at the gate she broke out into a laugh, and, with the air of a great, fine lady to a pretty boy, "Good-night, little Mitsos," she said; "and will you come to my wedding?"
Mitsos, in spite of his determination of the night before, felt a perceptible shock.
"Your wedding? Whom are you going to marry?"
"Yanko. At least, so I think. He has asked me, and I have not said no."
"Yanko Vlachos? That ugly brute?"
Maria laughed again.
"I don't find him ugly—at least, not to matter."
Mitsos recollected his manners.
"I beg your pardon," he said. "I like Yanko very much. He knocked a Turkish soldier down last week—such a bang on the back of his head!"
"Oh, he's a very good man," said Maria, walking off with a great, important air.
Mitsos went slowly back to the house, his strutting over.
The third day was devoted to the gathering of the finer grapes, which were fermented by themselves in a separate cask. These the two boys and Constantine picked together, until all the trees but one were stripped, but instead of throwing them in stalk and all, they picked each grape separately off the bunches and shed them into the cask, until there was a layer some fifteen inches deep. Mitsos trod these as before, while his father and Spero went on picking, and when they were sufficiently pulped he poured on to them about a quart of brandy. More grapes were then put in, trodden, and more brandy added. When the cask was three-quarters full they moved it away with the others, but covered it more closely with two layers of thick woollen blanket. The remainder of the fine grapes were sufficient to fill another half-cask.
Then there came the final act of the grape-gathering, a page of pagan ritual surviving from the time when the rout of Dionysus laughed and rioted through the vineyard. Mitsos fetched a big bowl from the house, and Constantine cut all the grapes from the remaining vine. These he placed in the bowl and left in the middle of the vineyard for the birds to eat.
For the next two days the must required no attention, though the fermentation, owing to the heat of the weather, was going on very rapidly, and by the end of the second day the thin acrid smell mingled strongly with the garden scents. Once or twice Constantine raised the cloths which covered the casks to see what progress it made, or drew a little from the tap at the bottom. But the stuff was still thick, and had not cleared sufficiently to be disturbed yet.
On the second day Mitsos went off to get fresh resin for the wine. The ordinary pine resin was generally used by Greeks for this, but Constantine always preferred the resin from the dwarf pine, which was less bitter and finer in quality. The sides of Mount Elias were plentiful with the common pine, but the dwarf pine only grew on the hills round Epidaurus, a five hours' journey. Mitsos took his gun with him on the chance of sighting and slaying game, and started off on his pony before dawn, for the way wound over low, unsheltered hills, a day-long target for the sun; but before he reached the shoulder of mountain in which was cut the old grass-grown theatre, about which the dwarf pines grew, the sun, already high, had drawn up the heavy dews of the night before, and the air was quivering with heat like a man in an ague fit. The growth of these pines was that of bushes rather than trees, some of them covering a space of ten yards square, gnarl-trunked, and sprawling along the ground. On some dozen of them he selected a place near the root and cut off a piece of bark a few inches square in order that the resin might ooze from the lips of the wounded trunk, placing below each a flat stone to catch the dripping. In a few days' time there would be sufficient resin collected for the year's wine. On several trees he found the incisions he had made in previous years, in some of which, where the flow of resin had continued after he had removed it for the wine, it had gone on dripping until a little pillar, like the slag-wax from a candle, stood up between the stone and the tree. He cut off one of these to see whether it was still good, but the damp had soaked into it, and the outside surface was covered with a gray fungus growth which rendered it useless.
He ate his dinner under shelter of the more shady trees which grew higher up the slope, and waited till the sun had lost its noonday heat, listening lazily to the bell on the neck of his pony, which was grazing on the hill-side above, dozing and wondering what the next year would bring for him. He had no idea what Nicholas would call on him to do, but he was willing to wait. The love of adventure and excitement was fermenting in him, though he was contented to go on living his usual life from day to day. Nicholas, he knew, would not fail; some day, he knew not when, the summons would come, and he would obey blindly. Then he thought of the horrible scene which Nicholas and he had looked on three months ago, when they saw that dead, misshapen thing dangling from a tree, and his blood began to boil and the desire to avenge the wrongs done to his race stirred in him.
"Spare not man, woman, or child," Nicholas had said.
He lay back on the short turf and began to think about Maria. Supposing Maria had been a Turkish woman, and Nicholas had put a knife into his hand while he was looking at her mid-day sleep beneath the poplars, and told him to kill her, would he have been able? Could he have struck anything so soft and pretty? Fancy that heavy lout, Yanko, marrying Maria; he was all fat, and sat drinking all day at the wine-shop, yet he was never drunk, like a proper man, and he was seldom sober. Then Mitsos for the first time in his life became analytical, though his vocabulary boasted no such word. Why was it that since the day he stood in front of Maria as she lay asleep he had regarded women somehow with different eyes? What was it to him whether Yanko or another had her? Hitherto he had thought of women in the obvious, work-a-day light in which they are presented to a Greek boy, as beasts of burden, hewers of wood and drawers of water, inferior beings who waited on the men, and when alone chattered shrilly and volubly to each other like jays, or a bushful of silly, jabbering sparrows—creatures altogether unfit for the companionship of men. But since that moment he or they had changed; there was something wonderful about them which men did not share, something demanding protection, even tenderness, affording food for vague, disquieting thought. He had not understood at all, not having known his mother, why Nicholas had spoken as he had of his wife, except in so far that she was a possession of which the Turks had robbed him. But Mitsos could think of nothing the loss of which would make him devote his life to the extermination of the race that had robbed him of it. Even if the Turks took away his gun he realized that he would not wish to destroy the whole race for that. The brutal hanging of a man was a different matter; a man was a man, and a woman—Well, that woman was Nicholas's wife. Suppose the Turks killed Maria, would that be worse than if they killed, say, Nicholas? Well, not worse, not nearly so bad in fact, but, somehow, different.
Thus knocked Mitsos at the door of the habitation called love, and waited for its sesame.
CHAPTER VI
THE SONG FROM THE DARKNESS
When Constantine looked at one of the casks of fermenting wine on the fourth day, he saw that the crust of skins, stalks, and stones had risen to within six inches of the top, like coffee on the boil, and was thickly covered with a pink, sour-smelling froth. The fermentation was at its height, and it was time to mix up the crust with the fluid again to excite it even further. In one cask, into which the ripest fruit from the more sun-baked corner of the vineyard had been put, this crust had risen even higher, and threatened to overflow. The ordinary custom in Greece at this time was for a naked man to get into the cask and stir it up again, a remnant, no doubt, of some now insignificant superstition; but Constantine, though he still put the grapes of one vine in a bowl for the birds to eat, did not think it necessary to make this further concession,
