The Essential Works of Theodore Dreiser. Theodore Dreiser

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The Essential Works of Theodore Dreiser - Theodore Dreiser

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six and seven, and to remain home until nine o’clock in the morning, but the novelty of this waned after a time, and he began to feel the drag of his duties.

      The first month had scarcely passed before Carrie said in a very natural way: “I think I’ll go down this week and buy a dress.’

      “What kind?” said Hurstwood.

      “Oh, something for street wear.”

      “All right,” he answered, smiling, although he noted mentally that it would be more agreeable to his finances if she didn’t. Nothing was said about it the next day, but the following morning he asked:

      “Have you done anything about your dress?”

      “Not yet,” said Carrie.

      He paused a few moments, as if in thought, and then said:

      “Would you mind putting it off a few days?”

      “No,” replied Carrie, who did not catch the drift of his remarks. She had never thought of him in connection with money troubles before. “Why?”

      “Well, I’ll tell you,” said Hurstwood. “This investment of mine is taking a lot of money just now. I expect to get it all back shortly, but just at present I am running close.”

      “Oh!” answered Carrie. “Why, certainly, dear. Why didn’t you tell me before?”

      “It wasn’t necessary,” said Hurstwood.

      For all her acquiescence, there was something about the way Hurstwood spoke which reminded Carrie of Drouet and his little deal which he was always about to put through. It was only the thought of a second, but it was a beginning. It was something new in her thinking of Hurstwood.

      Other things followed from time to time, little things of the same sort, which in their cumulative effect were eventually equal to a full revelation. Carrie was not dull by any means. Two persons cannot long dwell together without coming to an understanding of one another. The mental difficulties of an individual reveal themselves whether he voluntarily confesses them or not. Trouble gets in the air and contributes gloom, which speaks for itself. Hurstwood dressed as nicely as usual, but they were the same clothes he had in Canada. Carrie noticed that he did not install a large wardrobe, though his own was anything but large. She noticed, also, that he did not suggest many amusements, said nothing about the food, seemed concerned about his business. This was not the easy Hurstwood of Chicago — not the liberal, opulent Hurstwood she had known. The change was too obvious to escape detection.

      In time she began to feel that a change had come about, and that she was not in his confidence. He was evidently secretive and kept his own counsel. She found herself asking him questions about little things. This is a disagreeable state to a woman. Great love makes it seem reasonable, sometimes plausible, but never satisfactory. Where great love is not, a more definite and less satisfactory conclusion is reached.

      As for Hurstwood, he was making a great fight against the difficulties of a changed condition. He was too shrewd not to realise the tremendous mistake he had made, and appreciate that he had done well in getting where he was, and yet he could not help contrasting his present state with his former, hour after hour, and day after day.

      Besides, he had the disagreeable fear of meeting old-time friends, ever since one such encounter which he made shortly after his arrival in the city. It was in Broadway that he saw a man approaching him whom he knew. There was no time for simulating non-recognition. The exchange of glances had been too sharp, the knowledge of each other too apparent. So the friend, a buyer for one of the Chicago wholesale houses, felt, perforce, the necessity of stopping.

      “How are you?” he said, extending his hand with an evident mixture of feeling and a lack of plausible interest.

      “Very well,” said Hurstwood, equally embarrassed. “How is it with you?”

      “All right; I’m down here doing a little buying. Are you located here now?”

      “Yes,” said Hurstwood, “I have a place down in Warren Street.”

      “Is that so?” said the friend. “Glad to hear it. I’ll come down and see you.”

      “Do,” said Hurstwood.

      “So long,” said the other, smiling affably and going on.

      “He never asked for my number,” thought Hurstwood; “he wouldn’t think of coming.” He wiped his forehead, which had grown damp, and hoped sincerely he would meet no one else.

      These things told upon his good-nature, such as it was. His one hope was that things would change for the better in a money way.

      He had Carrie. His furniture was being paid for. He was maintaining his position. As for Carrie, the amusements he could give her would have to do for the present. He could probably keep up his pretensions sufficiently long without exposure to make good, and then all would be well. He failed therein to take account of the frailties of human nature — the difficulties of matrimonial life. Carrie was young. With him and with her varying mental states were common. At any moment the extremes of feeling might be anti-polarised at the dinner table. This often happens in the best regulated families. Little things brought out on such occasions need great love to obliterate them afterward. Where that is not, both parties count two and two and make a problem after a while.

      Chapter XXXI

      A Pet of Good Fortune — Broadway Flaunts its Joys

       Table of Contents

      The effect of the city and his own situation on Hurstwood was paralleled in the case of Carrie, who accepted the things which fortune provided with the most genial good-nature. New York, despite her first expression of disapproval, soon interested her exceedingly. Its clear atmosphere, more populous thoroughfares, and peculiar indifference struck her forcibly. She had never seen such a little flat as hers, and yet it soon enlisted her affection. The new furniture made an excellent showing, the sideboard which Hurstwood himself arranged gleamed brightly. The furniture for each room was appropriate, and in the so-called parlour, or front room, was installed a piano, because Carrie said she would like to learn to play. She kept a servant and developed rapidly in household tactics and information. For the first time in her life she felt settled, and somewhat justified in the eyes of society as she conceived of it. Her thoughts were merry and innocent enough. For a long while she concerned herself over the arrangement of New York flats, and wondered at ten families living in one building and all remaining strange and indifferent to each other. She also marvelled at the whistles of the hundreds of vessels in the harbour — the long, low cries of the Sound steamers and ferry-boats when fog was on. The mere fact that these things spoke from the sea made them wonderful. She looked much at what she could see of the Hudson from her west windows and of the great city building up rapidly on either hand. It was much to ponder over, and sufficed to entertain her for more than a year without becoming stale.

      For another thing, Hurstwood was exceedingly interesting in his affection for her. Troubled as he was, he never exposed his difficulties to her. He carried himself with the same self-important air, took his new state with easy familiarity, and rejoiced in Carrie’s proclivities and successes. Each evening he arrived promptly to dinner, and found the little dining-room a most inviting spectacle. In a way, the smallness of the room added to its luxury. It looked

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