said Selma quietly, "I do not love him. It is best to be frank with one's self—with you, in such a matter, isn't it? So you see that what you ask is out of the question."
Mr. Glynn rose. Clearly his mission had failed, and there was nothing more to be said. Being a just man, he hesitated to pass an unkind judgment on this bright-faced, pensive woman. She was within her moral rights, and he must be careful to keep within his. But he went away bewildered and discomfited. Selma would have liked to dismiss the subject and keep him longer. She would have been glad to branch off on to other ethical topics and discuss them. She was satisfied with the result of the interview, for she had vindicated her position and spiked Lewis's last gun.
So, indeed, it proved. Mr. Glynn sent for Babcock and told him the naked truth, that his wife's love for him was dead and reconciliation impossible. He properly refrained from expressing the doubt lurking in his own mind as to whether Selma had ever loved her husband. Thus convinced of the hopelessness of his predicament, Babcock agreed to Mr. Lyons's suggestion not to contest the legal proceedings. The lawyer had been diligent, and the necessary evidence—the testimony of the woman—was secure. She was ready to carry her revenge to the end, hoping, perhaps, that the victim of it would return to her when he had lost his wife. Accordingly, a few weeks later, Selma was granted a divorce nisi and the right to resume her maiden name. She had decided, however, to retain the badge of marriage as a decorous social prefix, and to call herself Mrs. Selma White.
CHAPTER VIII.
The consciousness that she was dependent for the means of support solely on her own exertions was a genuine pleasure to Selma, and she applied herself with confidence and enthusiasm to the problem of earning her livelihood. She had remained steadfast to her decision to accept nothing from her husband except the legal costs of the proceedings, though Mr. Lyons explained to her that alimony was a natural and moral increment of divorce. Still, after her refusal, he informed her as a man and a friend that he respected and admired the independence of her action, which was an agreeable tribute. She had fixed definitely on newspaper work as the most inviting and congenial form of occupation. She believed herself to be well fitted for it. It would afford her an immediate income, and it would give her the opportunity which she craved for giving public expression to her ideas and fixing attention on herself. There was room for more than one Mrs. Earle in Benham, for Benham was growing and wide-awake and on the alert for originality of any kind—especially in the way of reportorial and journalistic cleverness. Selma had no intention of becoming a second Mrs. Earle. That is, she promised herself to follow, but not to follow blindly; to imitate judiciously, but to improve on a gradually diverging line of progress. This was mere generalization as yet. It was an agreeable seething brain consciousness for future development. For the moment, however, she counted on Mrs. Earle to obtain for her a start by personal influence at the office of the Benham Sentinel. This was provided forthwith in the form of an invitation to prepare a weekly column under the caption of "What Women Wear;" a summary of passing usages in clothes. The woman reporter in charge of it had just died. Selma's first impulse was to decline the work as unworthy of her abilities, yet she was in immediate need of employment to avoid running in debt and she was assured by Mrs. Earle that she would be very foolish to reject such an offer. Reflection caused her to think more highly of the work itself. It would afford her a chance to explain to the women of Benham, and indirectly to the country at large, that taste in dress was not necessarily inconsistent with virtue and serious intentions—a truth of which she herself had become possessed since her marriage and which it seemed to her might be utilized delightfully in her department. She would endeavor to treat dress from the standpoint of ethical responsibility to society, and to show that both extravagance and dowdy homeliness were to be avoided. Clothes in themselves had grown to be a satisfaction to her, and any association of vanity would be eliminated by the introduction of a serious artistic purpose into a weekly commentary concerning them. Accordingly she accepted the position and entered upon its duties with grave zeal.
For each of these contributions Selma was to receive eight dollars—four hundred a year, which she hoped to expand to a thousand by creative literary production—preferably essays and poetry. She hired a room in the same neighborhood as Mrs. Earle, in the boarding-house district appurtenant to Central Avenue—that is to say, on the ragged edge of Benham's social artery, and set up her new household gods. The interest of preparing the first paper absorbed her to the exclusion of everything else. She visited all the dress-making and dry-goods establishments in town, examined, at a hint from Mrs. Earle, the fashion departments of the New York papers, and then, pen in hand, gave herself up to her subject. The result seemed to her a happy blending of timely philosophy and suggestions as to toilette, and she took it in person to the editor. He saw fit to read it on the spot. His brow wrinkled at first and he looked dubious. He re-read it and said with some gusto, "It's a novelty, but I guess they'll like it. Our women readers have been used to fashion notes which are crisp and to the point, and the big houses expect to have attention called to the goods they wish to sell. If you'll run over this again and set your cold facts in little paragraphs by themselves every now and then, I shouldn't wonder if the rest were a sort of lecture course which will catch them. It's a good idea. Next time you could work in a pathetic story—some references to a dead baby—verses—anecdotes—a little variety. You perceive the idea?"
"Oh, yes," said Selma, appropriately sober at the allusion yet ecstatic. "That's just what I should like to do. It would give me more scope. I wish my articles to be of real use—to help people to live better, and to dress better."
"That's right, that's right; and if they make the paper sell, we'll know that folks like them," responded the editor with Delphic urbanity.
The first article was a success. That is, Selma's method was not interfered with, and she had the satisfaction of reading in the Sentinel during the week an item calling gratified attention to the change in its "What Women Wear" column, and indicating that it would contain new features from week to week. It gave her a pleasant thrill to see her name, "Selma White," signed at the end of the printed column, and she set to work eagerly to carry out the editor's suggestions. At the same time she tried her hand at a short story—the story of an American girl who went to Paris to study art, refused to alter her mode of life to suit foreign ideas of female propriety, displayed exceptional talent as an artist, and finally married a fine-spirited young American, to the utter discomfiture of a French member of the nobility, who had begun by insulting her and ended with making her an offer of marriage. This she sent to the Eagle, the other Benham newspaper, for its Sunday edition.
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