oratory?”
Saxe accepted the criticism without rancor.
“Anyhow, I’ll let that stand by way of introduction,” he continued. “The pith of the matter is this: I’ve had some money left to me, a tidy sum in fact.”
Instantly, there came a chorus of congratulations from his friends. But the host waved his hand for silence, while he shook his head lugubriously.
“I’m not exactly ready for congratulations yet,” he declared, when they had fallen silent again. “It’s true, I’ve had some money left to me, but the deuce of it is, I don’t know where the money is.”
Exclamations burst forth anew, eager questionings.
“The simplest way of explaining the whole affair,” Saxe went on, “is to make it known to you in the form in which it was made known to me:
“The morning of the day on which I wrote to you, I received a letter. That letter was the first warning I had of this possible adventure. Now, I’ll read the letter to you, and then you’ll have the same knowledge of the whole matter as I have. By way of preface, I need only say that the writer of the letter has since died, and I have been formally notified by his lawyer concerning the old man’s will, in exact accordance with the terms of the letter he wrote me.”
The young man took from his breast-pocket a typewritten letter, and proceeded to read it aloud. From the first word to the last, the auditors sat silent, almost without movement, save now and then for the relighting of cigar or cigarette.
The letter ran as follows:
Saxe Temple, Esq.,
New York City.
Dear Sir:
It will doubtless astonish you at the outset to receive a letter of this length from one who is a complete stranger to you. It will astonish you still more when you learn the contents of this communication. I shall, however, set forth the facts in such wise as may enable you to grasp them understandingly. For your opinion concerning them or me I care little. I am, in fact, making use of you as a sort of sop to conscience on finding myself face to face with death.
All that you need to know is this:
I am a musician. All the love of my life has been given to music—with two exceptions, of which I shall write later on in this letter. As to the music, I have loved it as an amateur, for I was of independent means with no need to mix in the sordid struggle for money. I have never written for production. I have been content for the most part merely to study, to apprehend as best I might the work of the masters. What I have myself composed has been of a wholly desultory sort, fragments of fragmentary ideas. I have fashioned now and then the motif of a theme. I have scientifically worked out by an application of mathematical laws, based on ratios of vibration, certain new things in the way of harmony. All these I have left to you unconditionally. I dare hope and believe that you will be able to make some use of the material. If you do so, pray spare yourself the pains of giving me any credit—if your honesty be over-nice—or worrying your conscience if you chance to be dishonest. I have no idea that I shall be messing around anywhere in your environment after I am once dead, and the world’s praise can be less than nothing to me after I have gone from earth. But because you are a musician and, as I have come to believe, an earnest one, I have decided to make you heir to my musical legacies certainly—to my money perhaps. I’ll explain the “perhaps” presently.
But first I must tell you of the love that rivaled my love for music. This was for your mother. On that account my thoughts have been directed to you with special force. On that account this letter to you and all this letter implies.
Your mother as a girl possessed a wonderful natural voice and, too, the soul of a musician. It so chanced that she and I were neighbors and we met often socially. I was only a few years older than she, and I was already skilled in music, for I had devoted myself to the study of it from childhood. I recognized the supreme worth of her voice at the first hearing. I fell in love with your mother then—as a man with a woman, yes—even more as a musician in love, with a glorious instrument of music. It soon became evident that while she liked me, she could not love me as a wife should love her husband. I realized the truth, and though I suffered as an emotional temperament must suffer in such case, I did not despair. The musician in me triumphed over the man for I rejoiced in the glorious gift that she would manifest to the world. So I merged my passion for the woman in the enthusiasm of the maestro for his pupil. I offered myself as her teacher and she accepted me in that capacity. For two years I taught her. Under my training, her method became perfect. Her soul, too, grew, so that she had sympathy and understanding.
Then, just when she was all prepared for her triumph and my own, she fell in love with your father. She married him. In spite of all my prayers, my reproaches, my supplications, she abandoned her career for love’s sake. Her husband was opposed to his wife’s appearing in public as a singer. She yielded to his wishes without remonstrance. I believe she was happy in her way because she loved your father sincerely, and she counted no sacrifice too great for love.
You, as a musician, can apprehend perhaps the suffering I underwent in consequence of this disappointment. It sickened me of my fellows—made me a recluse. It was in my life of retirement that I developed my third love—that of the miser for gold. I secretly transformed all my possessions into gold, which I kept in a secret safe here in my house. Oh, the hours of night during which I have worshiped before the shining heaps! But enough has been written at one time and another over the raptures of the miser, a rapture without justification in reason, yet more masterful than any other. I shall not weary you with explanation or excuse. The statement of the fact alone is sufficient.
Now at last I find myself the victim of a disease that must end my life course within a few days, perhaps hours. It becomes necessary then for me to dispose of my wealth. I am without relations with the exception of a distant cousin and her daughter, who are already well-to-do. To this daughter I have left my house here and the land that goes with it—a thousand acres—which has some value today and will have more very soon, as the region is being opened up.
For the bulk of my wealth, which as I have said is in gold, I have selected you as a possible heir, but you must do your part. I have thus chosen you because I dare hope that by it you may be helped in accomplishing something of worth in the art of music and so atone in some measure for the loss occasioned by your mother’s abandonment of her career. The condition which I have imposed on this legacy is merely to test you as to your perseverance and your intelligence. In the event of your failure, half of the money will go to the girl, and the other half to the founding of a musicians’ home.
After my death you will be notified by my lawyer, who has my will duly drawn in accordance with the conditions I here roughly explain. At once then, you will come to this place and here conduct a search for my treasure-chest, which contains three hundred thousand dollars in gold. If you discover this within a month from the day of my death, this treasure shall be yours absolutely. If you fail in the quest the seals of my description of the hiding-place, which has been deposited with my lawyer, will be opened and the treasure secured, to be divided between my young kinswoman, Margaret West, and the establishing and endowing of a home for disabled musicians.
Because you are the son of your mother whom I loved, and because you are a musician of promise, I have thus chosen you as my possible heir. If you are as acute as I think, you will easily discover the necessary clues to the hiding-place of the gold. In the hunt you have full liberty to use any means you wish, with the privilege of residing in the house here with your helpers—if you employ them—during the length of the time allowed you.
Yours truly,
