which, if they had little of modern propriety, also knew little of modern restraint. Moreover, London was not then the vast, overgrown, incoherent city which it has since become, and its inhabitants still took that personal interest in one another’s doings, and felt, to some extent at any rate, that sense of family sympathy which, though they are common traits of provincial town life, are characteristic of the metropolis no longer. Nevertheless, the classes remained absolutely distinct, cut off from one another by chasms of custom and interest, and even law, which were never, save with the rarest exceptions, bridged over. The enactments which had been promulgated at the beginning of the reign to fix with rigid certainty the special garbs of the various ranks of the community, are sufficient to show to what extent the caste system, with its attendant prejudices and conventions, was still rooted deep in English life. The young ’prentice might haply make a fortune, and reach a position of great civic distinction. This much was open to him; but for his helpmeet in life he looked no higher than his master’s daughter. The successful merchant might even reach the Lord Mayor’s bench, but he was still a citizen, and laid no claim to set his foot within the charmed circle of gentle life. This condition of things is illustrated again and again in the plays of the time, as in Middleton’s “City Madam” and Dekker’s “Shoemaker’s Holiday.” There was practically no overlapping of interests, no intermingling of class with class. Money could do much, but it could not, as it will at present, purchase an entrance into the most select society; nor, in the matrimonial market of that day, was a coronet ever knocked down for a dower. But this is only one side of the question. If there was little class sympathy, there was little class rivalry also. Society was more diffuse than it is to-day—held together less firmly, but with less of the friction which is a necessary preliminary to that readjustment of social arrangements which the industrial movements of the modern world are tending slowly to bring about. The classes touched externally, but that was all. In spirit they stood aloof—each content to go its own way, to live its own life, but each, for the most part, equally ready to let the others freely do the same.
Of the various classes which went to the making of the population of Shakspere’s London, two only will here demand attention—the gentry and the citizens. Of course, within both of these great groups there were many grades, but time will not allow us to subdivide. Of course, too, beyond and outside these altogether, lay the seething mass of miscellaneous humanity—the vast fringe of the population—which then, as now, formed so dark and so dangerous an unabsorbed element in the city’s general life. Threads from this dingy and tangled social frilling were sometimes caught up and woven for picturesque purposes into the pattern of the plays of the time. But the epic of the submerged tenth was as yet undreamed of; and all this side of Elizabethan civilization must for the present be left out of view.
The citizens lived for the most part at their shops or places of business; the gentlefolk were more distributed. Some still had their habitations in the commercial portions of the city, and those of them who regularly lived in the country and came to town during term-time—which then constituted the London season—were often content to find temporary lodging over some druggist’s or barber’s shop. But the exodus of the gentry and courtiers from the centres of trade and labor was already beginning, and the aristocratic neighborhoods were admittedly outside the walls. In “Greene’s Tu Quoque” when Lionel Nash is knighted, he delivers up his store to his head ’prentice, and announces his intention of moving the next day into the Strand; which may be taken as showing that for the retired tradesman—and still more, therefore, for the gentleman or courtier—a residence well removed from the city was deemed the proper thing.
It is difficult to speak in general terms of the houses of the time, since, naturally enough, the comfort and luxury of the domestic arrangements varied considerably as one passed up or down the social scale. A few broad statements may, however, be made. In the average dwelling the ceilings were covered with plaster of Paris, and the inner walls wainscoted and tapestried; the tapestry being worked with landscapes and figures often of a very elaborate character. This explains Lyly’s simile in “Midas”—“like arras, full of device.” Enough space was left for any one to hide between the arras and the wall—a fact, it will be remembered, frequently made use of by the Elizabethan dramatists, as by Webster in “The Duchess of Malfi,” where Cariola conceals herself behind the hanging to overhear what goes on between the Duchess and Antonio; and by Shakspere in “Henry the Fourth,” where Falstaff goes to sleep and has his pocket picked; and even more notably in the famous rat-killing scene in “Hamlet.” In addition, pictures were often used for decoration, and when valuable were protected by curtains. “I yet but draw the curtain; now to the picture,” says Monticelso in Webster’s “White Devil”; and, again, “We will draw the curtain and show you the picture,” says Olivia in “Twelfth Night,” as she removes her veil. The halls were lighted by candelabras or torch-bearers, and watch-lights, or night-lights, were in common use. At the foot of the master’s bed, rolled under during the day and drawn out at night, was a truckle-bed for his page. “Well, go thy ways for as sweet a breasted page as ever lay at his master’s feet in a truckle-bed,” says Dondolo in Middleton’s “More Dissemblers Besides Women.” The tables had flaps, and the floors were strewn with rushes, for carpets were as yet unknown. These rushes were renewed for fresh-comers. “Strangers have green rushes, while daily guests are not worth a rush,” says Lyly, in “Sapho and Phao”—a remark in which, by the way, we are reminded of the origin of one of our familiar phrases. Brick was costly, and the buildings were mostly of wood; but a new fashion was just coming in—that of employing well-constructed stoves in place of the open, smoky fireplaces hitherto general. The houses were now, too, provided with glass for the windows, which had not been the case a hundred years before, horn or wicker lattice-work having been used for the purpose. But this new notion was opposed by William Stafford, who saw in it the symptom of growing fondness for what he contemptuously called foreign nick-nacks. Chimneys, too, of which some years before there had been a few specimens only in every large town, were now general in the ordinary dwellings of the middle classes. The old wooden platters were giving way to pewter, which, though still rare, was gradually coming into use. Tin spoons also were making their appearance. China, gold, and silver plate were to be seen on the tables of the wealthy, and Venetian glass was sometimes employed, though, as this was very expensive, many people still drank from their mugs of burnt stone. Instead of the straw bundle and log on which people had formerly been content to sleep, proper sheets, pillows, and bolsters were now employed; not, however, without incurring the ridicule or the wrath of lovers of the good old times and moralists of severe complexion. “What makes us so weak as we now are?” demands Sir Lionel, in “Greene’s Tu Quoque,” abusing the new generation with all the vigor of a hale old man. “A feather bed! What so unapt for exercise? A feather bed! What breeds such pains and aches in our bones? Why, a feather bed!” Yet houses were so scantily furnished that uninvited or unexpected guests often used to bring their own stools with them, a practice referred to by Massinger in his “Unnatural Combat,” where he speaks of those who, “like unbidden guests, bring their own stools.” Many of the household arrangements, especially in the way of sanitation, were from our own point of view still crude and primitive enough. But the age of Elizabeth, as regards domestic economy generally, was distinctly a period of progress, and we have only to compare the sixteenth century with the centuries which went before, to sympathize with old Harrison, when, dealing with this very matter, he exclaims in a kind of fervent rapture—“God be thankt for his good gifts!”
Turning from the houses themselves to the home life of the time, we may notice that in the establishments of the ancient nobility the arrangements were still on a large and almost regal scale, savoring yet, in spite of the slow movements conspicuous throughout society, of the feudalism which was now on the wane, and the old customs which, in an age of transition, were gradually being left behind. In the greater households a number of young gentlemen of good family, usually the younger sons of knights and esquires, continued to offer personal service as in former days. Beneath these were the retainers, so-called, who, not living in the house or being liable to any menial duty, attended their lord on occasions of public ceremony; while, in the third place, there were the servants proper, who formed actual portions of the establishment, and on whom its various duties devolved. These were headed by the steward, under whose control was the common
