Sally of Missouri. Rose E. Young
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Madeira had risen, preparatory to conducting Steering to the recorder's office in accord with the first number of his programme, and Steering got up, too. While Madeira shut up his desk, Steering threw away the stump of his cigar and brought his flexed arms back to his shoulders with an expansive pull on his chest that sent a big influx of air into his lungs. After his séance with Madeira he felt as though he had been pummelled down flat. Madeira had to open his desk again for something he had forgotten and Steering passed on to the door, impatient for some outside air. As he opened the door, with his eyes rather thoughtfully fixed upon the floor, he saw, peeping around the curve where the Force's cage elbowed its way out into the room, a foot. Being a slender foot, in a well-fitting walking boot, it held him an unconscionably long time, then drew him on mandatorily, up the little space between the Force's cage and the wall, until he had rounded the curve and had come out by the Force's window, where a bare-headed girl leaned, talking merrily, gouging a hat-pin into the hat that she had taken off.
"Oh, it's Mr. Steering—isn't it?" she asked at once, and put her hand out to him. "I heard Father say that he was expecting you. And then, too, a friend of yours, who seemed much concerned about your fate over at Poetical, rode to our house last night and made me promise to welcome you to Canaan. I am Sally Madeira."
"Hi, Pet, you there?" Madeira's big voice came through the door of the private office and took possession of the minute and the girl—"entertain the New Yorker until I get through here, will you? I got to monkey with this blasted lock again."
"Yes, Father, I'm entertaining him," Madeira's daughter called back, while Bruce held helplessly to the hand she had given him. A peculiar mistiness had come over his senses. He could have sworn that through it he saw a picture that had been with him a good deal during the past year of his life, a picture of a woman's flower face, her fluffiness—as of silk and lace—lose colour, outline, significance, like a daguerreotype in the sunlight. A swift joy that he was in Canaan possessed him. All he could say was, "So you are Miss Sally?" It sounded very dull, so dull that he hastened to add, "So you know Piney?—Awfully kind of Piney to attract your attention to me." Remembering with horror some of his conversation with Piney about Miss Madeira, he repeated solemnly, "Awfully kind."
"Well, I think you can give the little vagabond credit for a kind heart." Miss Madeira laughed softly.
"I give him credit for much more than that," said Bruce. He was envying Piney, seeing that the tramp-boy's intuitive appreciations matched his vigorous young beauty, that he was far more poet than vagabond, that he, Bruce, had attempted to play clownishly upon what was a worthy and lovely idyl in the boy's heart. As though she, too, had some faint, perturbing consciousness of Piney, the girl flushed a little, laughed a little, and turned the subject readily.
"I know yet another friend of yours," said she.
"I am glad of that." Bruce had released her hand, forgotten the business that had brought him to Missouri, forgotten Crittenton Madeira, and stood with his arms folded, looking down upon her, glad that she was so tall, glad that he was taller, glad about everything.
"Yes, another friend," she nodded with fleeting meaning, "I was at Vassar with Elsie Gossamer."
Face to face with a woman like Sally Madeira the thought of a woman like Miss Gossamer must necessarily stay hazy in a man's brain. As with another Romeo, Rosaline had but laid the velvet up which came the surer feet of Juliet. "Well," said Steering happily, "all this is going to make us acquainted, isn't it?"
"It may, if you like." She had a splendid comradeship of manner. Her father's energy stopped short of bluster in her. Borne up on her breezy westernism was a fragrant reserve, a fine reticence that disengaged a tantalising promise.
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