungry eyes. He was careless, also, and venturing too close—the black whirled with his sudden, catlike agility, and two black hoofs lashed within a hair's breadth of the man's shoulder. There was a shout from the crowd, but Jerry Strann stepped back and smiled so that his teeth showed.

      "Boys," he said, but he was really speaking to himself, "there's nothing in the world I want as bad as I want that hoss. Nothing! I'm going to buy him; where's the owner?"

      "Don't look like a hoss a man would want to sell, Jerry," came a suggestion from the cavalcade, who had dismounted and now pressed behind their leader.

      Jerry favoured the speaker with another of his enigmatic smiles: "Oh," he chuckled, "he'll sell, all right! Maybe he's inside. You gents stick out here and watch for him; I'll step inside."

      And he strode through the swinging doors of the saloon.

      It was a dull time of day for O'Brien, so he sat with his feet on the edge of the bar and sipped a tall glass of beer; he looked up at the welcome click of the doors, however, and then was instantly on his feet. The good red went out of his face and the freckles over his nose stood out like ink marks.

      "There's a black hoss outside," said Jerry, "that I'm going to buy. Where's the owner?"

      "Have a drink," said the bartender, and he forced an amiable smile.

      "I got business on my hands, not drinking," said Jerry Strann.

      "Lost your chestnut?" queried O'Brien in concern.

      "The chestnut was all right until I seen the black. And now he ain't a hoss at all. Where's the gent I want?"

      The bartender had fenced for time as long as possible.

      "Over there," he said, and pointed.

      It was a slender fellow sitting at a table in a corner of the long room, his sombrero pushed back on his head. He was playing solitaire and his back was towards Jerry Strann, who now made a brief survey, hitched his cartridge belt, and approached the stranger with a grin. The man did not turn; he continued to lay down his cards with monotonous regularity, and while he was doing it he said in the gentlest voice that had ever reached the ear of Jerry Strann: "Better stay where you are, stranger. My dog don't like you."

      And Jerry Strann perceived, under the shadow of the table, a blacker shadow, huge and formless in the gloom, and two spots of incandescent green twinkling towards him. He stopped; he even made a step back; and then he heard a stifled chuckle from the bartender.

      If it had not been for that untimely mirth of O'Brien's probably nothing of what followed would have passed into the history of the Three B's.

      VIII. THE GIFT-HORSE

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      "Your dog is your own dog," remarked Jerry Strann, still to the back of the card-laying stranger, "but this ain't your back-yard. Keep your eye on him, or I'll fix him so he won't need watching!"

      So saying he made another step forward, and it brought a snarl from the dog; not one of those high-whining noises, but a deep guttural that sounded like indrawn breath. The gun of Jerry Strann leaped into his hand.

      "Bart," said the gentle-voiced stranger, "lie down and don't talk." And he turned in his chair, pulled his hat straight, and looked mildly upon the gunman. An artist would have made much of that picture, for there was in this man, as in Strann, a singular portion of beauty. It was not, however, free from objection, for he had not the open manliness of the larger of the two. Indeed, a feminine grace and softness marked him; his wrists were as round as a girl's, and his hands as slender and as delicately finished. Whether it be the white-hot sun of summer or the hurricane snows of winter, the climate of the mountain-desert roughens the skin, and it cuts away spare flesh, hewing out the face in angles; but with this man there were no rough edges, but all was smoothed over and rounded with painful care, as if nature had concentrated in that birth to show what she could do. Such fine workmanship, perhaps, would be appreciated more by women than by men; for men like a certain weight and bulk of bone and muscle—whereas this fellow seemed as light of body as he was of hand. He sat now watching Strann with the utmost gravity. He had very large brown eyes of a puzzling quality; perhaps that was because there seemed to be no thought behind them, and one caught the mystery and the wistfulness of some animals from a glance at him.

      The effect of that glance on Strann was to make him grin again, and he at once banished the frown from his forehead and put away his gun; the big dog had slunk deeper into the shadow and closer to his master.

      "I'm Strann. Maybe you've heard of me."

      "My name is Barry," said the other. "I'm sorry that I haven't heard of you before."

      And the sound of his voice made Jerry Strann grin again; it was such a low, soft voice with the velvet of a young girl's

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