The Collected Novels of Algernon Blackwood (11 Titles in One Edition). Algernon Blackwood
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"But the stars," he went on, "have they got things they send out too—forces, I mean, like the trees? Do they send out something that makes us feel sad, or happy, or strong, or weak?"
She did not answer for some time; she lay watching his face and fondling his smooth red wings; and, presently, when she did begin to explain, Jimbo found that the child in him was then paramount again, and he could not quite follow what she said.
He tried to answer properly and seem interested, but her words were very long and hard to understand, and after a time he thought she was talking to herself more than to him, and he gave up all serious effort to follow. Then he became aware that her voice had changed. The words seemed to drop down upon him from a great height. He imagined she was standing on one of those far stars he had been asking about, and was shouting at him through an immense tube of sky and darkness. The words pricked his ears like needle-points, only he no longer heard them as words, but as tiny explosions of sound, meaningless and distant. Swift flashes of light began to dance before his eyes, and suddenly from underneath the tree, a wind rose up and rushed, laughing, across his face. Darkness in a mass dropped over his eyes, and he sank backwards somewhere into another corner of space altogether.
The governess, meanwhile, lay quite still, watching the limp form in the branches beside her and still holding the tips of his red wings. Presently tears stole into her eyes, and began to run down her cheeks. One deep sigh after another escaped from her lips; but the little boy, or the old soul, who was the cause of all her emotion, apparently was far away and knew nothing of it. For a long time she lay in silence, and then leaned a little nearer to him, so as to see his full face. The eyes were wide open and staring, but they were looking at nothing she could see, for the consciousness cannot be in two places at the same time, and Jimbo just then was off on a little journey of his own, a journey that was but preliminary to the great final one of all.
"Jimbo," whispered the girl between her tears and sighs, "Jimbo! Where have you gone to? Tell me, are they getting ready for you at last, and am I to lose you after all? Is this the only way I can save you—by losing you?"
There was no answer, no sign of movement; and the governess hid her face in her hands and cried quietly to herself, while her tears dropped down through the branches of the tree and fell into the rain-pools beneath.
For Jimbo's state of oblivion in the tree was in reality a momentary return to consciousness in his body on the bed, and the repaired mechanism of the brain and muscles had summoned him back on a sort of trial visit. He remembered nothing of it afterwards, any more than one remembers the experiences of deep sleep; but the fact was that, with the descent of the darkness upon him in the branches, he had opened his eyes once again on the scene in the night-nursery bedroom where his body lay.
He saw figures standing round the bed and about the room; his mother with the same white face as before, was still bending over the bed asking him if he knew her; a tall man in a long black coat moved noiselessly to and fro; and he saw a shaded lamp on a table a little to the right of the bed. Nothing seemed to have changed very much, though there had probably been time enough since he last opened his eyes for the black-coated doctor to have gone and come again for a second visit. He held an instrument in his hands that shone brightly in the lamplight. Jimbo saw this plainly and wondered what it was. He felt as if he were just waking out of a nice, deep sleep—dreamless and undisturbed. The Empty House, the Governess, Fright and the Children had all vanished from his memory, and he knew no more about wings and feathers than he did about the science of meteorology.
But the bedroom scene was a mere glimpse after all; his eyes were already beginning to close again. First they shut out the figure of the doctor; then the bed-curtains; and then the nurse moved her arm, making the whole scene quiver for an instant, like some huge jelly-shape, before it dipped into profound darkness and disappeared altogether. His mother's voice ran off into a thin trickle of sound, miles and miles away, and the light from the lamp followed him with its glare for less than half a second. All had vanished.
"Jimbo, dear, where have you been? Can you remember anything?" asked the soft voice beside him, as he looked first at the stars overhead, and then from the tracery of branches and leaves beneath him to the great sea of tree-tops and open country all round.
But he could tell her nothing; he seemed dreamy and absent-minded, lying and staring at her as if he hardly knew who she was or what she was saying. His mind was still hovering near the border-line of the two states of consciousness, like the region between sleeping and waking, where both worlds seem unreal and wholly wonderful.
He could not answer her questions, but he evidently caught some reflex of her emotions, for he leaned towards her across the branches, and said he was happy and never wanted to leave her. Then he crawled to the end of the big bough and sprang out into the air with a shout of delight. He was the child again—the flying child, wild with the excitement of tearing through the night air at fifty miles an hour.
The governess soon followed him and they flew home together, taking a long turn by the sea and past the great chalk cliffs, where the sea sang loud beneath them.
These lapses became with time more frequent, as well as of longer duration; and with them the boy noticed that the longing to escape became once again intense. He wanted to get home, wherever home was; he experienced a sort of nostalgia for the body, though he could not remember where that body lay. But when he asked the governess what this feeling meant, she only mystified him by her answers, saying that every one, in the body or out of it, felt a deep longing for their final home, though they might not have the least idea where it lay, or even to be able to recognise, much less to label, their longing.
His normal feelings, too, were slowly returning to him. The Older Self became more and more submerged. As he approached the state of ordinary, superficial consciousness, the characteristics of that state reflected themselves more and more in his thoughts and feelings. His memory still remained a complete blank; but he somehow felt that the things, places, and people he wanted to remember, had moved much nearer to him than before. Every day brought them more within his reach.
"All these forgotten things will come back to me soon, I know," he said one day to the governess, "and then I'll tell you all about them."
"Perhaps you'll remember me too then," she answered, a shadow passing across her face.
Jimbo clapped his hands with delight.
"Oh," he cried, "I should like to remember you, because that would make you a sort of two-people governess, and I should love you twice as much."
But with the gradual return to former conditions the feelings of age and experience grew dim and indefinite, his knowledge lessened, becoming obscure and confused, showing itself only in vague impressions and impulses, until at last it became quite the exception for the child-consciousness to be broken through by flashes of intuition and inspiration from the more deeply hidden memories.
For one thing, the deep horror of the Empty House and its owner now returned to him with full force. Fear settled down again over the room, and lurked in the shadows over the yard. A vivid dread seized him of the other door in the room—the door through which the Frightened Children had disappeared, but which had never opened since. It gradually became for him a personality in the room, a staring, silent, listening thing, always watching, always waiting. One day it would open and he would be caught! In a dozen ways like this the horror of the house entered his heart and made him long for escape with all the force of his being.
But